Thursday, May 23, 2013

12 O'Clock Track: Classixx's "Hanging Gardens," by way of Risky Business

Posted by today at 12.00 PM

Classixx-Hanging-Gardens-608x608.jpeg
  • The cover of Classixx's Hanging Gardens
I heard about Los Angeles dance duo Classixx from Chicago expat David Drake two or three years ago—he had been hyping their 2009 single "I'll Get You" and some of their remix work to me for a while. But none of David's lauding quite prepared me for the skateboard-speed rush of the group's debut LP Hanging Gardens, which dropped a little over a week ago on Innovative Leisure. I've been reading that Classixx recall disco, but all I really hear is some of the keyboard patches that lit up Garage and boogie dance-floor anthems of the early 80s. To me, Hanging Gardens feels like the early 90s, from its cover of pastel-colored geometric shapes forming running pedestrians to its hip-swinging house beats. Like early-90s dance, Classixx's tracks snatch up elements of 70s and 80s dance but give it a house-y, sampled feel. At the same time, the force and volume of the music places it in the same contemporary context as recent retro dance albums like Tiger and Woods's Through the Green or Motor City Drum Ensemble's Raw Cuts, Vol. 1.

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Did you read about food stamps, Stockholm, and Girls Gone Wild?

Posted by today at 11.22 AM

Stockholm, whose suburbs are still being rioted
  • Arild Vågen/Wikimedia Commons
  • Stockholm, whose suburbs are still being rioted
Reader staffers share stories that fascinate, amuse, or inspire us.

Hey, did you read:

• About "Why Food Stamp Use in Illinois Has Exploded"? —John Dunlevy

• That shootings cost each Chicago household an average of $2,500 a year? Mick Dumke

• About the nine-year-old boy who ethered Rahm Emanuel earlier this week? Tal Rosenberg

• That riots in the suburbs of Stockholm—prompted largely by poverty, youth unemployment, and police harassment—are now in their fifth day? Kate Schmidt

• About the Reddit user who attempted to mock a Sikh woman's appearance and actually apologized? Gwynedd Stuart

• About how BYU has one of the country's top computer-animation programs? Aimee Levitt

• The Hollywood Reporter's profile of Girls Gone Wild creator Joe Francis, which almost makes him seem pitiable? Ben Sachs

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Best shows to see: Bilal, Mavado, Chance the Rapper, Die Kreuzen, and more

Posted by today at 08.30 AM

Bilal
  • Marc Baptiste
  • Bilal
As is my wont, before I regale you with highlights from this week's Soundboard writeups, I'm going to rattle off some other worthwhile shows that nobody managed to cover. Fuck a Thursday, but on Friday you've got your pick of weirdo Australian rockers Blank Realm at the Burlington, charmingly bedraggled Portland garage band the Woolen Men at Permanent Records, and Juicy J of the Three 6 Mafia with A$AP Ferg at Metro.

What's on Saturday? Well, gritty Chicago street-rap duo L.E.P. Bogus Boys perform at Reggie's Rock Club, and charismatic young old-school soul band JC Brooks & the Uptown Sound play a release party at Mayne Stage for their new Bloodshot album, Howl.

On Sunday you could check out the eclectic Co-Prosperity Sphere concert that Gossip Wolf mentioned, with Calvin Johnson of Beat Happening, punk bands Distract and Warrior Tribes, and live electro from Hunter & Josh. Or you could get snazzed up and attend "The (Best) Prom You Never Had" at the Empty Bottle, which features Girl Group Chicago, Bobby Conn & the Pretty Flowers, and the Chances Dances DJs. And if that sounds too wholesome for you, I recommend the Butchershop Quartet at Township, playing their notorious rock-band arrangement of Stravinksy's The Rite of Spring to celebrate the 100th anniversary of the piece's premiere. There probably won't be a riot this time, but you never know.

Actually, I take back that rude thing I said before about Thursday. That's the night of my Chicago Craft Beer Week event at the Lincoln Park Binny's with beer manager Adam Vavrick. We're going to pair beers and songs! It's going to be ridiculous, and you should come.

