Friday, May 24, 2013

Mayor Rahm's school board takes a big stand!

Posted by today at 07.37 AM

Chicago Board of Education President David Vitale, center, listens to opponents of proposed school closures at a packed board meeting Wednesday, May 22.
  • AP Photo/M. Spencer Green
  • Chicago Board of Education President David Vitale, center, listens to opponents of proposed school closures at a packed board meeting Wednesday, May 22.
At the risk of sounding naive, I was hoping that at least one of Mayor Emanuel's school board appointees might take a break from voting to close 50 schools and mention the $55 million the mayor wants to spend on his near-south-side hotel and basketball arena.

As you know, the board voted yesterday to close those schools on the grounds that the system's too broke to keep them open.

And yet the school system's not so broke it can't afford to contribute about $28 million of the $55 million in property tax dollars that Mayor Rahm wants to spend on the hotel and DePaul basketball arena.

It's even worse. The hotel/b-ball arena project will wind up costing the schools money. Because by buying the land, Mayor Emanuel will make it tax exempt, and the schools will no longer be able to tax it.

So they'll have to raise the taxes on everyone else's property to compensate. Lucky us!

In short, the mayor's proposing to spend $55 million on a project that will cost the schools money and raise our property taxes.

As I may have explained once before—right here.

And will undoubtedly explain again. In the hopes, faint though they are, that someone in a position of power will gather up the courage to tell the mayor, "Uh, you know, boss, maybe it's not a good idea to spend $55 million in property taxes on a venture that will lose money for the schools."

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Reader's Agenda Fri 5/24: Electric Daisy Carnival, Irish Fest, and Carol Horton

Posted by today at 06.10 AM

Nadastrom
  • John Sisk
  • Nadastrom
Looking for something to do today? Agenda's got you covered:

Dust off your glow sticks and plastic baby pacifier 'cause we've got ourselves a rave to hit up at the Electric Daisy Carnival, a three-day EDM extravaganza in Joliet (note: campsites are available for day-sleeping) that features David Guetta, Nadastrom, Tiesto, Empire of the Sun, and more.

It's an established fact that the only true Irish in Chicago are the south-side Irish. Celebrate them this weekend at Chicago Gaelic Park's Irish Fest.

At 57th Street Books, Carol Horton, Ph.D., leads an "experiential discussion" on modern yoga, drawing examples from her books 21st Century Yoga: Culture, Politics, and Practice and Yoga Ph.D.: Integrating the Life of the Mind and the Wisdom of the Body.

For more on these events and others, check out the Reader's daily Agenda page.

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Thursday, May 23, 2013

Tim Dog: Dead or alive?

Posted by on 05.23.13 at 04:12 PM

Tim Dog
  • Tim Dog
Back in February rap geeks around the world mourned the passing of Tim Dog, a Bronx-based MC who caused a stir back in 1991 when he released "Fuck Compton," an inflammatory single that helped set off the East Coast/West Coast feud that would eventually result in Biggie and Tupac's murders. It was also hard as hell, which is one of the reasons why it's managed to stay in the hearts of rap fans who found the beef to be otherwise tragic and meaningless.

News of Tim's death originated in a short item on the Source website by Shah Be Allah blaming it on a seizure caused by complications from diabetes. It also noted that the last time Tim had made the news was in 2012 when Dateline set up a sting operation that seemed to have caught him in the act of defrauding women he met through a dating site.

Today that Source post is gone (but still archived online), and there's an arrest warrant out for Tim Dog in Desoto County, Mississippi. It seems that the Source item was the closest thing to proof that he had actually died. No one's been able to find a death certificate for Tim Blair, the rapper's real name, and one of his closest friends, who turned down Tim's family's request that he speak at the funeral, doubts that in the end there was even a funeral at all.

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During school-closing vote, Mayor Emanuel is heard but not seen

Posted by on 05.23.13 at 03:31 PM

Mayor Rahm Emanuel: see you sometime?
In the months before the Chicago Board of Education voted to close 50 schools next year, thousands of teachers, parents, and students pleaded for their schools to stay open during hearings and protests.

