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  • Martin

    George Romero's quasi-comic movie (1978) about a teenage vampire (John Amplas) remains his artiest effort, and in some respects his most accomplished work. more...
  • Odd Man Out (NR)

    A wounded Irish revolutionary (James Mason at his near best) on the run in Belfast encounters a cross section of human responses—self-interest, indifference, empathy, and charity—in this arty 1946 English thriller directed by Carol Reed and adapted by F.L. Green and R.C. Sherriff from Green's novel. more...
  • Othello (NR)

    For all the liberties taken with the play, Orson Welles's 1952 independent feature may well be the greatest Shakespeare film (Welles's later Chimes at Midnight is the only other contender)—a brooding expressionist dream made in eerie Moorish locations over nearly three years, yet held together by a remarkably cohesive style and atmosphere. more...
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  • Panic in the Streets

    This best and most neglected of Elia Kazan's early features (1950) is an expert and taut thriller about a public health doctor (Richard Widmark) trying to find a gang of thieves, one of whom may be infected with bubonic plague. more...