Events Search – Early Warnings (Music)
312-742-1168Die Kreuzen, We Are Hex, Canadian Rifle
Sat., May 25, 9 p.m.Rock, Pop, Etc
Though long overlooked in music-history books, Milwaukee’s Die Kreuzen were a crucial part of the posthardcore puzzle. Formed in 1981, they released their self-titled debut, which laid out the connections between hardcore and metal, in 1984—by which time labels such as SST, Touch and Go, and Homestead were all releasing records by independent bands that had emerged from punk but bucked its limitations. Die Kreuzen played with a punk ferocity and velocity—bassist Keith Brammer and drummer Erik Tunison formed a precise, heavy rhythm section—and the combination of Brian Egeness’s metallic, serrated guitar and Dan Kubinski’s scorched howl seemed to anticipate the tortured, brutal screech of death metal, which was coming around the bend. Starting with their next album, 1986’s October File, Die Kreuzen began easing up on the tempos and moving into an arty hard-rock sound, with Kubinski mastering a proto-metal cry and Egeness finessing an almost prog-rock tone. The band went on to make a couple more albums (like the others, for Touch and Go), but after Egeness left in ’92, Die Kreuzen’s days were numbered. Last year the group reunited—with former Couch Flambeau guitarist Jay Tiller replacing Egeness, who declined to participate—and they’re bringing their career-spanning show to Chicago for the first time in more than two decades. —Peter Margasak We Are Hex and Canadian Rifle open.
$17
Chance the Rapper, Sir Michael Rocks
Sat., May 25, 7 p.m. and Sun., May 26, 7 p.m.Hip-Hop
When the last book in the Harry Potter series came out in summer 2007, a friend started habitually pointing out people reading it in public, and it seemed like we couldn’t get on a train without seeing one or two. Over the past few weeks I’ve been doing the same thing for Acid Rap, the new second mixtape from 20-year-old Chatham MC Chancelor Bennett, aka Chance the Rapper—I’ve heard it leaking out of strangers’ headphones on the streets and on the el so often that I’m beginning to believe that Chance is as ubiquitous as Harry. It’s easy to get sucked into Acid Rap and hard to stop playing it once you’re hooked—it’s a well-polished mixtape that feels like a proper album, and it appeals to hip-hop heads and rap philistines alike with its mix of mature introspection and drug-fueled party anthems. There are a lot of great tracks on Acid Rap, but “Chain Smoker” may best demonstrate Chance’s crossover potential. Its smooth, poppy instrumental track combines a wistfully soulful synth melody, processed and edited vocal samples, and a rattling dance beat, which together have a loose, open-ended feel that allows him to switch smoothly between nasal rapping and sweet singing; it’s so life-affirming that even his lyrics, which address fears about his mortality, sound irrepressible. Sometimes when these songs get stuck in my head, I catch myself mimicking Chance’s high-energy dancing—and I don’t care who sees me. —Leor Galil Sir Michael Rocks opens.
New Kids on the Block, 98 Degrees, Boyz II Men
July 18-19, 7:30 p.m.Rock, Pop, Etc
7/19 show sold out
