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  • The Lady Vanishes (NR)

    Alfred Hitchcock's masterful 1938 spy thriller, with Margaret Lockwood and Michael Redgrave searching for kidnapped agent Dame May Whitty aboard a trans-European express train, pursued all the while by sinister Nazi agents. more...
  • The Last Laugh

    The 1924 film in which F.W. Murnau freed his camera from its stationary tripod and took it on a flight of imagination and expression that changed the way movies were made. more...
  • Lost in La Mancha

    Filmmakers Keith Fulton and Louis Pepe traveled http://admin.chicagoreader.com/tools/object-editor?oid=1059177;close=yesto Madrid in summer 2000 to shoot a documentary about the making of Terry Gilliam's The Man Who Killed Don Quixote, but instead of an ordinary promotional puff they came away with a memorable portrait of an artist watching his projected masterwork come crashing down around his ears. more...
  • Meek's Cutoff (PG)

    Imagine a collaboration between John Ford and Wallace Stevens and you might get a sense of what Kelly Reichardt (Wendy and Lucy) pulls off here: a sincere re-creation of the pioneer experience, brought to life through careful, often unexpected detail. more...
  • Police, Adjective

    Romania's boom in sardonic, minimalist social drama (The Death of Mr. Lazarescu, 4 Months, 3 Weeks & 2 Days) continues with this low-boiling but addictive story about a young police detective who's begun to question the justice of the drug laws he's enforcing. more...
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  • Restrepo (R)

    Since the U.S. invasion of Afghanistan, 42 American soldiers have been killed in the desolate Korangal Valley, which serves as a relay point for Taliban forces traveling between Kabul and the Pakistan border. more...
  • Sacco and Vanzetti

    Peter Miller's concise and thoughtful 2005 documentary reexamines the notorious Sacco and Vanzetti case from the perspective of a post-9/11 world, where concern over public safety has once again empowered xenophobes and reactionaries to trample on the rights of immigrants. more...
  • Sex Is Comedy

    This 2002 provocation from director-writer Catherine Breillat is so perversely enjoyable it gives the lie to her image as a serious, politically incorrect purveyor of pornographic instincts. more...