Sidney Lumet returns to his special stomping ground—the workings of the New York Police Department and justice system, and how they're affected by racial antagonisms and ethnic loyalties—in a richly detailed, caustic thriller, adapted by Lumet himself from a novel by Hispanic judge Edwin Torres.
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A Ray Harryhausen-ish remake of The Giant Claw from exploitation maestro Larry Cohen (God Told Me To), about a winged serpent of Aztec legend that terrorizes New York and encamps at the top of the Chrysler Building.
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Mas'ud Kimiai's highly influential and reportedly neorealistic 1996 Iranian feature was supposedly seen by almost half the population of Tehran upon its release.
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Leon Uris's novel about a Jewish doctor mistakenly implicated in Nazi war crimes was produced as a miniseries in 1974, with Anthony Hopkins in the lead role.
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Franc Roddam's 1979 film of the Who's rock opera aligns sociological observation and romantic fantasy to create an extravagant, involving teenpic with a responsible intellectual grounding.
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A few years back, the easy sexism and narcissism of the James Bond series looked dated to the point of obsolescence, but Quantum of Solace proves that a revenge motive is just what's needed to rejuvenate all the Bond cliches.
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A few years back, the easy sexism and narcissism of the James Bond series looked dated to the point of obsolescence, but Quantum of Solace proves that a revenge motive is just what's needed to rejuvenate all the Bond cliches.
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Jennifer Carpenter used to get typecast as a preppie, but after hurling herself about as the title character in The Exorcism of Emily Rose, she's graduated to a more remunerative gig as a horror scream queen.
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Somewhere in South Africa, fate tempts a man already wanted for an unspecified crime (John Lynch) to kill a minister on the way to a new post in an isolated town.
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Another stuff-and-mount job by James Ivory (The Europeans), this time performed on Jean Rhys's 1928 novel of sexual aggression in Parisian society.
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