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  • Outrage (R)

    Like some of Jean-Pierre Melville’s late works (Le Samourai, Le Cercle Rouge), Takeshi Kitano’s 2010 feature pares down the crime film to a repetition of favorite motifs: the story is something of a reductio ad absurdum of the yakuza flick, with one honor killing leading to another and so on, until nearly all the main characters are dead. more...