Friday, January 18, 2013

The blustery blowouts of saxophonists Colin Stetson and Mats Gustafsson

Posted by Peter Margasak on 01.18.13 at 02:30 PM

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In early summer 2011 I was lucky enough to attend Vancouver's terrific annual jazz festival. One of the most explosive and exciting performances I caught during my visit was recently released commercially: the first-time meeting of saxophonists Colin Stetson and Mats Gustafsson, a collaboration cooked up by the festival's excellent artistic director, Ken Pickering. The two men engaged in a sanguine battle of brawny horns that's captured on Stones (Rune Grammofon). Both players are known for their mastery of extended techniques, and though they use them to very different ends, here they manage to find a way to bond and communicate.

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Muti will miss Chicago Symphony Orchestra's Asian tour

Posted by Deanna Isaacs on 01.18.13 at 01:47 PM

Muti.jpg
Music director Riccardo Muti will be absent when the Chicago Symphony Orchestra makes its much-anticipated Asian tour, beginning January 27. The CSO announced last night that the maestro has a hernia that requires prompt surgery.

Muti, suffering from what looked like the flu, returned to his home in Italy earlier this month after spending a single night in Chicago. He'll remain there for this procedure and a recovery period, which means he'll have missed the entire winter season.

Lorin Maazel, director of the Munich Philharmonic, who has a 40-year history with the CSO, will fill in for part of the tour; the rest TBA.

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Kishr: Make it a double

Posted by Mike Sula on 01.18.13 at 01:12 PM

I'm a bit late to the qishr party, but it's been in the back of my mind ever since a lunch at Albany Park's Yemen Restaurant* long ago, when a nephew of the owner told my group they'd soon be serving the hot beverage infused from dried coffee cherry husks, cinnamon, cardamom, and ginger (aka kishr, kishir, Yemeni coffee tea). As of yesterday, they still don't offer it, I'm guessing because it's nearly impossible to import the dried fruit that surrounds the coffee bean. That is, unless you're Rowida Assalimy, who launched her own blend, Kishr, about year and half ago, selling it in teabags in stores like Standard Market, the Goddess & Grocer, Floriole, even the East Bank Club. Assalimy, who grew up drinking the stuff, markets it for its healthful benefits—it's high in antioxidants, low in caffeine, boosts immunity, etc.

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Mayor Rahm channels his inner Herbert Hoover

Posted by Ben Joravsky on 01.18.13 at 12:38 PM

Mayor RahmHerbert Hoover
Tuesday was a typically busy day for Mayor Rahm.

In the midst of spending his time trying to bring a casino to Chicago, he dashed over to the banks of the Chicago River to attend a ground-breaking ceremony for River Point.

That's the upscale office skyscraper subsidized with $29.5 million of your hard-earned property tax dollars taken from the mayoral slush fund known as TIF.

Or tax increment financing, to be proper about things.

In the TIF program, the city diverts over $200 million a year from the Chicago Public Schools—currently about $1 billion in debt—to fund much-needed economic development and eradicate blight in low-income neighborhoods.

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12 O'Clock Track: Electronic synth-pop from Candian hardcore vets Yacht Club, "A Little Messed Up"

Posted by Luca Cimarusti on 01.18.13 at 12:00 PM

One of Yacht Clubs many upcoming releases.
  • One of Yacht Club's many upcoming releases.
Over the summer I featured a Young Governor song on 12 O'Clock Track. I explained how Young Governor was the insanely hooky pop alter-ego of Canadian hardcore veteran Ben Cook, who currently plays in prog-core heavy hitters Fucked Up and cut his teeth as the frontman for mosh bros No Warning. Cook's solo and side projects have always leaned towards the accessible side of the musical spectrum, proving that he can do catchy and pretty just as well, if not better, than he can do aggro, and his new project, Yacht Club, takes this idea to the extreme.

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Did you read about a divided Congress, divided Democrats, and the questionable ethics of the quinoa trade?

Posted by Reader staff on 01.18.13 at 11:33 AM

Quinoa
  • Vi..Cult...
  • Quinoa
Reader staffers share stories that fascinate, amuse, or inspire us.

Hey, did you read:

• That according to this Politico story, Obama must lead a Democratic party with two factions: liberals, who want to focus on income inequality and unemployment, and centrists, who have more allegiance to Wall Street? (Guess which one Mayor Emanuel is.) Steve Bogira

• As if you didn't suspect as much, that the last session of Congress was the most politically divided in history? Mick Dumke

• That the much-bemoaned budget deficit "is already, to a large degree, solved," according to Paul Krugman? Steve Bogira

• About the questionable ethics behind the quinoa trade? Luca Cimarusti

• Adam Mansbach's first dispatch from his book tour? ("The publishing industry stopped having new ideas out of respect for the untimely death of Ernest Hemingway in 1961, and has been doing everything the same way ever since.") Sam Worley

• The Library of Congress blog on the inaugural Bibles? —John Dunlevy

• This Pitchfork article on New York City's new underground dance-music culture? Tal Rosenberg

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Can the torture scenes in Zero Dark Thirty be defended?

