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  • Reality (R)

    Matteo Garrone follows his crime epic Gomorrah (2008) with a comedy about reality TV, and though it hardly rivals the earlier movie in its social complexity, it still offers the spectacle of a vibrant and vividly realized Neapolitan neighborhood. more...
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  • Rebecca (NR)

    There are too many conflicting levels of authorship—between Alfred Hitchcock, Daphne du Maurier, and David O. Selznick—for this 1940 film to be a complete success, but through its first two-thirds it is as perfect a myth of adolescence as any of the Disney films, documenting the childlike, nameless heroine's initiation into the adult mysteries of sex, death, and identity, and the impossibility of reconciling these forces with family strictures. more...
  • Repo Man (R)

    Alex Cox's 1984 punk comedy is set in a rotting Los Angeles, where a disaffected adolescent (Emilio Estevez) finds an outlet for his aggression and an answer to his boredom in an apprenticeship with a professional car repossessor (Harry Dean Stanton). more...
  • Rio Grande (NR)

    The final film of John Ford's cavalry trilogy (1950), dealing with an army colonel and his estranged wife (John Wayne and Maureen O'Hara) brought together during the Apache wars near the Mexican border. more...
  • River of No Return

    Marilyn Monroe and Robert Mitchum search for her missing husband in this excellent 1954 western by Otto Preminger, one of the first films to discover the potential of CinemaScope and a fine example of Preminger's rational approach to the mysteries of personal morality. more...