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    <channel>
    <title>Chicago Reader: The Blog: Onstage</title>
    
      <link>http://www.chicagoreader.com/blogs/TheBlog/</link>
    
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    <description>Chicago&apos;s comprehensive guide to entertainment, with daily offerings in music, movies, dining, theater, art, politics, and fashion. Plus classifieds: the best place to find a job, an apartment, a date, and more.</description>
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    <pubDate>Sat, 21 Nov 2009 00:00:01 -0600</pubDate>
    <lastBuildDate>Sat, 21 Nov 2009 04:45:00 -0600</lastBuildDate>
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    <docs>http://blogs.law.harvard.edu/tech/rss</docs>
    
      <item>
    <title><![CDATA[Performance Explores Transgender Identity]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/11/18/performance-explores-transgender-identity]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/11/18/performance-explores-transgender-identity]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Albert Williams)]]></author>
    
      <description>
        <![CDATA[<p><div class="blogImageCenter" style="width:512px;"><img src="/images/blogimages/2009/11/18/1258558742-rebecca1.jpg" alt="Trans Form" title="Trans Form" width="500" height="459" /><ul><li class="imageCredit"></li><li class="imageCaption">Trans Form</li></ul></div></p>
<p>A year ago, I wrote about transgender performance artist Rebecca Kling when she appeared in <em><a href="http://www.chicagoreader.com/TheBlog/archives/2008/11/18/charged-bodies-introduces-emerging-solo-artists">Charged Bodies</a></em>, an evening of solo works at Links Hall. Kling presented an excerpt from <em>Trans Form</em>, then a work-in-progress. "I got involved with this project because I'd been looking for a way to access queer identity," she said. "Transitioning [from male to female] is a very gradual process, [and] trying to process the gender transition through solo performance made a lot of sense to me."</p>]]>
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      </description>
      
        <category>Onstage, Gay and Performing Arts</category>
      
    
    
    <pubDate>Wed, 18 Nov 2009 09:57:29 -0600</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[11/14-11/20&#8212;Free Events From Chicago Opera Theater]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/11/13/1114-1120free-events-from-chicago-opera-theater]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/11/13/1114-1120free-events-from-chicago-opera-theater]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Sam Adams)]]></author>
    
      <description>
        <![CDATA[<p>As part of National Opera Week, Chicago Opera Theater offers two one-act operas and a variety of street performances over the next week.</p>]]>
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      </description>
      
        <category>Onstage, Free Shit and Performing Arts</category>
      
    
    
    <pubDate>Fri, 13 Nov 2009 09:28:40 -0600</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[11/9&#8212;"Site Unseen" at the Chicago Cultural Center]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/11/06/119site-unseen-at-the-chicago-cultural-center]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/11/06/119site-unseen-at-the-chicago-cultural-center]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Sam Adams)]]></author>
    
      <description>
        <![CDATA[<p>Monday from 6 to 9 PM the Chicago Cultural Center (78 E. Washington, wheelchair accessible entrance on Randolph) will host <a href="http://www.dcatheater.org/shows/show/site_unseen_2009/">Site Unseen 2009: (Dis)abling Conditions</a>, featuring "performances, installations, and video works consider[ing] issues around disability . . . created specifically for the rooms and architecture of the Chicago Cultural Center."</p>]]>
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      </description>
      
        <category>Onstage, Visual Art, Free Shit and Performing Arts</category>
      
    
    
    <pubDate>Fri, 06 Nov 2009 17:01:11 -0600</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[At Chicago Shakespeare for Just Five Days]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/29/at-chicago-shakespeare-for-just-five-days]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/29/at-chicago-shakespeare-for-just-five-days]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Tony Adler)]]></author>
    
      <description>
        <![CDATA[<p><div class="blogImageCenter" style="width:512px;"><img src="/images/blogimages/2009/10/29/1256856485-walworth1.jpg" alt="The Walworth Farce" title="The Walworth Farce" width="500" height="331" /><ul><li class="imageCredit"></li><li class="imageCaption">The Walworth Farce</li></ul></div><br />Enda Walsh's 2006 play starts out weird and very funny. An Irishman and his two grown sons bounce off the walls of the seedy London flat where they apparently squat, acting out an elaborate farce in which a contractor pretends that the mansion he's been working on belongs to him, then resorts to fancy maneuvers when the real owners show up. The acting style is vaudevillian by way of Bugs Bunny and Charles Ludlam. One son wears a dress and switches flouncy wigs depending on which devious slut he's playing. The other keeps the top of his head shaved and holds his mustache on with an elastic band. And Dad?</p>]]>
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      </description>
      