Journalists, meanwhile, tried to figure out if any of the shifting explanations for the plan were actually based in fact, since it was originally presented as a way to save money, then to improve school performance, then to cut the dropout rate. The answer: not exactly.

Meanwhile, Mayor Rahm Emanuel didn't attend any of the public hearings and was on a ski vacation when the closing list was released in March. Most recently, in the days leading up to the final decision, he largely avoided the public and the media.

In case you missed it, here's the schedule he kept in the week before the board's vote:

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La Sacre du Printemps turns 100, the Butchershop Quartet celebrates

Posted by on 05.23.13 at 02:50 PM

Stravinsky_Rite_of_Spring_Bernstein.jpg
For a long time I thought the French seal of artistic disapproval was to rip out the seats of a theater, whether it was the first viewing of the Luis Buñuel and Salvador Dalí film L'age D'or or Fox Movietone Follies of 1929 screened without subtitles. It seems to be a hallowed tradition. Seat destruction was also famously visited upon the world premiere of the Igor Stravinsky ballet masterpiece Le Sacre de Printemps (The Rite of Spring) on May 29, 1913 at the Théâtre des Champs-Elysées. The Jonathan Cott liner notes for a brand-new reissue of Leonard Bernstein's defining 1958 recording of the work with the New York Philharmonic on Columbia Records includes a lengthy description of the audience reaction.

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Exploring Dance Mania's old inventory in Ray Barney's basement

Posted by on 05.23.13 at 02:15 PM

Victor Parris Mitchell rifling through records in Ray Barneys basement
  • Victor Parris Mitchell rifling through records in Ray Barney's basement
When Ray Barney told me the leftover inventory from his old label, Dance Mania, had been gathering dust in his basement since the dance imprint shut down in 2001, I knew I had to get down there and see it for myself. As I wrote in this week's B Side feature, Victor Parris Mitchell, a producer who released several records on Barney's label, and Barney himself are relaunching Dance Mania—and they're doing so partially because the imprint's old catalog is in high demand. The label was an underground phenomenon during its initial run—it's best known for breeding an uncommercial style of house called ghetto house, and the biggest releases sold upwards of 10,000 copies—but these days Dance Mania gets plenty of play in clubs, and some of the label's old LPs can sell for as much as $300 online.

Given Dance Mania's reputation and importance, I was pretty eager to get down to Barney's basement and literally get my hands dirty searching for the label's classic records. So I recently headed down to Lawndale with videographers Dustin Park and Peter Holderness in tow, where we explored the Dance Mania inventory with Barney and Mitchell and talked to the pair about the label's history, its new-found popularity, and selling off the old records. As Mitchell told me the back stock is picked over, but we still managed to discover some beloved Dance Mania records hiding between leftover LPs from Barney's old retail music store. Check out our video below to see some of the records we found, watch Barney and Mitchell talk about the label's history, and get a glimpse of a dance nerd's Holy Grail.

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Talking to founder Brenda Webb about new plans for the city's LGBT film festival

Posted by on 05.23.13 at 01:38 PM

From the Thai film Beautiful Boxer, a high point in Reelings programming history
  • From the Thai film Beautiful Boxer, a high point in Reeling's programming history
Last week it was announced that Reeling, Chicago's LGBT film festival, will resume this November following a yearlong hiatus. The fest took a break in order to reconsider its mission in light of the changing nature of film exhibition. Chief among its goals, festival founder Brenda Webb wrote at the time, was to "evolve [in a way] to better address the needs of LGBT filmmakers." Planning for this year's fest is still underway, though Webb has officially handed over key responsibilities to Richard Knight Jr., film critic for Windy City Times and codirector of the recent local production Scrooge and Marley, and Gretchen Blickensderfer, who will act as program director and managing director respectively. Webb will remain involved as executive director of Chicago Filmmakers, which oversees the fest.

