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  • 11 x 14

    James Benning's experiment in fragmented narration took a first prize at the Ann Arbor Film Festival. more...
  • The Complete Films of Fred Camper

    A distinguished critic of avant-garde cinema (and a longtime Reader contributor), Fred Camper has also made a handful of experimental films that are being screened by White Light Cinema in two installments (the second follows April 16). more...
  • Films by Bruce Conner

    Six shorts by the experimental filmmaker, a pioneer in the use of found footage: Report (1967), Marilyn Times Five (1973), Crossroads (1976), Take the 5:10 to Dreamland (1977), Valse Triste (1978), and the Devo video Mongoloid (1978). more...
  • Cremaster 1

    Sculptor, writer-director, and former football player Matthew Barney returns to Bronco Stadium in his hometown of Boise, Idaho, to stage a Busby Berkeley-style dance routine while two Goodyear blimps float overhead. more...
  • Cremaster 2

    Don't bother scratching your head over this video tone poem by Matthew Barney; most of its images are deliberately antiseptic and enigmatic, and as with Last Year at Marienbad or the final reel of 2001: A Space Odyssey, they're not meant to be elucidated so much as savored. more...
  • Cremaster 3

    Vintage Chryslers collide over the lobby of the Chrysler Building in a balletic demolition derby, a woman cuts up potatoes wearing shoes with blades attached to the soles, a man on an operating table has a tiny wheel instead of a penis, a bevy of beauties enjoy a bubble bath at the Guggenheim Museum—all this and more is on display in Matthew Barney's 182-minute picture show about power, impotence, and violence in American culture. more...
  • Cremaster 4

    With or without a comprehensible story, crosscutting is one of the least interesting forms of editing, and Matthew Barney addresses the problem much as Robert Altman did when he was on autopilot—by pretending it doesn't exist. more...
  • Cremaster 5

    The third installment sequentially (1997) of writer-director Matthew Barney's "Cremaster" cycle is just as lethargic and self-satisfied as the others I've seen, though less monotonous rhythmically. more...
  • Criminal Case 40/61: Reverb

    New York artist Andrea Geyer re-creates the 1961 trial of Adolf Eichmann, the Nazi bureaucrat who coordinated the Holocaust, with the young transgendered performer Wu Ingrid Tsang playing all the key roles. more...