        <category>Onstage and Performing Arts</category>
      
    
    
    <pubDate>Thu, 29 Oct 2009 17:55:42 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Ivanov Against All Odds]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/29/ivanov-against-all-odds]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/29/ivanov-against-all-odds]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Justin Hayford)]]></author>
    
      <description>
        <![CDATA[<p>Anyone who's ever tried to mount a play knows that screw-ups, accidents and misfortunes tend to mount as opening night approaches. But Sinnerman Ensemble's current production of Anton Chekhov's <em>Ivanov </em> seemed especially cursed just before its Thursday October 1 opening. In light of Sinnerman's backstage story, supplied by the company's executive director, Calliope Porter, it's amazing that the tricky, two-and-a-half-hour show turned out to be <a href="http://www.chicagoreader.com/chicago/Event?oid=1193270">one of the best of the year</a>. Porter's litany:</p>]]>
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      </description>
      
        <category>Onstage and Performing Arts</category>
      
    
    
    <pubDate>Thu, 29 Oct 2009 12:41:16 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Gays to Daley: Privatize Us!]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/23/gays-to-daley-privatize-us]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/23/gays-to-daley-privatize-us]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Tony Adler)]]></author>
    
      <description>
        <![CDATA[<p>This just in from Gayco, the gay sketch comedy troupe, which starts previews Friday 11/6 for their <a href="http://www.chicagoreader.com/chicago/Event?oid=1219622">new show</a>, <em>The Audacity of Nope, or How I Fell for a Pansy Scheme</em>:</p>
<p>Gays to Daley: Privatize Us!<br /> <br />In the face of Chicago's $350 million budget deficit, the 'gay community' announced today that they are willing to let Mayor Daley privatize them.<br /> <br />"I would be delighted to be privately owned!" exclaimed Lakeview resident, R.L. Dinkley, a dental assistant and gay submissive, "To know that I'm helping to keep flowers planted along Lake Shore Drive in summer or decorate Michigan Ave at Christmas would be really meaningful."<br /> <br />"Mayor Daley has often praised the gay community as dynamic civic leaders.  It just stands to reason that he would want to harness the power inside them, like corn," said 53rd Ward Alderman, Ed Bus.   <br /> <br />In recent days, the Mayor's Office floated a trial balloon about the concept.  In responding to concerns about future revenues, an official at the City of Chicago stated that the GLBT community was "a fabulous untapped resource; unlike parking meters and lakefront parkland, we have yet to bulldoze or sell them to a foreign company in the wee hours of the night."   <br /> <br />Ultimately, the unified Chicago GLBT's recognize Mayor Daley's strong, passionate support for the community and want to do their part in these difficult economic times. <br /> <br />Allies have also expressed support.  Gold Coast heterosexual couple, John and Linda Bachman, suspect their five-year-old daughter is very, very lesbian, and would be happy to privatize her if it means they can afford their property tax.   </p>
<p>Critics argue that gays are traditionally high maintenance and will ultimately end up costing the city.</p>]]>
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      </description>
      
        <category>Onstage, Gay, Politics, Performing Arts and Comedy</category>
      
    
    
    <pubDate>Fri, 23 Oct 2009 17:33:16 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Landesman to Play Peoria]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/21/landesman-to-play-peoria]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/21/landesman-to-play-peoria]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Albert Williams)]]></author>
    
