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  • 12 Monkeys (R)

    Following a global epidemic that has eradicated most of humanity, time travel becomes the only hope of mankind's survival; a volunteer (Bruce Willis) returns to 1990s Philadelphia to find the source of the epidemic, but he's promptly locked away as a madman. more...
  • The Big Lebowski (R)

    Probably the Coen brothers' most enjoyable movie—glittering with imagination, cleverness, and filmmaking skill—though, as in their other films, the warm feelings they generate around a couple of salt-of-the-earth types don't apply to anyone else in the cast: you might as well be scraping them off your shoe. more...
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  • Bottle Rocket (R)

    Wes Anderson's 1996 first feature (before Rushmore and The Royal Tenenbaums) is fresh, character driven, often funny, and unfashionably upbeat (as well as offbeat). more...
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  • Compliance (R)

    Craig Zobel—whose crafty debut feature Great World of Sound (2007) played at the Chicago film festival but never opened here theatrically—takes on the unenviable task of dramatizing a story that defies credulity even though it's quite true. more...
  • Do the Right Thing (R)

    With the possible exception of his cable miniseries When the Levees Broke, this 1989 feature is still Spike Lee's best work, chronicling a very hot day on a single block of Brooklyn's Bedford-Stuyvesant neighborhood, when a series of minor encounters and incidents lead to an explosion of racial violence at an Italian-owned pizzeria. more...
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  • End of Watch (R)

    I'm not sure who appointed David Ayer poet laureate for the LAPD, but at least he takes the job seriously; along with the usual mean-streets bluster and brutality, his cop-thriller screenplays (Training Day, Dark Blue) conscientiously record the hardening effects of a thankless and frequently pointless job. more...