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  • Mean Streets (R)

    Martin Scorsese's intrusive insistence on his abstract, metaphysical theme—the possibility of modern sainthood—marks this 1973 film, his first to attract critical notice, as still somewhat immature, yet the acting and editing have such an original, tumultuous force that the picture is completely gripping. more...
  • Mother (R)

    With The Host, South Korean director Bong Joon-ho unpacked the cultural and geopolitical baggage of the atomic monster movie; this follow-up (2009) takes on the fractured Freudianism of Hitchcock's Psycho. more...