Music

Friday, May 24, 2013

How local rapper Young Giftz improved his already great tune "Nino"

Posted by on 05.24.13 at 03:05 PM

NinoRemix.jpg
One of the best local rap tracks that dropped last year was "Nino," a tune that up-and-comer Young Giftz made with soul trap originator Tree; Giftz has an easygoing and playful flow that's a great match for Tree's grainy voice and wobbly, lean, and captivating production. It's a hell of a song, and I wasn't sure it could be improved upon until Giftz dropped a "Nino" remix yesterday—turns out all he had to do was make the song about twice as long and snag features from Save Money's Joey Purp, Kami de Chukwu, Dally Auston, Brain Fresco, and Caleb James. Now the track has a snide jab at Rick Ross's controversial lyrics about rape from "U.O.E.N.O.," shout-outs to Ida B. Wells and the Low End, and a tasteful touch of Auto-Tune. It's a great remix and a great time to drop it as the eyes and ears of the listening public outside of Chicago are getting tuned into local rap that isn't confined to the drill sound, and the remix has some of the scene's shining stars. Stream the "Nino" remix (via Fake Shore Drive) and check out the video for the original tune below.

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The uncanny choreography of World Order

Posted by on 05.24.13 at 02:35 PM

Genki Sudo and World Order
  • Genki Sudo and World Order
In this week's In Rotation I wrote about my infatuation with Grimes's Tumblr, and wouldn't you know it, as soon as it went online she proved me right by posting some of the most thoroughly amazing music videos ever.

The band behind them is called World Order, and they're from Japan. The guy behind the band is Genki Sudo, an actor, essayist, and former world-class mixed martial artist who's spending his post-MMA career making electropop music and filming extremely insane music videos to accompany it.

In each of them Sudo and his crew, all wearing the severe suits and haircuts of the Japanese salaryman, perform intensely complex choreographed dance routines where they frequently do real-time physical emulations of film special-effects like slow motion and video tracers. It looks so unreal that it's hard to believe, but most of their shoots take place in public spaces, with no apparent attempts to keep passersby out of frame, so you'll frequently see people gawking at the performances—which also suggests that there's no postproduction trickery.

Each video is a minor masterpiece of the uncanny colliding with the banal, and I hope no one lets David Byrne see them because I'm afraid he might literally shit his internal organs out. Check them out after the jump.

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The easy stylistic yin and yang of drummer Ches Smith

Posted by on 05.24.13 at 02:00 PM

Ches Smith
  • Ziga Koritnik
  • Ches Smith
In this week's paper I previewed the upcoming performances by Marc Ribot's power trio Ceramic Dog at Pritzker Pavilion and Constellation; the rhythmic engine for that wonderfully flinty band is drummer Ches Smith, a guy who epitomizes the cross-fertilization of forward-looking jazz and outre rock music. He grew up with both, and he's conversant in both. He's played under the leadership of folks like guitarist Mary Halvorson and saxophonists Tim Berne and Darius Jones, as well as providing propulsion for art-rock outfits like Secret Chiefs 3, Xiu Xiu, and Good for Cows, his own duo with former Chicago bassist Devin Hoff.

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This show: Blank Realm tonight at the Burlington

Posted by on 05.24.13 at 12:34 PM

Blank Realm
  • Courtesy of Fire Records
  • Blank Realm
The newest album from Brisbane's Blank Realm, Go Easy (Fire), is no straightforward listen—a fact that actually doubles as one of its most distinct peculiarities and one of its most magnetic qualities. It teeters on bluesy skuzz-punk one moment, psych-infused indie pop another, and has a chaotic and raucous groove throughout that loosely ties together each of its eight songs. Yet another win for Australia, a continent with its finger currently on the pulse of artsy outsider garage punk.

Below are the album's first two tracks: the electric opener "Acting Strange"—a noisy, crunchy stomper that includes a background of anxiety-inducing bleeps and bloops—and "Cleaning Up My Mess," which with its hazy slow burn of reverb and tropical guitar is a nice sedative to temper the nerves created by its predecessor.

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12 O'Clock Track: "John Carpenter" is the dark, dirty return of the Weeknd

Posted by on 05.24.13 at 12:00 PM

Kiss Land
  • Kiss Land
Last week the world finally got a preview of the highly anticipated official full-length from the Weeknd, aka Toronto's Abel Tesfaye. Tesfaye made a pretty gigantic impression on the hip-hop and R&B communities in 2011, when he dropped three stellar and highly acclaimed mixtapes on his website. Originally released behind the internet's hood of anonymity, these three records featured spaced-up, drugged-down production and bleak, desperate lyrics about the dark side of an excessive, glamorous lifestyle sung by a smooth, sweet Michael Jackson soundalike. The songs walked an uncomfortable line between depraved and sexy, the futuristic beats propelling songs about drug withdrawals and loneliness. It was incredibly catchy and beautiful, but it was all very, very real. The mixtapes—most notably the first of the three, House of Balloons—wound up putting Tesfaye on the stages of last year's Lollapalooza and Coachella. I actually caught him at an intimate stop at Lincoln Hall on his tour following the latter festival, and he was backed by a pro-gear, airtight band of session musicians. The show was great, but was almost too well-executed to make the absolutely unfun subject matter of the songs convincing. So when word of new Weeknd songs came out, I was concerned that perhaps Tesfaye's new brush with fame had changed the way he made music—would these new songs still be heavy and creepy and dirty, or would they be slick and radio-ready, like his live show was? Today's 12 O'Clock Track is "John Carpenter," one of two tracks released last week as a sneak peek of his upcoming Kiss Land LP, and it proves that I really had no reason to worry. This is the type of song that makes the Weeknd so great. Take a listen after the jump.