      <description>
        <![CDATA[<p>Last summer, in an <a href=" http://www.nytimes.com/2009/08/08/arts/08rocco.html?_r=2&ref=arts">interview</a> published shortly after his confirmation as National Endowment for the Arts chair, Rocco Landesman told the <em>New York Times</em>, "I don&#8217;t know if there's a theater in Peoria, but I would bet that it's not as good as Steppenwolf or the Goodman." The <a href="http://www.chicagoreader.com/TheBlog/archives/2009/08/08/nea-chair-rocco-landesman-speaks-out#readerComments">comment ruffled feathers</a> and raised questions about whether Landesman, a veteran Broadway producer, was truly committed to the NEA's mission of "bringing the arts to all Americans [in] all 50 states, including rural areas, inner cities, and military bases." Now, according to a press release from the NEA, Landesman plans to hit the road to promote his message that "art works"&#8212;and his first stop, on Friday, November 6, will be <a href="http://www.chicagoreader.com/TheBlog/archives/2009/08/14/rocco-landesman-to-visit-peoria">Peoria</a>.</p>]]>
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      </description>
      
        <category>Onstage, Politics, Performing Arts and Dance</category>
      
    
    
    <pubDate>Wed, 21 Oct 2009 16:10:10 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Othello's Closing Weekend]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/20/othellos-closing-weekend]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/20/othellos-closing-weekend]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Deanna Isaacs)]]></author>
    
      <description>
        <![CDATA[<p>A dozen years after it was first produced, Chicago's finally getting to see the three-act ballet version of <a href="http://www.lubovitch.org">Othello</a> by native son <a href="http://tinyurl.com/ygmwwkt">Lar Lubovitch</a>. This <a href="http://www.joffrey.org">Joffrey Ballet</a> production uses the exquisite original sets by George Tsypin, which juxtapose great slabs of glass with a gilt-framed sky to conjure an abstracted version of Renaissance Venice.]]>
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      </description>
      
        <category>Onstage, Performing Arts and Dance</category>
      
    
    
    <pubDate>Tue, 20 Oct 2009 17:36:00 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Jeff Equity Award Winners]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/20/jeff-equity-award-winners]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/20/jeff-equity-award-winners]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Tony Adler)]]></author>
    
      <description>
        <![CDATA[<p>The Jeff Awards ceremony was held Monday night. Here's the complete list of winners, out of 141 Equity productions attended by Jeff judges in the season ended July 31, 2009.</p>]]>
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      </description>
      
        <category>Onstage and Performing Arts</category>
      
    
    
    <pubDate>Tue, 20 Oct 2009 08:00:56 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[The "Surprise" Performance at Water Tower Place]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/08/the-surprise-performance-at-water-tower-place]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/08/the-surprise-performance-at-water-tower-place]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Tony Adler)]]></author>
    
      <description>
        <![CDATA[<p>Took a walk in the rain over to Water Tower Place this afternoon, to see the "surprise flash mob" performance about which the media were alerted yesterday. If you've checked this <a href="http://www.chicagoreader.com/TheBlog/archives/2009/10/07/surprise-events-downtown">blog</a> in the last 24 hours, you were alerted, too. </p>
<p>And sure enough, the alerted were in evidence on the second floor of the mall: more than one camera crew, and a bunch of civilians looking around with an air of expectation. Led, probably, by agent provocateurs in their midst, they'd begun to form a ring around what would turn out to be the performance area.</p>
<p>At 2 PM, a pair of beautiful young people met in the middle of the ring and started dancing a sort of 50s modified jitterbug to "Do You Believe in Magic." Other beautiful kids joined them (severely depleting the beauty in the audience), and by the time they switched to robotic synchrony there was a mob on the dance floor, as anti-advertised.</p>]]>
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      </description>
      
        <category>Onstage, Performing Arts and Dance</category>
      
    
    
    <pubDate>Thu, 08 Oct 2009 16:10:20 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Ann Reinking Sets Fosse Trilogy on Thodos Dance Chicago]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/08/ann-reinking-sets-fosse-trilogy-on-thodos-dance-chicago]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/08/ann-reinking-sets-fosse-trilogy-on-thodos-dance-chicago]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Albert Williams)]]></author>
    
      <description>
        <![CDATA[<p>Veteran Broadway dancer Ann Reinking is teaming up with Thodos Dance Chicago for <em>Fosse Trilogy</em>, a suite of short dances by Chicago-born director-choreographer Bob Fosse&#8212;Reinking's mentor and onetime lover. The work will be part of TDC's performances November 13 at the North Shore Center for the Performing Arts and November 28 at the Harris Theater for Music and Dance.</p>]]>
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      </description>
      
        <category>Onstage, Performing Arts and Dance</category>
      
    
    
