Less a documentary than a naturalistic prose poem, this Mexican feature reveals in all its hardship and beauty a vanishing way of life: the daily work of fishermen who ply the giant coastal reefs of Mexico's Edenic Banco Chinchorro.
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Part of a year-long, citywide series on filmmaker Hollis Frampton—which concludes with a symposium in February 2010—this program collects five parts of the filmmaker’s monumental unfinished "Magellan" cycle.
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Movies dealing with the Islamist subjugation of women are usually documentaries or bleak social dramas, so I was somewhat taken aback to see the idea animating this expertly made and utterly engaging 2007 Turkish thriller.
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Comparisons to Little Miss Sunshine are all but inevitable, but this trenchant and truthful indie comedy masterpiece about a dysfunctional family on a road trip blows that funny little picture out of the water.
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Danish director Nicolas Winding Refn follows his aggressively stylized Pusher trilogy with this in-your-face biopic of British prisoner Charles Bronson (originally Michael Gordon Peterson), who was sentenced on a robbery conviction in 1974 and has proved so incorrigibly violent that he's spent most of his life since then behind bars.
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Experimental animator Al Jarnow is best known for the shorts he contributed to the children's shows Sesame Street and 3-2-1 Contact, but this survey of his work from 1968 to 1987 shows him to be a multifaceted artist.
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Easily the best cop thriller since The Departed, this 2008 Korean import is the debut feature of Na Hong-jin, who demonstrates such mastery of suspense mechanics that he earns the right to flirt with irony and even—dare I say it—tragedy.
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Other documentaries—Crude Impact, The End of Suburbia—have assessed the "peak oil" theory, that worldwide oil production since the mid-19th century has followed a bell curve and now we're on the downside of it.
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Nearly 50 years after the Cuban missile crisis, the danger of a nuclear attack on the U.S. is compounded by a false sense of safety and the widely accepted notion that eradicating nukes is a pipe dream.
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Ronald Bronstein, who wrote and directed the disquieting indie Frownland, steps in front of the cameras for this similarly lo-fi drama, and his loose-limbed performance as the brash, irresponsible father of two young boys establishes him as a genuine triple threat.
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In Owen Land’s films from the 70s and 80s (made under the name George Landow), bright, crisp images of colorful objects contrast with the films’ elliptical structures and language-based humor.
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In the third installment of his ongoing "Film Ist" series, Austrian artist Gustav Deutsch sequences footage from the first four decades of cinema to evoke everything from the Big Bang to the rise of consumer society.
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Harold Lloyd is a small-town boy hoping to make good as an undergraduate at Tate, described as "a large football stadium with a college attached."
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For more than three decades Chicago filmmaker Adele Friedman has been forging and refining an original vision with her silent portraits, in which wide-angle cinematography and obsessive panning spread out the spaces of apartments and gardens, creating a sensuous panorama of the ordinary.
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Discomfiting but riveting, this 2009 cocktail of psychodrama and pitch-black farce is tightly focused on a supremely dysfunctional family of codependents living in the discordantly beautiful Canary Islands.
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