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  • All the Pretty Carnage
  • All the Pretty Carnage

    Remorseless murder isn't all there is to No Country for Old Men, but it's all anyone seems to care about.
  • Real Horror Shows

    Georges Franju's Eyes Without a Face and Lars von Trier's The Kingdom
  • Something to Talk About
  • Something to Talk About

    The Chicago premieres of several masterpiece films made magic in a year dominated by tired fare.
  • The Way We Are

    Is Jean Eustache's The Mother and the Whore the end of something, or just the beginning?
  • Othello Goes Hollywood

    Orson Welles's adaptation of the Shakespeare play proves he was an indie at heart.
  • Complicated Characters
  • Complicated Characters

    Flawed people in flawed relationships make for a stimulating screenplay in Andrew Wagner's adaptation.

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