Joe McPhee noted in his liner notes to his 1981 album of that name, is a form of mathematics that "deals with all conceivable forms, abstract and multidimensional as well as those that can be drawn." That description also pretty much nails the Poughkeepsie-based multi-instrumentalist's extraordinarily inclusive music. His recent playing in totally improvised settings encompasses the full range of conventional and nonconventional technique on a myriad of reed and brass instruments and resonates sympathetically with such disparate accompaniments as the muffled traffic heard through the bar's door on the upcoming live solo LP
Alto (Roaratorio) and the engulfing cacophony of nearly a dozen other impassioned improvisers with Peter Brötzmann's Chicago Tentet. But on the records he made during the 70s and 80s for the Swiss Hat Hut labels, he found ways to play just as freely while deeply engaging specific elements of jazz's roots and branches; lusty blues on "Knox," Ayler-esque gospel on "Astral Spirits," and Miles Davis's baleful funk on "Future Retrospective." McPhee also plays with Topology
at the Hungry Brain on Sunday.
--Bill Meyer
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