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  • A.I. Artificial Intelligence (PG-13)

    A collaboration between the living Steven Spielberg and the late Stanley Kubrick seems appropriate to a project that reflects profoundly on the differences between life and nonlife. more...
  • The Alamo (PG-13)

    Americans so love to fantasize about being underdogs that the fall of the Alamo has been filmed more than a dozen times, though John Wayne's legendary 1960 fiasco and a more enlightened political climate have made it a dicier prospect in recent years. more...
  • Amour (PG-13)

    Love is measured in devotion, and devotion in the minutes and hours of suffering, in this harrowing and moving romance from Austrian master Michael Haneke (The White Ribbon, Cache). more...
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  • Another Year (PG-13)

    Both Mike Leigh and Woody Allen make movies about people encased in their unhappiness; the difference is that Leigh honors his characters' right to be miserable if they so desire, whereas Allen seems to respect no one’s melancholy but his own. more...
  • Arrival
  • Arrival (PG-13)

    A noted linguist (Amy Adams) grieves for her teenage daughter, who has died of cancer, but that personal tragedy gets knocked into perspective when a dozen alien spaceships land at seemingly random locations around the world. more...
  • The Artist (PG-13)

    French director Michel Hazanavicius takes a break from his OSS 117 spy spoofs to pay loving tribute to the silent cinema, re-creating its luminous black-and-white photography and consigning all the dialogue to intertitles. more...
  • Avatar (PG-13)

    More than a decade in the making, James Cameron's 3-D fantasy about a colony of human astronauts hoping to plunder an alien rain forest represents a quantum leap in movie magic; watching it, I began to understand how people in 1933 must have felt when they saw King Kong. more...
  • Avatar 3D (PG-13)

    More than a decade in the making, James Cameron's 3-D fantasy about a colony of human astronauts hoping to plunder an alien rain forest represents a quantum leap in movie magic; watching it, I began to understand how people in 1933 must have felt when they saw King Kong. more...