Performing Arts Review,
Oct 23, 2013
The renowned dancer offers a personal history of racial identity in
Jun 13, 2013
Despite his pioneering work with electronics and indeterminacy, he’s far more obscure than his friend John Cage—in part because he considered his music a living practice rather than something to be documented.
by Peter Margasak
Music Feature, John Cage, spatialization, sound, liner notes, live music, David Tudor, piano, pianists, composers, New York School, Morton Feldman, Earle Brown, Christian Wolff, graphic notation, indeterminacy, Karlheinz Stockhausen, La Monte Young, Sylvano Bussotti, Stefan Wolpe, interpretation, Black Mountain College, Internationale Ferienkurse für Neue Musik, chance, performance, Merce Cunningham Dance Company, scores, recordings, documentation, box sets, CDs, electronic music, experimental music, Irma Wolpe, John Adams, Arnold Schoenberg, Igor Stravinsky, traditional instruments, Pierre Boulez, Matt Rogalsky, Robert Rauschenberg, computer music, neural networks
Apr 13, 2012
This weekend, A John Cage Festival offers rare opportunities to hear some of the iconic composer's lesser-known works.