British singer-songwriter Ellie Goulding first released the song “Lights” near the end of 2009, but it wasn’t till last year that it found its proper audience—and in the process exploded unexpectedly into a global hit that reached number two on the Billboard Hot 100. “Lights” is a big, generous anthem with a tasteful but ecstatic techno bump and a massively epic chorus that almost demands to be screamed along to on a dance floor by drunk girls. But Goulding isn’t afraid to challenge her listeners. Last year’s Halcyon—which she released while its predecessor, Lights, was still charting—has some genuinely aggressive sounds and a nice spooky vibe that recalls Kate Bush and Tori Amos in equal measure, but it doesn’t sacrifice the mega hooks that rope in casual fans. She’s toured with Katy Perry and with Grimes, proving that she works just as well with a pop idol as she does with a more experimental musician. And the way her own musical ambition has paid off has probably helped close the gap between the two. —Miles Raymer St. Lucia opens.
Very few reuniting bands get the kind of high-profile opportunity to show off what they can still do that Seattle grunge legends Soundgarden did—their first new single in 16 years, “Live to Rise,” played during the end credits of The Avengers. Their first new album in just as long, King Animal (Loma Vista), makes the most of that exposure: though there’s no way it could sound as fresh and wild as the band did in 1989, it’s a great gift to their fans, as well as to anyone who needs a little schooling in just how incredibly influential they were in their prime. It’s 52 minutes that never let up, with a refreshing variety in theme and tempo, and Chris Cornell’s snarly rock-god pipes are as strong as ever; founding guitarist Kim Thayil is here too, as are drummer Matt Cameron (who joined in 1986) and bassist Ben Shepherd (aboard in 1990). The band’s songwriting star might never have burned as bright as Nirvana’s did, but there’s something to be said for a band that’s built to last—and Soundgarden sounds surprisingly indestructible. —Monica Kendrick