The title stands for “New York hardcore,” and this video documentary by Frank Pavich offers a comprehensive look at the city's underground music scene, from its origins in punk to the present.
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Jared and Jerusha Hess, the Mormon couple who cowrote Napoleon Dynamite, take their oddball comedy down to Oaxaca for this tale of a cook at a Catholic orphanage (Jack Black) who decides to raise money for the kids by moonlighting as a masked wrestler.
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Hans Jurgen Syberberg's six-hour trance film takes place during the last night of World War II, as a woman (Edith Clever) sitting in the ruined courtyard of the Danish embassy in Berlin and surrounded by artifacts of the German culture that has just come to its end recites a series of excerpts taken from the classics of German romanticism.
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Claude Chabrol's 1973 thriller about a group of political kidnappers in Paris seems to record his disenchantment with the French left during this period as well as his cynical disapproval of the government.
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Dracula's daughter—and more specifically, Lambert Hillyer's Dracula's Daughter (1936)—comes to Manhattan's East Village in a quirky, lyrical independent feature by writer-director Michael Almereyda.
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Virtually a crash course on the most important and talented living Japanese filmmaker after Kurosawa and on related aspects of contemporary Japanese politics and culture.
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Brilliant, problematic, and hyperbolic, Mike Leigh's postapocalyptic look at post-Thatcher England may look like allegory, but only because the picaresque story line, this time involving lone individuals rather than families, seems to sprawl more randomly than usual (which, incidentally, makes the customary clash of acting styles all the more glaring).
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A volatile realist who's often been compared to John Cassavetes, Maurice Pialat started out as a painter and a documentary filmmaker, though in contrast to most realist works (as well as most paintings) his movies are too intimate to date very much.
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