    <pubDate>Thu, 08 Oct 2009 09:39:08 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA["Surprise" Events Downtown]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/07/surprise-events-downtown]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/07/surprise-events-downtown]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Tony Adler)]]></author>
    
      <description>
        <![CDATA[<p>In a contradictory but helpful gesture, General Growth Properties&#8212;which owns and manages Water Tower Place as well as a slew of other malls around the country&#8212;has announced "surprise flash mob performances" at three locations downtown Chicago tomorrow. Produced in association with Ryan Mackey, whose <a href="http://www.breakoutinsong.com/">Break Out in Song</a> public art events ambush innocent shoppers with elaborate, professionally performed Broadway-style numbers, the performances are meant to celebrate<a href="http://steppenwolf.org/"> Steppenwolf Theatre</a>'s 2009-10 season and it's theme: the power of belief. Volunteer dancers from Chicago's performing arts community will be at level two of Water Tower Place, 835 N. Michigan, Thursday, October 8, 2 PM. Weather permitting, they'll also hit the Art Institute Modern Wing entrance at 4:30 PM, and the Crown Fountain in Millennium Park at 5 PM. Act surprised.</p>]]>
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      </description>
      
        <category>Onstage, Free Shit, Performing Arts and Dance</category>
      
    
    
    <pubDate>Wed, 07 Oct 2009 16:25:15 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Goodman Uses Nontraditional Casting in Animal Crackers]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/07/goodman-uses-nontraditional-casting-in-animal-crackers]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/07/goodman-uses-nontraditional-casting-in-animal-crackers]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Albert Williams)]]></author>
    
      <description>
        <![CDATA[<p>In my<a href="http://www.chicagoreader.com/chicago/Event?oid=1191883"> review</a> of the Goodman Theatre's revival of the 1928 Marx Brothers musical <em>Animal Crackers</em>, I referred to the fact that the silent Marx brother, Harpo, is played by Molly Brennan. That prompted one reader (<em>Reader</em> film critic J.R. Jones) to comment, "Having a woman play Harpo Marx is like having Bill O'Reilly play Louis Armstrong." Actually, I would LOVE to see Bill O'Reilly play Louis Armstrong, as long as the sound was dubbed. But the comment raises a point: Intentionally or otherwise, color- and gender-blind casting helped the Goodman and director-adapter Henry Wishcamper avoid the pitfalls of political incorrectness.</p>]]>
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      </description>
      
        <category>Onstage and Performing Arts</category>
      
    
    
    <pubDate>Wed, 07 Oct 2009 11:40:13 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Chicago Cabaret Professionals salutes Karen Mason]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/01/chicago-cabaret-professionals-salutes-karen-mason]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/10/01/chicago-cabaret-professionals-salutes-karen-mason]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Albert Williams)]]></author>
    
      <description>
        <![CDATA[<p><a href="http://www.chicagocabaret.org/news.php">Chicago Cabaret Professionals</a> will mark its 11th anniversary Sunday, October 11, with a gala salute to <a href="http://www.karenmason.com/">Karen Mason</a>, the onetime Chicago cabaret singer who has gone on to a successful Broadway career in such shows as <em>Mamma Mia!</em>,<em> Hairspray</em>, and <em>Sunset Boulevard</em>.</p>]]>
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      </description>
      
        <category>Chicagoland, Onstage, Music and Performing Arts</category>
      
    
    
    <pubDate>Thu, 01 Oct 2009 17:10:59 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Free Street Theater offers 40th-anniversary "Flashback"]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/29/free-street-theater-offers-40th-anniversary-flashback]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/29/free-street-theater-offers-40th-anniversary-flashback]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Albert Williams)]]></author>
    
      <description>
        <![CDATA[<p><div class="blogImageCenter" style="width:512px;"><img src="/images/blogimages/2009/09/29/1254282900-freestreet.jpg" alt="freestreet.jpg" title="" width="500" height="357" /></div><br />As a slew of recent 40th-anniversary commemorations has made clear, 1969 was a landmark year in American culture. It was the year of Woodstock, the moon walk, Stonewall&#8212;and in Chicago the blossoming of an off-Loop theater movement that emerged from the grassroots community theater activity of the mid-1960s. In 1969 the first professional off-Loop theater, the Body Politic, was established at 2257 N. Lincoln by Second City co-founder Paul Sills, composer William Russo, and community activist (and United Church of Christ minister) Jim Shiflett. Today known as the Greenhouse Theater Center, it's the oldest continually operating off-Loop theater space in Chicago. The same year saw the founding of Free Street Theater, a unique organization devoted to bringing theatrical entertainment and training to disadvantaged populations in Chicago. To mark the event, the company is hosting <em>Free Street Flashback </em> on Thursday, October 1, at Steppenwolf's Merle Reskin Garage Theatre, 1624 N. Halsted.</p>]]>
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      </description>
      
