Blake Edwards's 1981 anti-Hollywood satire, apparently inspired by his own experiences with the big-budget disaster Darling Lili: when his expensive family musical looks like a flop, director Richard Mulligan tries to rescue it by prevailing upon his wholesome actress wife (Julie Andrews) to do a nude scene.
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First-time director Kang Yi-kwan and lead actress Moon So-ri do a fine job of conveying her character's shifting emotions in this 2005 Korean drama.
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This Bollywood romance is based on Dostoyevsky's short story “White Nights.” Sanjay Leela Bhansali directed; with Salman Kahn and Ranbir Kapoor.
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Sabbia is Italian for sand, which makes it a suitable title for this trippy meditation on the beauties of southern California's Coachella Valley.
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The real original among these six videos is Abel Klainbaum's half-hour The History of Choking (With Erick Estrada), a purported documentary on the Heimlich maneuver that intersperses instructional films and goofy reenactments.
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Alfred Hitchcock's 1942 thriller (often confused with his 1936 Sabotage) follows the usual structure of his comedies: an innocent man, mistaken for a spy, is chased across the country.
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This remake of Billy Wilder's weak 50s romantic comedy minimizes the jaded, dirty-old-man aspect of the sub-Lubitsch original (a flaw it shares with Wilder's Love in the Afternoon) with better casting.
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Billy Wilder's 1954 version of the Samuel Taylor staple was a perfect vehicle for Audrey Hepburn, though the cut is too tight for her costars, Humphrey Bogart and William Holden.
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Peter Miller's concise and thoughtful 2005 documentary reexamines the notorious Sacco and Vanzetti case from the perspective of a post-9/11 world, where concern over public safety has once again empowered xenophobes and reactionaries to trample on the rights of immigrants.
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The notorious 1920 trial of two Italian immigrants accused of murder and robbery, though most likely guilty of no more than radical political sentiments.
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These two poetic essays by Lynne Sachs offer the perfect antidote to PBS: there's no omniscient narrator talking down to the viewer, reciting facts and explaining what to think, yet the story of each is perfectly clear.
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