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  • The Artist (PG-13)

    French director Michel Hazanavicius takes a break from his OSS 117 spy spoofs to pay loving tribute to the silent cinema, re-creating its luminous black-and-white photography and consigning all the dialogue to intertitles. more...
  • Compliance (R)

    Craig Zobel—whose crafty debut feature Great World of Sound (2007) played at the Chicago film festival but never opened here theatrically—takes on the unenviable task of dramatizing a story that defies credulity even though it's quite true. more...
  • Facing Windows

    An attractive young woman (Giovanna Mezzogiorno) trapped in a dead-end marriage to a feckless laborer (Filippo Nigro) is shaken from her unhappy complacence when her husband insists on taking in an amnesiac old man they find on the street (Massimo Girotti). more...
  • The Graduate

    One of Mike Nichols's better films, though one suspects that the gargantuan commercial success it had back in 1967 had at least as much to do with the zeitgeist as with Nichols's talent in popularizing certain French New Wave tropes and adapting the satiric manner of his old stand-up routines with Elaine May. Dustin Hoffman, in the performance that made his career, plays the disaffected title youth, coerced into an affair with a middle-aged woman (Anne Bancroft) while remaining smitten with her daughter (Katharine Ross). more...
  • How to Survive a Plague

    ACT UP (the AIDS Coalition to Unleash Power) may have lodged itself in the public consciousness with its angry publicity stunts—disrupting a broadcast of the CBS Evening News, invading a mass at St. Patrick’s Cathedral in New York—but as this 2012 documentary reveals, the organization may have been most impressive for its disciplined mastery of medical fact and public health policy. more...