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Chicago River, the symphony, and the book that inspired it

Posted by on 05.24.13 at 10:31 AM

The Chicago River at State Street, 1902
  • The Lost Panoramas (CityFilesPress.com)
  • The Chicago River at State Street, 1902
In case you missed school that day in fourth grade when the reversal of the Chicago River was explained and, like me, are a little fuzzy on the details, here's a cheat sheet, mostly gleaned from The Lost Panoramas: When Chicago Changed Its River and the Land Beyond, the big, historical photo book by Richard Cahan and Michael Williams, published in 2011 by CityFiles Press and the Peggy Notebaert Nature Museum.

• There used to be a "continental divide" ridge near the southwest suburb of Summit. Water on one side flowed toward the Gulf, and water on the other side ran toward the Atlantic.

• If you wanted to go from the Des Plaines to the Chicago river (or back), you had to carry or slide your canoe across this bump.

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Thursday, May 23, 2013

Tim Dog: Dead or alive?

Posted by on 05.23.13 at 04:12 PM

Tim Dog
  • Tim Dog
Back in February rap geeks around the world mourned the passing of Tim Dog, a Bronx-based MC who caused a stir back in 1991 when he released "Fuck Compton," an inflammatory single that helped set off the East Coast/West Coast feud that would eventually result in Biggie and Tupac's murders. It was also hard as hell, which is one of the reasons why it's managed to stay in the hearts of rap fans who found the beef to be otherwise tragic and meaningless.

News of Tim's death originated in a short item on the Source website by Shah Be Allah blaming it on a seizure caused by complications from diabetes. It also noted that the last time Tim had made the news was in 2012 when Dateline set up a sting operation that seemed to have caught him in the act of defrauding women he met through a dating site.

Today that Source post is gone (but still archived online), and there's an arrest warrant out for Tim Dog in Desoto County, Mississippi. It seems that the Source item was the closest thing to proof that he had actually died. No one's been able to find a death certificate for Tim Blair, the rapper's real name, and one of his closest friends, who turned down Tim's family's request that he speak at the funeral, doubts that in the end there was even a funeral at all.

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La Sacre du Printemps turns 100, the Butchershop Quartet celebrates

Posted by on 05.23.13 at 02:50 PM

Stravinsky_Rite_of_Spring_Bernstein.jpg
For a long time I thought the French seal of artistic disapproval was to rip out the seats of a theater, whether it was the first viewing of the Luis Buñuel and Salvador Dalí film L'age D'or or Fox Movietone Follies of 1929 screened without subtitles. It seems to be a hallowed tradition. Seat destruction was also famously visited upon the world premiere of the Igor Stravinsky ballet masterpiece Le Sacre de Printemps (The Rite of Spring) on May 29, 1913 at the Théâtre des Champs-Elysées. The Jonathan Cott liner notes for a brand-new reissue of Leonard Bernstein's defining 1958 recording of the work with the New York Philharmonic on Columbia Records includes a lengthy description of the audience reaction.

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Exploring Dance Mania's old inventory in Ray Barney's basement

Posted by on 05.23.13 at 02:15 PM

Victor Parris Mitchell rifling through records in Ray Barneys basement
  • Victor Parris Mitchell rifling through records in Ray Barney's basement
When Ray Barney told me the leftover inventory from his old label, Dance Mania, had been gathering dust in his basement since the dance imprint shut down in 2001, I knew I had to get down there and see it for myself. As I wrote in this week's B Side feature, Victor Parris Mitchell, a producer who released several records on Barney's label, and Barney himself are relaunching Dance Mania—and they're doing so partially because the imprint's old catalog is in high demand. The label was an underground phenomenon during its initial run—it's best known for breeding an uncommercial style of house called ghetto house, and the biggest releases sold upwards of 10,000 copies—but these days Dance Mania gets plenty of play in clubs, and some of the label's old LPs can sell for as much as $300 online.

Given Dance Mania's reputation and importance, I was pretty eager to get down to Barney's basement and literally get my hands dirty searching for the label's classic records. So I recently headed down to Lawndale with videographers Dustin Park and Peter Holderness in tow, where we explored the Dance Mania inventory with Barney and Mitchell and talked to the pair about the label's history, its new-found popularity, and selling off the old records. As Mitchell told me the back stock is picked over, but we still managed to discover some beloved Dance Mania records hiding between leftover LPs from Barney's old retail music store. Check out our video below to see some of the records we found, watch Barney and Mitchell talk about the label's history, and get a glimpse of a dance nerd's Holy Grail.

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Pink Avalanche celebrate the release of their first record, Wraiths, with a free listening party

Posted by on 05.23.13 at 12:33 PM

Wraiths
  • Wraiths
Local four-piece Pink Avalanche, led by sound engineer and former Atombombpocketknife front man Che Arthur, are releasing their debut record next week, and are celebrating it with a listening party at the Burlington on Memorial Day, Mon 5/27, at 9 PM. The postpunk project sees a lot of local underground veterans coming together to create an excellent racket. Pink Avalanche—whose lineup is rounded out by drummer Adam Reach (formerly of Poison Arrows), guitarist Kortland Chase (who was in Chatty Cathy), and bassist Pete Croke (who plays in about 200 bands, including Tight Phantomz, Brokeback, and Reds and Blue)—blend Hot Snakes-styled rhythmic pummeling, Husker Du-inspired rough melodic bent, and atonal guitar meandering a la Fugazi. It's an odd and exciting combination of flavors that perfectly showcases the vast array of voices and influences the members of this band bring to the table. You can stream the new album, Wraiths, after the jump, but the party on Monday night celebrates the release of a copy you can actually own.

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