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  • Absolute Wilson

    Katharina Otto-Bernstein's documentary provides an excellent introduction to the singular vision of avant-garde stage director Robert Wilson. more...
  • Absolutely Positive

    An 88-minute film (1992) by Peter Adair, in which he investigates his own HIV-positive status and interviews 11 others with the same disease. more...
  • Abstract Expressions

    Short experimental videos and celluloid-to-video transfers shown at the 2004 Chicago Underground Film Festival. more...
  • Absurdistan

    A young couple's first night of married bliss is threatened when the women of their isolated village plan a sex strike. more...
  • The Abyss

    The third collaboration of writer-director James Cameron and producer Gale Anne Hurd (Aliens, the Terminator movies) is a big-budget action thriller about a group of underwater oil diggers who go looking for a lost nuclear submarine and wind up encountering extraterrestrials. more...
  • The Abyss: Special Edition

    The third collaboration of writer-director James Cameron and producer Gale Anne Hurd was a big-budget action thriller about a group of underwater oil diggers who go looking for a lost nuclear submarine and wind up encountering extraterrestrials. more...
  • AC/DC: Family Jewels

    A compilation of videos, concert footage, and TV performances by the hard-rock band, dating from 1975 to '93. more...
  • Academy Award Nominated Animation Short Films 2007

    Five short animations: from France, Samuel Tourneux's Even Pigeons Go to Heaven, in which an old man journeys to heaven in a spacecraft; from Russia, Alexander Petrov's My Love, a 19th-century romance; from the UK and Poland, Suzie Templeton's Peter & the Wolf, adapted from the Prokofiev piece; and from Canada, Chris Lavis and Maciek Szczerbowski's Madame Tutli-Putli, the story of a nightmarish train ride, and Josh Raskin's I Met the Walrus, whose audio consists of a teenager's impromptu interview with John Lennon in 1969. more...
  • Academy Award Nominated Live Action Short Films 2007

    Like a good short story, a good short film embraces the limitations of its form instead of struggling against them, which may explain why, of the four films I was able to preview on this program of Oscar nominees, the worst turned out to be the longest while the best was among the shortest. more...