Hunter Clauss
If his challenge to Deb Mell's nominating petition succeeds, state rep candidate Joe Laiacona just might run unopposed in the Democratic primary. But can a leather master actually win in the general election?

As deep as Chicago’s free-improv scene runs, there aren’t too many folks devoted exclusively to what’s usually called “lowercase sound” or “electroacoustic improvisation,” which is characterized by small sonic gestures, collective development, and an unconventional aural palette that gravitates toward tonal extremes. Last year Jon Abbey, who runs the important New York label Erstwhile—perhaps the most visible and tireless proponent of this stuff—sent me a self-released, self-titled CD-R by a couple of Chicagoans, Graham Stephenson (trumpet) and Dave Barnes (electronics). I didn’t get around to listening to it until very recently, but now that I have it’s clear that these two are pushing in a very different direction than most local improvisers.
So saith Michael Nagrant (via Grub Street). Helen Rosner thinks he's trying to start a war, and I don't disagree, but the comments are thoughtful and well worth reading - especially the part where Nagrant seemingly gives away the game, but in a good way, because I agree:
"I think Eastern North Carolina is probably my favorite region, with places like Wilbers, the Pit, and Allen and Son's really sticking out."
FWIW, I can't recommend Honey 1 highly enough, despite some hate in comments. Here's what our critics had to say on Nagrant's other picks: Smoque and Uncle John's.
Update: I've heard that Kansas City actually has the best barbecue so many times that it can't be discounted, but sadly have never been.

I saw a crowd of onlookers who ranged from scandalized to righteously indignant to cynically amused gather around TW Li's video installation Police Brutality Grid when it showed in September at Margin Gallery.
Li's video, photography and performance aggressively lampoons systems of control and the impact of technology on daily interaction. His work shows in Noble & Superior Projects' In(di)visible exhibition, which opens Friday 11/20.
