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Enter for the chance to win a pair of tickets to see Ricky Gervais at the Chicago Theatre

Enter for the chance to win a pair of tickets to see Ricky Gervais at the Chicago Theatre

Thursday, May 25th – 8pm


Includes a 100 gift card to Rosebud Prime. Controversial British comic Ricky Gervais is headed back this way - for his first global tour in seven years, since his Out of England I & II Tour in 2010. With Gervais promising "Humanity is my angriest, most honest and I think my best tour yet", be prepared for his irascible and caustic sense of humor, that has got considerably darker in the last 12 months following various political upheavals! 2016 marked a huge year for Gervais, with his cinematic release David Brent: Life On The Road and Netflix project Special Correspondents. He also garnered the Charlie Chaplin Britannia Award for Excellence in Comedy, and hosted the Golden Globes, memorably taking aim at Mel Gibson's 2006 arrest, and raising his ire! Well it's not Ricky if he's not upsetting somebody! Promised as his most organic and confessional stand-up tour yet, Gervais will be headed to Canada for the very first time in July, where he hopes that his deadpan humor will be welcomed as much as it is in the States! The creator of inept manager David Brent, The Office is considered to be the most successful British sitcom of all time, spawning a memorable US remake starring Steve Carell. The Humanity tour kicks off this summer and hits the The Chicago Theatre in Chicago , IL , May 24 - 25, 2017 Click here for more information!

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Concerts

Enter for the chance to win a pair of tickets to Pallbearer at Thalia Hall

Enter for the chance to win a pair of tickets to Pallbearer at Thalia Hall

Friday, March 31st – 8:30pm


The consensus on Pallbearer’s new third album, Heartless (Profound Lore), seems to be that the Arkansas doom-metal quartet have finally unmasked themselves as a prog band. But even if you’re one of those benighted souls for whom “prog” is a four-letter word, you needn’t be alarmed—the shift is more of degree than of kind. After all, on Pallbearer’s debut, 2012’s Sorrow and Extinction, the stately riffs follow long, serpentine paths, weaving together melody and countermelody in a complicated dance. The occasional airy synths on Heartless aren’t a new development either—keyboards make similar cameos on 2014’s Foundations of Burden. This isn’t to say that nothing important has changed: Pallbearer’s music has always evoked desolation, solitude, and grief, but now its tone is as heroic as it is melancholy, as towering and radiant as it is bleak and cavernous. Much of this has to do with the bright, relatively conventional mix by Joe Barresi (Tool, Queens of the Stone Age), which frequently backgrounds the band’s grainy bedrock of colossal drop-tuned guitars in favor of steely lead lines or multiple tracks of Brett Campbell’s clean, mournful singing. The songwriting on Heartless has evolved too, relying less on the glacial patience of funeral doom and more on the familiar gratifications of rock ’n’ roll. The operative word here is more: more athletic bustle, more nimble counterpoint, more up-tempo riffing, more shouted vocals, more overripe harmonies. “Dancing in Madness” and “Cruel Road” even include what might be the group’s meanest-sounding unison chugging, while Campbell manages a convincingly contemptuous snarl. Maybe you can’t reconcile the Pallbearer sound you fell for with this much studio polish or this many notes—in that case, you can take solace in their increasingly impressive live shows, where they play material from across their career at roughly the volume of Mount St. Helens. You’ll never feel so good while a band asks you to mourn the onrushing collapse of your civilization. Click here for more information!

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Enter for the chance to win a pair of tickets to see Richard Ashcroft

Enter for the chance to win a pair of tickets to see Richard Ashcroft

Thursday, March 30 - 7:30


Event Info: Room: Music Hall Door Time: 7:30PM Support: TBD VIP Services: Upgrade to the ultimate VIP experiences for priority access, premium menu and spirits, personal service and more. Details and reservations here. Admission Type: All tickets are STANDING ROOM ONLY. If you’re interested in other seating options, click here. Special Offers: First Uber ride free up to $20! Sign up with promo code HOBCHI at Uber.com/app (new riders only). Parking: You can find various parking options available here. Doors @ 730PM. Performance begins at 9PM. This show is for AGES 17 AND OLDER. Valid Photo ID is required for age restricted shows. Forms of valid ID are current and non-expired Driver's License, State ID or Passport. House of Blues Chicago is a standing room only venue, all tickets are General Admission unless otherwise stated. Please contact the House of Blues Box Office 312.923.2000 to inquire about Dinner Package Seating and/or Disability Seating. Those in need of Accessible seating need to first purchase a General Admission ticket, then contact the venue Box Office at 312.923.2000 to reserve accommodations. House of Blues Chicago is Smoke Free. There is no re-entry. Click here for more information!

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Movies

Enter for the chance to win a pair of tickets to Gene Siskel European Film Festival

Enter for the chance to win a pair of tickets to Gene Siskel European Film Festival

March 3rd – 30th


Our festival sparkles with new and daring work by some of Europe’s most renowned directors, including: Olivier Assayas (PERSONAL SHOPPER); the Dardennes brothers (THE UNKNOWN GIRL); Doris Dörrie (GREETINGS FROM FUKUSHIMA); Bruno Dumont (SLACK BAY); Eugène Green (THE SON OF JOSEPH); Szabolcs Hajdu (IT’S NOT THE TIME OF MY LIFE); Joachim Lafosse (AFTER LOVE); Sergei Loznitsa (AUSTERLITZ); François Ozon (FRANTZ); and João Pedro Rodrigues (THE ORNITHOLOGIST). Films selected to represent their respective nations in the Academy Awards competition for Best Foreign Film include: STEFAN ZWEIG: FAREWELL TO EUROPE (Austria); LOSERS (Bulgaria); ON THE OTHER SIDE (Croatia); DAWN (Latvia); TONIO (Netherlands); and EVA NOVÁ (Slovakia). A full one-fifth of this year’s festival films are directed by women, including CEZANNE AND ME (France) by Danièle Thompson, SAMI BLOOD (Sweden) by Amanda Kernell, TONIO (Netherlands) by Paula van der Oest, and MASTER AND TATYANA (Lithuania) by Giedrė Žickytė. Click here for more information!

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Agenda Teaser

Galleries & Museums
Art AIDS America Chicago Alphawood Gallery
December 15
Lit & Lectures
Thomas Frank Seminary Co-op Bookstore
March 27

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