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  • Repulsion (NR)

    Roman Polanski's first film in English (1965) is still his scariest and most disturbing—not only for its evocations of sexual panic, but also because his masterful employment of sound puts the audience's imagination to work in numerous ways. more...
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  • Rio Grande (NR)

    The final film of John Ford's cavalry trilogy (1950), dealing with an army colonel and his estranged wife (John Wayne and Maureen O'Hara) brought together during the Apache wars near the Mexican border. more...
  • Rebecca (NR)

    There are too many conflicting levels of authorship—between Alfred Hitchcock, Daphne du Maurier, and David O. Selznick—for this 1940 film to be a complete success, but through its first two-thirds it is as perfect a myth of adolescence as any of the Disney films, documenting the childlike, nameless heroine's initiation into the adult mysteries of sex, death, and identity, and the impossibility of reconciling these forces with family strictures. more...