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  • Kalamity (R)

    Nick Stahl stars as a man who returns to his hometown in northern Virginia and learns that one of his old buddies has become erratic and possibly dangerous. more...
  • Kick-Ass (R)

    Adapted from a Marvel Comics series, this offbeat superhero adventure gets a lot of satirical mileage from subverting the Spider-Man fantasy of a high school loser who discovers a mighty alter ego. more...
  • Kill Bill: Vol. 1 (R)

    Quentin Tarantino's lively and show-offy 2003 tribute to the Asian martial-arts flicks, bloody anime, and spaghetti westerns he soaked up as a teenager is even more gory and adolescent than its models, which explains both the fun and the unpleasantness of this globe-trotting romp. more...
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  • Kill the Irishman (R)

    Jonathan Hensleigh directed this story of a Cleveland gangster (Ray Stevenson) engaged in a power struggle with the Mafia. more...
  • The Killer (R)

    A lot of claims have been made for this campy bloodbath concerto (1989) by Hong Kong director John Woo, and I must admit that he's even better than Brian De Palma at delivering emotional and visceral excess with staccato relentlessness. more...
  • Killer Elite (R)

    Pure punishment, this rote action flick from Australia features a trio of big names—Jason Statham, Clive Owen, and Robert De Niro—in a globe-trotting story about a vengeful Arab sheikh, a secret assassination squad, and righteous special ops warriors from the UK. more...
  • The Killer Inside Me (R)

    Shape-shifting British director Michael Winterbottom—whose filmography ranges from rock comedy (24 Hour Party People) to harsh social drama (In This World) to literary postmodernism (Tristram Shandy: A Cock and Bull Story) to sexual rhapsody (9 Songs)—takes on the uniquely searching and sinister pulp fiction of Jim Thompson. more...
  • Killing Them Softly (R)

    Producer Brad Pitt and writer-director Andrew Dominik team up again after their critically acclaimed The Assassination of Jesse James by the Coward Robert Ford (2007), switching genres from western to crime—their source material is George V. Higgins's 1974 novel Cogan's Trade—but focusing again on the talk of hardened men. more...
  • A King in New York (R)

    This is one of the few Chaplin films that needs a defense: for many people, it's mawkish and shapeless, yet that same mawkishness and shapelessness are also signs of freedom and directness, qualities that recall the wonderfully casual Chaplin of the early Keystone shorts. more...
  • King of New York (R)

    This 1990 movie hasn't aged well, perhaps because director Abel Ferrara relied too heavily on the canned irony at the heart of Nicholas St. John's script about a rising drug king who's also a philanthropist. more...
  • The Kingdom (R)

    This action flick from director Peter Berg (The Rundown, Friday Night Lights) aspires to the geopolitical seriousness of Syriana, beginning with a credit-sequence primer on U.S.-Saudi relations and ending with a pointed moral about the cycle of vengeance. more...
  • Kiss Kiss, Bang Bang (R)

    Screenwriter Shane Black (Lethal Weapon, Last Action Hero) makes his directing debut with this cheerful mess of a pulp-fiction parody, pumped full of laughs by Michelle Monaghan, Val Kilmer, and Robert Downey Jr. An east-coast thief (Downey) is improbably lured out west for a screen test and schooled for his role by a gay private eye (Kilmer); after the crook encounters an old childhood friend (Monaghan), the three are drawn into a convoluted web of intrigue. more...