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A feminist parable, directed entirely in choker close-ups by Claudia Weill. The surface realism doesn't hide the contrivances, black-and-white morality, and absurdly easy choices built into the screenplay, which still ends up affirming the old canard that marriage and a career are mutually exclusive. With Melanie Mayron, who plays a woman who is Jewish and liberated, and Anita Skinner, who is a WASP and naturally not (1973).

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