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      <title>Comments On: New York Eye and Ear Control--the footage to go with the sound
    
      by Peter Margasak</title>
      <link>http://www.chicagoreader.com/TheBlog/archives/2009/02/17/new-york-eye-and-ear-control-footage-go-sound</link>
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      by Peter Margasak</description>
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      <pubDate>Sun, 22 Nov 2009 00:00:01 -0600</pubDate>
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    <title><![CDATA[Re: New York Eye and Ear Control--the footage to go with the sound]]></title>
    
    
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/02/17/new-york-eye-and-ear-control-footage-go-sound/#963992]]></link>
    
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    <author><![CDATA[Peter Margasak]]></author>
    <description>
      
      <![CDATA[Jason, thanks for the clarifications. I suppose the reason this might've seemed like new info was because it's incorrect. The stuff about Bley and "Walking Women" came from the new liner notes by ESP's Bernard Stollman.
        
        <br />
        
          Posted by Peter Margasak]]>
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    <pubDate>Tue, 17 Feb 2009 16:34:05 -0600</pubDate> 
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          <item>
    
    <title><![CDATA[Re: New York Eye and Ear Control--the footage to go with the sound]]></title>
    
    
    <link><![CDATA[http://www.chicagoreader.com/TheBlog/archives/2009/02/17/new-york-eye-and-ear-control-footage-go-sound/#972828]]></link>
    
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    <author><![CDATA[Jason Guthartz]]></author>
    <description>
      
      <![CDATA[There may be some confusion here due to the fact that one of Snow's Walking Woman pieces was titled "Carla Bley" (1965):
    http://tinyurl.com/MSnowCBley
    
    But the Walking Woman form was not, to my knowledge, based on Bley:
    [pdf]
    http://cybermuse.beaux-arts.ca/cybermuse/docs/SnowClip8_e.pdf
    
    "In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which use the wall as their background. In early 1961, to make one of these, he drew, then cut-out with a matte knife a side view of a female figure walking, 152 cm tall within a drawn rectangle on a piece of cardboard. No model was used."
    
    more on the WW:
    "...all his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. The original contour was always the same but depicted in many ways with many mediums, graphite, ink, watercolour, acrylic, enamel, spray paints and oil on various surfaces: paper, cardboard, canvas and other wood, a car door, etc. Many photographic works and films and performance works were made."
    
    + see Snow's recently-published "Biographie Of The Walking Woman"
        
        <br />
        
          Posted by Jason Guthartz]]>
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    <pubDate>Tue, 17 Feb 2009 16:24:32 -0600</pubDate> 
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