Alfred Hitchcock's masterful 1938 spy thriller, with Margaret Lockwood and Michael Redgrave searching for kidnapped agent Dame May Whitty aboard a trans-European express train, pursued all the while by sinister Nazi agents.
more...
The 1924 film in which F.W. Murnau freed his camera from its stationary tripod and took it on a flight of imagination and expression that changed the way movies were made.
more...
Filmmakers Keith Fulton and Louis Pepe traveled http://admin.chicagoreader.com/tools/object-editor?oid=1059177;close=yesto Madrid in summer 2000 to shoot a documentary about the making of Terry Gilliam's The Man Who Killed Don Quixote, but instead of an ordinary promotional puff they came away with a memorable portrait of an artist watching his projected masterwork come crashing down around his ears.
more...
Imagine a collaboration between John Ford and Wallace Stevens and you might get a sense of what Kelly Reichardt (Wendy and Lucy) pulls off here: a sincere re-creation of the pioneer experience, brought to life through careful, often unexpected detail.
more...
The French spy spoof OSS 117: Cairo, Nest of Spies (2006) managed to revive one of the stalest movie genres through sheer comic ingenuity, and this sequel is every bit as sly and inventive.
more...
Romania's boom in sardonic, minimalist social drama (The Death of Mr. Lazarescu, 4 Months, 3 Weeks & 2 Days) continues with this low-boiling but addictive story about a young police detective who's begun to question the justice of the drug laws he's enforcing.
more...
A stunning debut (1992) from writer-director Quentin Tarantino, though a far cry from Stanley Kubrick's 1956 The Killing, to which it clearly owes a debt.
more...
Since the U.S. invasion of Afghanistan, 42 American soldiers have been killed in the desolate Korangal Valley, which serves as a relay point for Taliban forces traveling between Kabul and the Pakistan border.
more...
Peter Miller's concise and thoughtful 2005 documentary reexamines the notorious Sacco and Vanzetti case from the perspective of a post-9/11 world, where concern over public safety has once again empowered xenophobes and reactionaries to trample on the rights of immigrants.
more...
Christopher Zalla, a graduate of the film program at Columbia University, makes an impressive debut with this suspense feature about illegal immigrants and stolen identity.
more...
This 2002 provocation from director-writer Catherine Breillat is so perversely enjoyable it gives the lie to her image as a serious, politically incorrect purveyor of pornographic instincts.
more...
This wacky Hong Kong comedy (2001) ran 111 minutes in its initial Asian release, but Miramax Films deleted 24 of them and rewrote the subtitles for its domestic rollout.
more...