And now on to the Soundboard picks:

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Reader's Agenda Thu 5/23: Mavado, Esther Newton, and DanceWorks Chicago

Posted by today at 06.11 AM

Mavado
  • Mavado
Looking for something to do today? Agenda's got you covered:

"For the past few years Mavado has been in the same predicament that’s afflicted so many other dancehall superstars: he’s practically a demigod in Jamaica, but barely anyone in the U.S. knows who he is," writes Miles Raymer in Soundboard. Catch Mavado's set at the Shrine.

LGBTQ scholar Esther Newton appears alongside her partner, performance artist Holly Hughes, at the University of Chicago's Center for the Study of Gender and Sexuality. "Newton trained as an anthropologist and made her name with ethnographic studies of drag queens and of Cherry Grove, the village on Fire Island that became America's first queer town," writes Aimee Levitt.

At Old Town School of Folk Music, DanceWorks Chicago presents an informal showcase featuring work by choreographers including Paige Cunningham Calderella, Joshua Blake Carter, and Brandon DiCriscio.

For more on these events and others, check out the Reader's daily Agenda page.

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Wednesday, May 22, 2013

"How did we get here?"—Robbie Haynes and Brent Engel on their R. Franklin Malort

Posted by on 05.22.13 at 04:47 PM

R. Franklins Original Recipe Malort
  • Courtesy of Letherbee Distillers
  • R. Franklin's Original Recipe Malort
Malort has been a thing in Chicago for a while now—about 75 years, to be exact—but suddenly everyone's talking about it. In just the last few months a Second City short attempted to answer the question of where Malort really comes from, NPR's blog the Salt published a detailed look at how the wormwood-infused spirit made its way from Sweden to Chicago during Prohibition, and Serious Eats went on a Malort crawl in Wicker Park. And, of course, it's been a Key Ingredient challenge—originally for Michael Carlson, and more recently at our Key Ingredient Cook-Off.

Mostly, though, people have been talking about Jeppson's Malort, originally made in Chicago by Swedish immigrant Carl Jeppson and now manufactured in Florida but sold only in Chicago (and soon Wisconsin). Since New Year's, though, Letherbee Distillers has been making a Malort for the Violet Hour that, until now, has been available only at the bar. R. Franklin's Original Recipe Malort, named for Violet Hour beverage director Robbie Haynes (his middle name is Franklin), who developed the recipe in collaboration with Letherbee distiller Brent Engel, was released for retail sale this week.

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Tribune sued over Red Plum/Local Values

Posted by on 05.22.13 at 04:16 PM

Chicagoans who dont want Red Plum/Local Values but get it anyway are suing the Chicago Tribune.
My amiable dispute with the Tribune over Red Plum/Local Values, an advertising throwaway I did not welcome and did not read but did not know how to stop, has been taken to a new level by a litigious group of Chicago residents.

The 25 plaintiffs, represented by Logan Square attorney Michael Jaskula, filed suit this month in circuit court against the throwaway's codistributors, the Tribune and Valassis Communications of Michigan. Jaskula told Tribune reporter Robert Channick, "Our neighborhood gets flooded with these damn papers every week. It's ridiculous it had to come to this, but we need to get their attention to stop the distribution of this thing to people who don't want it."

One of the plaintiffs is Jaskula's wife, Diane Stoneman.

I advise Jaskula not to call me as a witness. I'm afraid the story I have to tell would weaken his hand. No one is impressed by hotheads who try to win their battles in court when it turns out more genteel forums are available.

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At the ripe age of 23 British singer Laura Marling has become a force of nature

Posted by on 05.22.13 at 03:35 PM

Laura Marling
  • Justin Tyler Close
  • Laura Marling
With every new recording the British singer-songwriter Laura Marling has made significant leaps in quality, depth, and vision, and that growth continues on her new album Once I Was An Eagle (Ribbon Music)—due out next Tuesday. It's a gorgeously stripped-down effort featuring acoustic guitar, bass, piano, and Spartan percussion (congas, vibes), putting the vocalist's stunning voice front and center, where it belongs. While Marling has never reminded me more of Joni Mitchell, she's also never sounded more like herself. Her beautiful voice is husky, quietly forceful, and gently sensual, and in combination with the resourceful arrangements she dissolves the need for determining whether she's playing rock or folk music.

