Saturday, May 18, 2013

Street View 099: Modern armor

Posted by on 05.18.13 at 12:00 PM

Street View is a fashion series in which Isa Giallorenzo spotlights some of the coolest style seen in Chicago.

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Eunice looks ready to tackle a city covered with tough materials. I never thought so many leather pieces could work so well together, but then here's the one thing I learned in fashion: never say never. I'm loving her metal collar, mesh top, and matching quilted items—so much texture!

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Reader's Agenda Sat 5/18: Yo-Yo Ma, acclaimed hors d'oeuvres, and rap karaoke

Posted by on 05.18.13 at 06:00 AM

Rivers Festival Symposium
Looking for something to do today? Agenda's got you covered:

Marcus Samuelsson went from being an Ethiopian orphan to the youngest chef ever to receive a three-star restaurant review in The New York Times. He will be in Merchandise Mart reading from his renowned new memoir and serving cocktails and hors d'oeuvres.

Chicago rapper Psalm One hosts Rap Karaoke at Jerry's. Yes, "rap karaoke." No, you're not the first person to think of doing Biz Markie.

For your end-of-the-week injection of transcendentalism, hear WBEZ's Jerry McConnell moderate a discussion at the Symphony Center about the musical influence of earth's rivers. Yo-Yo Ma contributes and performs.

For more on these events and others, check out the Reader's daily Agenda page.

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Friday, May 17, 2013

Marcus Samuelsson's Yes, Chef—reviewed

Posted by on 05.17.13 at 05:08 PM

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  • Random House
It seems inevitable that Marcus Samuelsson's memoir, Yes, Chef, will someday become required reading in cooking schools, if only for its emphasis on the necessity of humility and hard work in the kitchen.

"To get ahead in that culture," Samuelsson writes, "you have to completely give yourself up to the place. Your time, your ego, your relationships, your social life, they are all sacrificed." The best thing a young chef can do is to remain invisible.

Until, of course, he's ready to step into the spotlight. When he was 23, Samuelsson took over as the chef at Aquavit, a Swedish restaurant in New York. Less than six months later, Ruth Reichl, then the restaurant critic at the New York Times, awarded it three stars. Ten years later, in 2003, Samuelsson won a James Beard Award for best chef in New York City. Then he won Iron Chef. Then he was selected to cook President Obama's first state dinner. Then he opened Red Rooster, his signature restaurant in Harlem. Now he's the sort of celebrity chef people recognize on the street.

Earlier this month, Yes, Chef won Samuelsson his second Beard award, this one for writing and literature. It could be argued that anybody with a life story like Samuelsson's could write a kick-ass memoir. But give the guy some credit for doing more than just connecting the dots.

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A soulful country cut from the woman who sang "Harper Valley P.T.A."

Posted by on 05.17.13 at 04:08 PM

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Soul Jazz would be one of my favorite reissue labels of all time even if they had stopped putting out records after their first New York Noise compilation of vintage NYC postpunk, which was not-so-secretly as influential on early-aughts underground club culture as any Williamsburg dance-punk band of the time. Recently they put out Acid: Mysterons Invade the Jackin' Zone, a fantastic two-disc survey of Chicago acid house and experimental house. It comes packaged with a comic book and postcards honoring important people and places in Chicago house history like Ron Hardy and Gramaphone Records, making it one of the only releases this year that I'd actually recommend buying on CD.

Last week I got an advance copy of the label's upcoming comp Country Soul Sisters Vol. 2, which as you can probably guess is their second collection of country music by female artists who dipped into the 60s and 70s zone where country and soul music overlapped. (See also: last year's Country Funk: 1969-1975 comp on Light in the Attic.) The songs—from performers like Wanda Jackson, Dolly Parton, and Linda Ronstadt, as well as some lesser-known names—alternate between torchy and breezy, and should sound great as the accompaniment to summertime back-porch beer-drinking sessions. It doesn't come out until June 25, but you can get a feel for it now with the opening track, "The Little Town Square," by Jeannie C. Riley, who's best known for singing "Harper Valley P.T.A." Stream it after the jump.

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Best shows to see: Chrome, Turbonegro, Rafi Malkiel Quintet

Posted by on 05.17.13 at 03:26 PM

Rafi Malkiel
  • Courtesy of Rafi Malkiel
  • Rafi Malkiel
There are two punk-rock festivals happening in Chicago this weekend: HoZac's Blackout and WHPK's Summer Breeze. While the former encourages heavy drinking significantly more than the latter, they've both stacked up awesome, obscure lineups, and even share an act (Detroit's Tyvek). Maybe hardcore punk and noise-rock is your thing? Maybe it's not? Either way, Soundboard is full of recommendations for great music this weekend, at these fests and elsewhere. See what some Reader writers have to say about it after the jump.