I spoke with Webb yesterday about Reeling's evolution. She was enthusiastic about the future of the festival but remained realistic about the challenges it faces. "It's become really tough for independent filmmakers," she said. "A lot of the old model—launching your movie at a film festival, getting a distributor, getting a theatrical run, going to DVD—has changed. . . . In terms of LGBT films, festivals around the world have come to be seen as the main theatrical opportunity; there are fewer and fewer opportunities to get a theatrical run. That changes the nature of a festival from exposing work to supporting work.

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More barbecue for the dudes: Sweet Baby Ray's comes to Wrigleyville

Posted by on 05.23.13 at 01:08 PM

Best of both worlds: bourbon (barrel aged) beer.
"In the 70s and early 80s, Wrigleyville was a shithole. As much of a shithole as anywhere else, anyway," my companion told me as we headed out to Sweet Baby Ray's Smokehouse, the new city outpost of the suburban chain.

We'd picked a rainy weekday night when the Cubs were on the road, and we were off to an auspicious beginning, with ample parking and a dearth of drunken dudes. Still, we wondered why Sweet Baby Ray's had chosen this of all neighborhoods to settle in. It may not be a shithole these days, and obviously there are tourists and ticket holders to cater to, but what happens in the winter? Will a chain draw the rest of us, particularly with independents Wrigley BBQ and the kosher Milt's Barbecue for the Perplexed nearby?

The motto here is "Smokehouse, Bourbon & Beer," which sounds promising enough. Upon entering, you're greeted by the bartender, a "Wall of Bourbon," and multiple ribbons and trophies attesting to the prowess of the team manning the restaurant's Southern Pride smoker. They might as well have added "Sports Bar" to that tag line—the front is dominated by bar stools and hightops, and there are nine TVs inside, one on the patio, and one in the men's room (never miss a moment!)

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Pink Avalanche celebrate the release of their first record, Wraiths, with a free listening party

Posted by on 05.23.13 at 12:33 PM

Wraiths
  • Wraiths
Local four-piece Pink Avalanche, led by sound engineer and former Atombombpocketknife front man Che Arthur, are releasing their debut record next week, and are celebrating it with a listening party at the Burlington on Memorial Day, Mon 5/27, at 9 PM. The postpunk project sees a lot of local underground veterans coming together to create an excellent racket. Pink Avalanche—whose lineup is rounded out by drummer Adam Reach (formerly of Poison Arrows), guitarist Kortland Chase (who was in Chatty Cathy), and bassist Pete Croke (who plays in about 200 bands, including Tight Phantomz, Brokeback, and Reds and Blue)—blend Hot Snakes-styled rhythmic pummeling, Husker Du-inspired rough melodic bent, and atonal guitar meandering a la Fugazi. It's an odd and exciting combination of flavors that perfectly showcases the vast array of voices and influences the members of this band bring to the table. You can stream the new album, Wraiths, after the jump, but the party on Monday night celebrates the release of a copy you can actually own.

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12 O'Clock Track: Classixx's "Hanging Gardens," by way of Risky Business

Posted by on 05.23.13 at 12:00 PM

Classixx-Hanging-Gardens-608x608.jpeg
  • The cover of Classixx's Hanging Gardens
I heard about Los Angeles dance duo Classixx from Chicago expat David Drake two or three years ago—he had been hyping their 2009 single "I'll Get You" and some of their remix work to me for a while. But none of David's lauding quite prepared me for the skateboard-speed rush of the group's debut LP Hanging Gardens, which dropped a little over a week ago on Innovative Leisure. I've been reading that Classixx recall disco, but all I really hear is some of the keyboard patches that lit up Garage and boogie dance-floor anthems of the early 80s. To me, Hanging Gardens feels like the early 90s, from its cover of pastel-colored geometric shapes forming running pedestrians to its hip-swinging house beats. Like early-90s dance, Classixx's tracks snatch up elements of 70s and 80s dance but give it a house-y, sampled feel. At the same time, the force and volume of the music places it in the same contemporary context as recent retro dance albums like Tiger and Woods's Through the Green or Motor City Drum Ensemble's Raw Cuts, Vol. 1.

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