You searched for:

Search for…

Narrow Search

  • The Good Dinosaur 3D
  • The Good Dinosaur 3D (PG)

    This computer-animated feature from Disney comes close to the wonder and terror of the studio's classic hand-painted animations; in its realization of such childhood fears as getting lost and a parent dying, it particularly recalls Bambi and Dumbo. more...
  • The Good Dinosaur
  • The Good Dinosaur (PG)

    This computer-animated feature from Disney comes close to the wonder and terror of the studio's classic hand-painted animations; in its realization of such childhood fears as getting lost and a parent dying, it particularly recalls Bambi and Dumbo. more...
  • The Good German

    Warner Brothers is promoting this World War II drama as high-toned Oscar bait, but it's best appreciated as a big-budget experiment: adapting a contemporary novel, director Steven Soderbergh set out to re-create the look of classical Hollywood filmmaking with old-school equipment (boom mikes, incandescent lighting, fixed-length lenses) and production techniques (filming a scene shot by shot rather than covering a single take with multiple cameras). more...
  • Good Hair

    Prompted by his young daughter’s innocent question—“Daddy, how come don’t I have good hair?”—comedian Chris Rock investigates the multibillion-dollar black hair-care industry, a topic that leads him to the very roots (so to speak) of African-American identity. more...
  • Good Kill
  • Good Kill (R)

    With such films as Gattaca (1997), S1m0ne (2002), and In Time (2011), writer-director Andrew Niccol has employed sci-fi premises to comment obliquely on contemporary issues; in this docudrama he provocatively depicts drone warfare as a real-life sci-fi horror. more...
  • A Good Lawyer's Wife

    Writer-director Im Sang-soo examines two halves of a nearly severed marriage in this grimly observant 2003 drama from South Korea. more...
  • Good Night, and Good Luck (PG)

    This claustrophobic drama about CBS journalist Edward R. Murrow facing down Joseph McCarthy in the early 50s delivers a timely lesson on cold-war hysteria, media politics, and journalistic courage, though the strong dichotomy between good and evil sometimes suggests a classic western. more...
  • The Good, the Bad and the Ugly (R)

    Sergio Leone's comic, cynical, inexplicably moving epic spaghetti western (1966), in which all human motivation has been reduced to greed—it's just a matter of degree between the Good (Clint Eastwood), the Bad (Lee Van Cleef), and the Ugly (Eli Wallach). more...
  • A Good Woman

    The Amalfi coast during the 1930s provides a glittering backdrop for this 2004 update of Oscar Wilde's Lady Windermere's Fan. more...
  • Goodbye, Dragon Inn

    For all its minimalism, Tsai Ming-liang's 2003 masterpiece manages to be many things at once: a Taiwanese Last Picture Show, a failed heterosexual love story, a gay cruising saga, a melancholy tone poem, a mordant comedy, a creepy ghost tale. more...
  • Goodbye Solo (R)

    Born in North Carolina to Iranian parents, Ramin Bahrani has carved out a peculiar space for himself with stories of immigrants living on the margins of American society: in Man Push Cart (2005) a former Pakistani pop singer peddles coffee and bagels on the streets of New York City, and in Chop Shop (2007) two Puerto Rican children hustle to get by in the scrap yards and auto shops near Shea Stadium. more...
  • Goodbye South, Goodbye

    Hou Hsiao-hsien's discursive 1996 drama follows the wanderings of Kao, a small-time gangster with big dreams; his sidekick Flathead; their girlfriends Ying and Pretzel; and a motley cast of characters—including a rural cop and a crooked politician—as they struggle to get ahead. more...