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  • Early Spring (NR)

    This 1956 feature, a casual yet meticulously detailed reconstruction of Japan's routinized white-collar milieu, was Yasujiro Ozu's first film after the exquisite Tokyo Story, as well as one of his longest works. more...
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  • Easy Living (1937) (NR)

    A grumpy millionaire (Edward Arnold) throws his wife's coat out the window, and it lands on the shoulders of a humble working girl (Jean Arthur). more...
  • 8 1/2 (NR)

    If all you know about this exuberant, self-regarding 1963 film is based on its countless inferior imitations (from Paul Mazursky's Alex in Wonderland and The Pickle to Woody Allen's Stardust Memories to Bob Fosse's All That Jazz), you owe it to yourself to see Federico Fellini's exhilarating, stocktaking original, an expressionist, circuslike comedy about the complex mental and social life of a big-time filmmaker (Marcello Mastroianni) stuck for a subject and the busy world surrounding him. more...
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  • Elena (NR)

    Fans of The Return (2003), the gripping debut feature by Russian actor-turned-director Andrey Zvyagintsev, may be somewhat surprised by this 2011 drama, his third overall but only the second to win U.S. release. more...
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  • Enemies of the People (NR)

    Veteran Cambodian journalist Thet Sambath spent more than ten years interviewing members of the Khmer Rouge, from foot soldiers to Pol Pot's second-in-command, who took part in the extermination of more than two million civilians in the 1970s. more...
  • Enter the Void (NR)

    French director Gaspar Noe has kept a pretty low profile since his 2002 drama Irreversible, notorious for its brutal nine-minute anal rape scene. more...
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  • Every Man for Himself (NR)

    Jean-Luc Godard calls this 1980 production, Sauve Qui Peut (La Vie), his “second first film”—which means both a return to narrative after his brilliant documentary-theoretical work in the 70s and a complete clearing of the decks. more...
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  • Everyone Else (NR)

    A mopey German architect (Lars Eidinger) and his irksome live-wire girlfriend (Birgit Minichmayr) spend a solitary vacation at a Sardinian villa, where their relationship gradually disintegrates. more...
  • Everything Strange and New (NR)

    Indie writer-director Frazer Bradshaw makes an impressive feature debut with this small but knowing drama about a decent, well-meaning young lumpen (Jerry McDaniel) who's begun to bump up against the limits of adult life. more...
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  • Experiment Perilous (NR)

    Produced by RKO as a vehicle for Hedy Lamarr, this little-known mystery (1944) ranks alongside the major works of director Jacques Tourneur, whose mastery of tone and feeling was evident in genres as diverse as horror (Cat People), western (Canyon Passage), and film noir (Out of the Past). more...
  • Eyes Without a Face (NR)

    As Dave Kehr originally described it, “a classic example of the poetry of terror.” Georges Franju's 1959 horror film, based on a novel by Jean Redon, is about a plastic surgeon who's responsible for the car accident that leaves his daughter disfigured; he attempts to rebuild her face with transplants from attractive young women he kidnaps with the aid of his assistant. more...
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