Posted by Michael Miner on 01.18.13 at 10:33 AM

A torture scene in Zero Dark Thirty
  • A torture scene in Zero Dark Thirty
Betrayal is in the air, and it's reflected in the Oscar nominations. Zero Dark Thirty made the list for best picture, but Kathryn Bigelow was passed over for best director. David Denby's New Yorker capsule puts the matter dispassionately and succinctly: "The filmmakers landed themselves in trouble by making the torture of a minor Al Qaeda member by the C.I.A. appear to yield a useful scrap of information—something that did not happen in the actual investigation. Trying to have it both ways, they claimed the authority of fact and the freedom of fiction at the same time. Still, it's a great movie."

A great movie whose expedient plotting is all on Bigelow. Mark Boal, who wrote the script, was nominated for best original screenplay.

In a statement defending herself and her movie, Bigelow calls herself a "lifelong pacifist" opposed to "inhumane treatment of any kind," and she wonders "if some of the sentiments alternately expressed about the film might be more appropriately directed at those who instituted and ordered these U.S. policies [of torture], as opposed to a motion picture that brings the story to the screen. Those of us who work in the arts know that depiction is not endorsement."

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My favorite albums of 2012, numbers ten through one

Posted by Peter Margasak on 01.18.13 at 08:32 AM

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Read numbers 40 through 31, 30 through 21, and 20 through 11.

The final installment of the year-end countdown of my favorite albums from 2012.

10. Duane Pitre, Feel Free (Important) New Orleans composer Duane Pitre created a system/composition using a computer algorithm. At root, the computer holds various recordings of harmonic patterns played on guitars tuned in just intonation; the program randomly plays back various little snatches, which overlap and resonate in ever-changing combinations. The piece can function in that sparse mode, but it becomes more interesting when other players join in, as on this lovely recording with violinist Jim Altieri, hammer dulcimer player Shannon Fields, bassist James Ilgenfritz, cellist Jessie Marino, and harpist Jesse Sparhawk. Participants are free to play what they want, although Pitre established rules to prevent performances from veering into chaos or overload. These collaborators nail it, making it the most beautiful, gently accruing piece of strings vibrations I've heard all year.

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A neglected Chicago filmmaker gets his due, and the rest of this week's screenings

Posted by Ben Sachs on 01.18.13 at 07:27 AM

From Phil Karlsons Gunmans Walk
  • From Phil Karlson's Gunman's Walk
In this week's issue, Drew Hunt writes at length about the 1958 western Gunman's Walk and its director, the underrated B-movie maverick (and Chicago native) Phil Karlson. Hunt explores the themes of antiracism and antiviolence in Karlson's 50s films, arguing that the filmmaker should be considered, pace Andrew Sarris, a subject for further research. Gunman's Walk screens on Monday at 7:30 PM at the Portage theater; it's just one of many great revivals in town this week. The embarrassment of riches includes the continuing Jean Rouch retrospective at the Gene Siskel Film Center (up this Sunday afternoon: Moi, un Noir and The Lion Hunters), All About Eve at the Music Box on Saturday and Sunday morning, and author Walter Mosley introducing the film adaptation of his Devil in a Blue Dress at the Cultural Center tonight at 7 PM. And it's a hell of a week at Doc Films, with the Coen brothers' Raising Arizona on Friday, David Cronenberg's Cosmopolis on Saturday and Sunday, Jacques Tourneur's Out of the Past on Monday, Louis Malle's Zazie in the Metro on Tuesday, Wong Kar-wai's Days of Being Wild on Wednesday, and Alfred Hitchcock's The Trouble With Harry on Thursday.

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Reader's Agenda Fri 1/18: Bingo Night Fund Raiser, Dolphin Reopens, and Grace Potter & the Nocturnals

Posted by Katie Kather on 01.18.13 at 06:08 AM

Bingo Night
  • Bingo Night
Looking for something to do today? Agenda's got you covered:

Bingo night has moved out of the nursing home and into Wicker Park/Bucktown. 826CHI is hosting a Bingo Night Fund Raiser for the Chicago Zine Fest with opportunities to win prizes from Threadless and Intelligentsia. The event is BYOB.

Wicker Park nightclub Green Dolphin reopens Friday with a performance by Crystal Method and a new name: Dolphin.

And anyone who likes to belt out Grace Potter's Stars (or is it just me?) can see her tonight with the Nocturnals and Langhorne Slim at the Riviera Theatre.

For more on these events and others, check out the Reader's daily Agenda page.

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