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  • Platform

    Jia Zhang-ke's second feature (2002) is his best work to date and one of the greatest of all Chinese films. more...
  • Platoon (R)

    Oliver Stone's fictionalized memoir of the Vietnam war (1986) attempts to re-create, as viscerally as possible, the harrowing realities of combat—blood and guts and traumatized emotions splayed out like freshly exploded corpses in a minefield. more...
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  • Play Dirty

    This 1968 desert caper, the last film directed by veteran Andre de Toth, ranks among his best work. more...
  • Play

    Chilean writer-director Alicia Scherson, who won the Tribeca film festival's “new narrative filmmaker” award, went to college in Chicago but shot this delightfully fresh first feature in Santiago. more...
  • Playtime

    My favorite movie, this 1967 French comedy by actor-director Jacques Tati has the most intricately designed mise en scene in all of cinema. more...
  • Please Give (R)

    The witty and perceptive writer-director Nicole Holofcener (Walking and Talking, Lovely & Amazing, Friends With Money) delivers her best feature yet, a sharp-elbowed philosophical comedy that ponders why people find it so hard to be generous with one another. more...
  • Pleasures of the Flesh

    In its handling of lust, obsession, and the annihilating power of sex, this 1965 Japanese drama by Nagisa Oshima prefigures his notorious In the Realm of the Senses (1976) without getting nearly as close to oblivion. more...
  • Ploy

    Though less well-known than Apichatpong Weerasethakul, Thai filmmaker Pen-ek Ratanaruang is in many ways as impressive a figure in his versatility, in features that usually work with more commercial genres (as in his 6ixtynin9 and Invisible Waves). more...
  • Poetry (NR)

    A shy old woman—shy enough and old enough that her fine, flowery outfits have become integral to her sense of self—discovers that her callow grandson has participated in an awful crime and only she can protect him from prosecution. more...
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  • Poison (R)

    This 1991 avant-garde shocker by Todd Haynes (Far From Heaven) freely cuts between three supposedly separate stories, each in a different style and set in a different period: a 40s tale of homoerotic passion in a prison that's loosely derived from Jean Genet, a black-and-white 50s SF-horror melodrama about a leprous sex criminal, and an 80s TV exposé about a victimized seven-year-old boy who murders his father. more...
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  • The Polar Express

    Director Robert Zemeckis (Who Framed Roger Rabbit, Forrest Gump) once again harnesses a new technology to an engaging fable in this digitally animated adaptation of Chris Van Allsburg's holiday tale. more...