        <category>Onstage and Performing Arts</category>
      
    
    
    <pubDate>Tue, 29 Sep 2009 22:49:24 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Chicago Theaters Participate in TCG's Free Night of Theater]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/22/chicago-theaters-participate-in-tcgs-free-night-of-theater]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/22/chicago-theaters-participate-in-tcgs-free-night-of-theater]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Albert Williams)]]></author>
    
      <description>
        <![CDATA[<p>More than a dozen Chicago theaters will take part in the Theatre Communications Group's fifth annual Free Night of Theater in October. The event is just what it says it is: theatergoers all over the country get the opportunity to attend shows free of charge. </p>
<p>Chicago is one of more than 120 cities represented in this audience-development effort involving more than 700 theaters coast to coast. The participating local theaters: Barrel of Monkeys, Chemically Imbalanced Comedy, Chicago Shakespeare, ComedySportz, Halcyon, Light Opera Works, Next, Noble Fool, Northlight, Pegasus Players, Prop, Second City, Steppenwolf, Strawdog, the Theatre School at DePaul University, Tympanic, Victory Gardens, and Vitalist. Tickets will be available beginning October 1 for select performances at these theaters, beginning with <em>The Marvelous Wonderettes</em> at Northlight September 30 and ending with Chicago Shakespeare's <em>Richard III </em>on October 23.</p>
<p>For up-to-date local listings, go <a href="http://www.freenightoftheater.net/">here</a>.</p>]]>
        <![CDATA[<p>[ <a href="http://www.chicagoreader.com/chicago/Rss.xml?oid=1199363&amp;id=comments">Subscribe to the comments on this story</a> ]</p>]]>
      </description>
      
        <category>Chicagoland, Onstage, Free Shit, Performing Arts and Comedy</category>
      
    
    
    <pubDate>Tue, 22 Sep 2009 14:45:24 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Bill T. Jones at Ravinia]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/18/bill-t-jones-at-ravinia]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/18/bill-t-jones-at-ravinia]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Deanna Isaacs)]]></author>
    
      <description>
        <![CDATA[<p>What's harder on inspiration than a commission?  I'd say it's a commission intended to honor a stodgy occasion built around an arguably ahistorical date. Commissioned by Ravinia Festival to commemorate the bicentennial of Abraham Lincoln&#8217;s birth, <a href="http://www.billtjones.org/">Bill T. Jones</a>'s ruminative <em>Fondly Do We Hope. . .Fervently Do We Pray</em> arrived this week, saddled with expectations big enough to suffocate it. At its premiere last night it proved to be more Walt Whitman than Lincoln and more vocal performance than dance: a dreamy piece of performance art with a dose of <em>A Chorus Line</em>, whose most dramatic moment is provided by video and text. It&#8217;s sprawling and uneven, but whenever it trots out Walt, it&#8217;s great.</p>
<p><em>Fondly Do We Hope. . .Fervently Do We Pray</em> will be performed again Sat 9/19, 8 PM, Ravinia Festival, pavilion, Green Bay and Lake Cook Rds., Highland Park, 847-266-5100,<a href="http://www.ravinia.org/">ravinia.org</a>, $25-$65, lawn $10.</p>]]>
        <![CDATA[<p>[ <a href="http://www.chicagoreader.com/chicago/Rss.xml?oid=1198320&amp;id=comments">Subscribe to the comments on this story</a> ]</p>]]>
      </description>
      
        <category>Onstage, Music, Performing Arts and Dance</category>
      
    
    
    <pubDate>Fri, 18 Sep 2009 14:19:36 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Saints Board: Reversal Without Reform]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/16/saints-board-reversal-without-reform]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/16/saints-board-reversal-without-reform]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Deanna Isaacs)]]></author>
    