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The man who got me through the navy

Posted by on 05.22.13 at 02:43 PM

USS Mauna Kea
  • USS Mauna Kea
My college roommate came to town recently and handed me a letter I'd written him years ago as I sailed west across the Pacific Ocean. It was an unhappy, sardonic letter—which probably describes every word I wrote during my two years in the navy, aside from the notes telling my parents I was fine.

My naval experience is something I rarely talk about, or much care to think about, although the places I saw, the cast of characters I met, and the quasi-captivity I thought I was enduring constitute a trove of seed corn I've drawn from ever since. But it isn't pleasant to revisit immaturity. When I washed out of officers' school, the navy sent me out to the fleet to finish my hitch. I landed on the deck force of an ammunition ship, chipped paint for a few days, and then got a desk job shuffling papers in the office of the first lieutenant, the officer in charge of the deck force.

The belly of our ship, the USS Mauna Kea, bulged with bombs and missiles, all addressed Hanoi. I hadn't been on board long when I received a glamorous second assignment: they gave me a .45 and a clip and I stood four-hour watches at the entry to the "special weapons" hold. These were the weapons above and beyond. Only a small, elite group of crewmen could enter that hold under any circumstances, and I was to allow absolutely no one to go in alone. I understood "special weapons" to mean tactical atomic weapons, although I don't think anyone explicitly said so. Maybe I was guarding nothing more lethal than napalm.

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HBO's Family Tree: Proof that documentary-style sitcoms aren't completely stale

Posted by on 05.22.13 at 01:53 PM

Chris ODowd and the progenitor of the modern mockumentary
  • Chris O'Dowd and the progenitor of the modern mockumentary
These are confusing times for TV viewers. Fewer and fewer sitcoms are being filmed in front of live studio audiences, thus fewer pratfalls and funny booby jokes are being accompanied by a laugh track. Millions of people are sitting at home staring at their TVs with stupid looks on their faces, waiting for cues from their viewing companions, growing tenser by the minute because they have no idea when to laugh if TV isn't telling them when to laugh.

Of course this isn't the case. Not because we aren't stupid, but because modern sitcoms—documentary and mockumentary-style sitcoms, in particular—came up with a new way to cue laughter in the living rooms of dullards nationwide: the furtive glance at the camera. Someone's being laughably goofy on The Office. How do I know? Jim just stared right through time and space and told me with his eyes. Isn't that weird? No, it's OK because the camera's supposed to be there. Why? WHO KNOWS AND STOP ASKING SO MANY FUCKING QUESTIONS.

(PS: There's a video of a scene from the Big Bang Theory without a laugh track, and it's a must-watch for anyone interested in what deeply, deeply unfunny looks like.)

The documentary-style sitcom is wearing out its welcome. I was very on board for Reno 911; I was a lot less on board by the time Parks and Rec came around (which isn't to say I didn't end up liking it). Practically the only person who could get away with a new doc/mock-style sitcom at this point is Christopher Guest, which works out great for him because he has a new doc/mock-style sitcom on HBO called Family Tree.

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What are you waiting for? Today's the last day to vote for Best of Chicago!

Posted by on 05.22.13 at 01:49 PM

Last time, we told you that "May 22 will be here sooner than you think." Well—it's here: the last day voting is open in our annual Best of Chicago poll! The deadline is midnight tonight, so start filling out your ballots if you haven't already. At our Best of Chicago ballot you can vote on Best Underground Art Space, Best Place for a New El Stop, and Best Place to Get Married. At any point you can stop, save your ballot from your phone or computer, and sign back in later wherever you left off. We figure that with 264 categories—from Best Suburb to Best Sex Shop—you might need to make several trips (and perhaps rethink certain choices if, say, you encounter a taco even more transcendent than the one you thought couldn't be topped). But make sure to do all your thinking and rethinking soon, before the polls close.

There's one category you won't find on the ballot. Like last year, we're asking you to vote for Chicago's Best Chicagoan to Follow on Twitter . . . on Twitter. Tweet your suggestions using the hashtag #boctwitterer. The deadline for that category is the same as the ballot, so tweet away!

Apropos of nothing, here's a 14-year-old girl owning Eddie Van Halen's solo on "Eruption."

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