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  • Dirty Wars (NR)

    The flood of theatrical documentaries about the War on Terror—Fahrenheit 9/11 (2004), Why We Fight (2005), The Ground Truth (2006), No End in Sight (2007), Taxi to the Dark Side (2007), Standard Operating Procedure (2008)—has slowed to a trickle since President Obama took office, which makes this uncompromising exposé from reporter Jeremy Scahill even more important. more...
  • Lore (NR)

    Australian writer-director Cate Shortland, who made an impressive feature debut with Somersault (2004), returns at last with a gripping second feature that marks both a continuation of and a radical departure from the first. more...
  • War Witch (NR)

    Canadian writer-director Kim Nguyen spent nearly a decade researching this docudrama about child soldiers in Africa, and the film feels as authoritative as a first-hand account. more...
  • 17 Girls (NR)

    Based on a 2008 incident that rocked the town of Gloucester, Massachusetts, this debut feature by French sisters Delphine and Muriel Coulin centers on five close pals at a high school in seaside Lorient who all agree to get pregnant and raise their children collectively. more...
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  • Weekend (NR)

    Heading home from a party one Friday night, semicloseted Russell (Tom Cullen) stops off at a gay bar, where he picks up the direct, proudly out Glen (Chris New). more...
  • The Art of the Steal (NR)

    Philadelphia pharmaceutical baron Albert C. Barnes saw greatness in the canvases of Matisse and Van Gogh long before the curatorial caste caught on to post-Impressionism, and before he died he took great pains to protect his world-class art collection from both the grasping Philly establishment and the eyes of the unwashed millions. more...
  • Ajami (NR)

    Jewish filmmaker Yaron Shani and Palestinian filmmaker Scandar Copti collaborated on this gritty Israeli drama, which circles around chronologically in Pulp Fiction fashion to tell the interlocking stories of three families. more...
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