Luxembourg writer-director Genevieve Mersch makes her feature debut with this compelling 2003 drama about a smart, acerbic teenager (Marie Kremer) who, abandoned by her mother and neglected by her hardworking father, finds an imaginary friend in a race car driver killed during a televised match.
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This pre-Cabaret adaptation of John van Druten's play—based in turn on Christopher Isherwood's Berlin Stories—caused a minor flutter in 1955 when it was condemned by the Legion of Decency for the following line, delivered by Julie Harris: “What do you want to do first, have a drink or go to bed?” Otherwise, it's fairly tame stuff, reasonably well directed (if memory serves) by Henry Cornelius; Laurence Harvey, Shelley Winters, and Patrick McGoohan costar.
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Kon Ichikawa directed this 1975 adaptation of Natsume Soseki's famous 1905 satirical novel, in which a feline narrator comments on the foibles and frailties of the learned gentry during the modernization of Japan.
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Made for French TV by Pierre Jourdan in 1969, this documentary introduces the general public to Rudolf Nureyev as a lithe, mop-haired icon to be adored, a mission reinforced by the cliche-laden, voice-of-God narration.
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Mervyn LeRoy's 1932 indictment of the chain-gang system marked a transition between the prison cycle of the early 30s and the topical films of the decade's middle years.
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A feature-length documentary by Bryon Hurt (1996) in which he travels across America, discussing issues of black masculinity with Alvin Poussaint, Andrew Young, Michael Dyson, and many others.
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Shortly before his third marriage Caveh Zahedi recounts and restages events from his life showing how his addiction to prostitutes doomed his first two.
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At the beginning of this intriguing documentary a Peruvian band performing on a New York subway platform is joined by a lithe young woman whose dancing captivates onlookers.
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Hilarious and sexy, Ann Coppel's 2004 mockumentary short in which her shout “I am Ann!” becomes the basis of a self-empowerment movement with workshops and therapists and rallies.
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Ambitious but unwieldy, this black comedy from Colombia (2001) is the warped odyssey of an idealistic actor (Robinson Diaz) with a hit TV series who comes unhinged and begins to disappear into his role: Simon Bolivar, the 19th-century revolutionary who drove the Spanish from Colombia, Venezuela, and Ecuador.
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Former stand-up comedian Jordan Brady interviewed dozens of comics for this documentary about the profession—so many, in fact, that the result plays like a joke file.
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Some of the most exhilarating camera movements and most luscious black-and-white cinematography you'll ever see inhabit this singular, delirious 141-minute communist propaganda epic of 1964, a Cuban-Russian production poorly received in both countries at the time (in Cuba it was often referred to as “I Am Not Cuba”).
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