Following a global epidemic that has eradicated most of humanity, time travel becomes the only hope of mankind's survival; a volunteer (Bruce Willis) returns to 1990s Philadelphia to find the source of the epidemic, but he's promptly locked away as a madman.
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The 12th annual festival opens with Ian Power’s drama THE RUNWAY, in which a fatherless boy in County Cork comes to the aid of a Colombian pilot who’s crash-landed on the outskirts of town; Power and producer Macdara Kelleher will attend (Fri 3/4, 7 PM).
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Based on a 2008 incident that rocked the town of Gloucester, Massachusetts, this debut feature by French sisters Delphine and Muriel Coulin centers on five close pals at a high school in seaside Lorient who all agree to get pregnant and raise their children collectively.
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In accordance with the Mayan doomsday calendar, "mutated" neutrinos emanating from the sun trigger spectacular CGI disasters on earth that culminate in a global flood.
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Set in a sterile, white-walled dictatorship where all the workers are drugged, this lavish sci-fi feature from Mexico manages to resemble THX 1138 (1971) or the more recent Gattaca (1997) while skimping on full-scale pyrotechnics.
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This 1933 film is the best known of the Warner Brothers Depression-era musicals, though it doesn't compare in dash and extravagance to later entries in the cycle.
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This documentary recounts the history of the Better Boys Foundation, founded in 1961 by Chicago philanthropist Joe Kellman and comedian Buddy Hackett to provide tutoring and mentoring for teens.
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This Super-8 feature by Boston-area filmmaker Luther Price is at once an essay on failure and a barely coherent mess, its violations of narrative grammar so consistent that they become a statement.
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A collaboration between the living Steven Spielberg and the late Stanley Kubrick seems appropriate to a project that reflects profoundly on the differences between life and nonlife.
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