      <description>
        <![CDATA[<p>Saints president B.J. Nelson informed members of the volunteer usher organization by email yesterday that its board has reversed a controversial decision to ban longtime member (and board member) Deborah Granite. Granite's membership had been revoked (as reported in a recent <em>Reader</em> <a href="http://tinyurl.com/kj3o27">column</a>) as punishment for her having used members' email addresses listed in the <a href="http://www.saintschicago.org">Saints</a> newsletter to communicate her suggestions for making the group more transparent and democratic.</p>]]>
        <![CDATA[<p>[ <a href="http://www.chicagoreader.com/chicago/Rss.xml?oid=1196222&amp;id=comments">Subscribe to the comments on this story</a> ]</p>]]>
      </description>
      
        <category>Onstage, Music, Performing Arts and Dance</category>
      
    
    
    <pubDate>Wed, 16 Sep 2009 15:13:44 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Steppenwolf Shows Off Scene Shop]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/16/steppenwolf-shows-off-scene-shop]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/16/steppenwolf-shows-off-scene-shop]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Albert Williams)]]></author>
    
      <description>
        <![CDATA[<p>Steppenwolf Theatre Company is offering a first-time-ever tour of its scene shop to those interested enough to fork over $250 for the company's "Behind the Curtain" benefit. Though Steppenwolf is known primarily for ensemble acting, its shows owe as much to  designers as performers. Case in point: the troupe's ballyhooed <a href="http://www.chicagoreader.com/chicago/atreus-on-the-plains/Content?oid=925455"><em>August: Osage County</em></a>, which ran on Broadway for two years following its world premiere here in 2007. Among the show's five Tony Awards was the one Todd Rosenthal received for his scenic design.</p>]]>
        <![CDATA[<p>[ <a href="http://www.chicagoreader.com/chicago/Rss.xml?oid=1196168&amp;id=comments">Subscribe to the comments on this story</a> ]</p>]]>
      </description>
      
        <category>Chicagoland, Onstage and Performing Arts</category>
      
    
    
    <pubDate>Wed, 16 Sep 2009 13:05:30 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Eat to the Beat Series Starts 9/15]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/10/eat-to-the-beat-series-starts-915]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/10/eat-to-the-beat-series-starts-915]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Laura Molzahn)]]></author>
    
      <description>
        <![CDATA[<p>No need to bring your Rolaids: they dance, you eat. DanceWorks Chicago begins a series of three Eat to the Beat performances Tuesday, September 15, noon, at the Harris Theater, 205 E Randolph. The first show is devoted to Gina Patterson's quirky, varied <em>My Witness</em>, featuring live accompaniment by Chicago folk trio Sons of the Never Wrong (who also offer a short set after the dance).</p>]]>
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      </description>
      
        <category>Onstage, Music, Performing Arts and Dance</category>
      
    
    
    <pubDate>Thu, 10 Sep 2009 16:55:23 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[League of Chicago Theatres Steps Into the Saints Fray]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/09/league-of-chicago-theatres-steps-into-the-saints-fray]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/09/league-of-chicago-theatres-steps-into-the-saints-fray]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Deanna Isaacs)]]></author>
    
      <description>
        <![CDATA[<p>My August 20 <a href="http://tinyurl.com/kj3o27">column</a> about a struggle on the board of the <a href="http://www.saintschicago.org/">Saints</a>&#8212; the volunteer organization that provides ushers for Chicago's nonprofit theaters&#8212;drew dozens of comments both from people who identified themselves as Saints and others.</p>]]>
        <![CDATA[<p>[ <a href="http://www.chicagoreader.com/chicago/Rss.xml?oid=1191898&amp;id=comments">Subscribe to the comments on this story</a> ]</p>]]>
      </description>
      
        <category>Onstage</category>
      
    
    
    <pubDate>Wed, 09 Sep 2009 18:01:44 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[The Future of Arts Journalism Will Not Be Announced&#8212;Yet]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/09/the-future-of-arts-journalism-will-not-be-announcedyet]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/09/09/the-future-of-arts-journalism-will-not-be-announcedyet]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Deanna Isaacs)]]></author>
    
