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One of James Benning's very best early experimental films (1976, 83 min.) is also one of the few with a narrative, although it's one that gets “swallowed up by the form of the film,” as Benning puts it, and much of it consists of teasing fragments of implied stories. The individual shots, nearly always elegant (and a few running as long as 11 minutes), often come across as enigmatic, graphic, poignant, tricky, unreal, mesmerizingly slow, and/or evocative.
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Sorry there are no showtimes for 11 X 14 on Monday, May 21.
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