Rene Clair's 1931 satire on industrialization was overshadowed for many years by Chaplin's Modern Times and then forgotten, though its recent release on DVD has given it a second—and well-deserved—lease on life.
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Nick Broomfield's gripping sequel to his 1992 Aileen Wuornos: The Selling of a Serial Killer picks up the story just a few weeks before Wuornos's execution in Florida for the murder of seven men.
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It might as well be titled “The Birth of the Movies.” D.W. Griffith's 1915 Civil War epic was the first commercially successful feature-length film.
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A celebratory primer (2000) by Spanish director Fernando Trueba (Belle Epoque) on Latin jazz, a genre that can range from a Dizzy Gillespie big-band arrangement to a Charlie Haden ballad.
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Produced on a shoestring by TV journalist Bob Bowdon, this factual and well-reasoned advocacy documentary presents a devastating conservative critique of public education in New Jersey and, by extension, the United States.
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After running off the rails in Mallrats, writer-director Kevin Smith (Clerks) not only returned to form but surpassed himself with this touching 1997 romantic comedy about comic book artists.
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Sent to pick up his sister's shoes from the repair shop, a young boy loses them on the way home, then begs his sister not to tell their father, who can't afford another pair.
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At the time reportedly the cheapest American independent feature ever to be shown at Sundance (it cost less than $28,000), this raunchy 1994 black-and-white comedy by Kevin Smith (Chasing Amy) follows a day in the life of a beleaguered New Jersey convenience store clerk whose best friend (Jeff Anderson in a neat debut performance) operates the adjoining video-rental outlet.
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You'd think all the familiar faces—Sylvester Stallone, Harvey Keitel, Ray Liotta, Robert De Niro—would overwhelm this quiet 1997 thriller, but writer-director James Mangold (Heavy) puts the fine performances of these big-screen heavies in perfect perspective.
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Absorbing and instructive, this 2003 Canadian documentary tackles no less a subject than the geopolitical impact of the corporation, forcing us to reexamine an institution that may regulate our lives more than any other.
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Paul Robeson gives one of his greatest film performances in this arty, dated, but interesting 1933 adaptation of Eugene O'Neill's play about a former Pullman porter who escapes from a chain gang to become king of a Caribbean island.
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