      <description>
        <![CDATA[<p>The National Summit on Arts Journalism (the subject of my recent <a href="http://www.chicagoreader.com/chicago/who-wants-to-be-the-future-of-arts-journalism/Content?oid=1188882">column</a>) announced today that five winning projects have been selected in the the Future of Arts Journalism contest&#8212;but they're not gonna tell us who the winners are.</p>]]>
        <![CDATA[<p>[ <a href="http://www.chicagoreader.com/chicago/Rss.xml?oid=1191777&amp;id=comments">Subscribe to the comments on this story</a> ]</p>]]>
      </description>
      
        <category>Onstage, Media, Lit &amp; Lectures, Film, Music, Visual Art, News, Performing Arts and Dance</category>
      
    
    
    <pubDate>Wed, 09 Sep 2009 15:03:17 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Saints Talking]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/08/28/saints-talking]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/08/28/saints-talking]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Deanna Isaacs)]]></author>
    
      <description>
        <![CDATA[<p>Last week's <em>Reader</em> <a href="http://tinyurl.com/kj3027">column</a> about the ouster of a long-term member of the <a href="http://www.saintschicago.org">Saints</a>&#8212;the group that provides volunteer ushers and other support for most of Chicago's nonprofit theaters&#8212;opened a revealing discussion of what some members say is repressive rule by a faction on the Saints board. The discussion, and the struggle over a beloved organization, is ongoing in comments still being posted. The next board meeting is Monday 9/14, 7:30 PM, at the Saints office in the Athenaeum Theatre, 2936 N. Southport. Members may attend if they make arrangements in advance with the board president.</p>]]>
        <![CDATA[<p>[ <a href="http://www.chicagoreader.com/chicago/Rss.xml?oid=1186645&amp;id=comments">Subscribe to the comments on this story</a> ]</p>]]>
      </description>
      
        <category>Chicagoland, Onstage, Music, Performing Arts, Comedy and Dance</category>
      
    
    
    <pubDate>Fri, 28 Aug 2009 18:12:00 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Jeff Equity Wing Nominees]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/08/28/jeff-equity-wing-nominees]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/08/28/jeff-equity-wing-nominees]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Tony Adler)]]></author>
    
      <description>
        <![CDATA[<p>The Jeff Awards has released its list of 2008-2009 Equity wing nominations, with the lion's share (17, six for Lynn Nottage's <em>Ruined</em>) going to the Goodman Theatre. Here's how it breaks down. . . .</p>]]>
        <![CDATA[<p>[ <a href="http://www.chicagoreader.com/chicago/Rss.xml?oid=1186436&amp;id=comments">Subscribe to the comments on this story</a> ]</p>]]>
      </description>
      
        <category>Onstage and Performing Arts</category>
      
    
    
    <pubDate>Fri, 28 Aug 2009 10:21:34 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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    <title><![CDATA[Why Lar Lubovitch's Dance Company Was Missing From His Own Festival]]></title>
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/08/28/why-lar-lubovitchs-dance-company-was-missing-from-his-own-festival]]></link>
    <guid><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/08/28/why-lar-lubovitchs-dance-company-was-missing-from-his-own-festival]]></guid>
    <author><![CDATA[mail@chicagoreader.com (Deanna Isaacs)]]></author>
    
      <description>
        <![CDATA[<p>Lar Lubovitch Dance Company was mysteriously missing at last Saturday's Pritzker Pavilion "Celebration of Dance," the final event in this year's edition of the hugely popular <a href="http://tinyurl.com/lc7zsl">Chicago Dancing Festival</a>. And even though Lubovitch is the festival's founder and co-artistic director, no explanation was announced to the thousands of fans <a href="http://tinyurl.com/kq2yqw">(we warned you)</a> who came out in unseasonably cold weather for the gala free performance by seven troupes. <a href="http://www.lubovitch.org">Lar Lubovitch Dance Company</a>, which is based in New York, was simply on the program, but not on the stage.  What actually happened started with a spectacular car crash on the streets of Manhattan a few days earlier.</p>]]>
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      </description>
      
        <category>Onstage, Performing Arts and Dance</category>
      
    
    
    <pubDate>Fri, 28 Aug 2009 10:08:12 -0500</pubDate>
    <source url="http://www.chicagoreader.com">Chicago Reader</source>
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