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Rare Sun Ra sounds and images from Corbett vs. Dempsey

Posted by on 05.17.13 at 02:00 PM

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Corbett vs. Dempsey, the record label, has just released one of the rarest and most historically murky recordings in the massive oeuvre of the great Sun Ra, issuing Continuation on CD for the first time. Last year I wrote about the formalization of the new imprint operated by the John Corbett and Jim Dempsey, the owners of their namesake art gallery, and even then, when I spoke with Corbett about this reissue, the actual date of the recording seemed in doubt. He told me it was from 1964, though for decades most folks thought it was from 1969—it wasn't released until 1970 on Ra's own label, Saturn. The sleeve art was rife with incorrect info: it was recorded in New York, not Minneapolis in "Galaxtone," as the jacked noted, and Danny Thompson isn't present playing the "Neptunian libflecto," nor is Robert Barry on "lightning drums," and it was actually cut in 1963 as part of the same sessions that produced some of the Arkestra's greatest albums: Other Planes of There, When Sun Comes Out, and When Angels Speak of Love.

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An interview with Dan Sallitt, director of The Unspeakable Act

Posted by on 05.17.13 at 01:05 PM

The Unspeakable Act
  • The Unspeakable Act
The Unspeakable Act, which screens this week at the Gene Siskel Film Center (and with writer-director Dan Sallitt in attendance tonight and tomorrow afternoon), is an opaque independent drama about family ties. The title refers to incest, although the movie isn't concerned with shock value or sex. Drew Hunt notes in this week's issue, "In the grand tradition of French director Eric Rohmer, The Unspeakable Act is a story in which transgression is considered but never acted upon." Teenage siblings Jackie and Matthew—bookish, introspective types who sometimes recall J.D. Salinger characters—have an extremely close relationship, but neither seems so impulsive as to push it into the realm of taboo. The movie is a mystery of sorts, inviting viewers to ponder the unspoken motivations behind peculiar behavior. Last week I spoke with Sallitt about his influences, his experience as an employee of the Reader in the early 1980s, and his particular filmmaking methods. Like his other three features, Unspeakable Act was entirely self-financed, with Sallitt doing most of the leg work in preproduction—the intimate nature of his approach, I think, has a direct impact on the artisanal quality of his finished product.

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12 O'Clock Track: Noisy shoegaze on No Joy's "Slug Night"

Posted by on 05.17.13 at 12:00 PM

Wait For Pleasure
  • Wait For Pleasure
On Mother's Day, I went to Lincoln Hall to catch Canadian noise-rock powerhouse Metz (who have recently built up the bro-iest fanbase ever, apparently) and TV Ghost, a dramatic postpunk act from Indiana. First up on the bill was No Joy, another band from Canada who had been added only the day before. I'm glad I got to the show early enough to catch them, because their set was really excellent. They play a catchy style of noisy shoegaze that falls somewhere in between the feedbacky onslaught of a young Sonic Youth and the lush warmth of My Bloody Valentine. The three girls up front shred their guitars, running them through chains of effects and delay pedals while the drummer holds it down and keeps it simple and in the pocket, a move taken directly from the Steve Shelley playbook. Today's 12 O'Clock Track is "Slug Night" from No Joy's brand-new LP Wait For Pleasure. This song falls a little more towards the MBV end of the spectrum, with layers of beautiful fuzz taking up all the sonic space imaginable while Jasmine White-Glutz sings a smooth, hooky melody on top of it.

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Did you read about Eric Holder, the Village Voice, and The Third Coast?

Posted by on 05.17.13 at 11:18 AM

RIP?
  • Beyond My Ken/Wikimedia Commons
  • RIP?
Reader staffers share stories that fascinate, amuse, or inspire us.

Hey, did you read:

• About why more women don't run for office? Tal Rosenberg

• That on top of everything else, U.S. Attorney General Eric Holder was under fire this week for continuing to authorize marijuana prosecutions? Mick Dumke

• About the Village Voice bloodbath? Gwynedd Stuart

• About the Rogers Park couple thrown out of a vacant house they fixed up and moved into when they had nowhere else to go? Tony Adler

• That, according to French police, a million-dollar jewel heist was pulled off during the premiere of Sofia Coppola's movie The Bling Ring at Cannes? Kate Schmidt

• That The Third Coast was reviewed again in the Times, but this time by somebody actually interested in reviewing it? Sam Worley

• This series of serious literary criticism of the Mr. Men series of children's books? Aimee Levitt

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Incest, adultery, and the rest of this week's screenings

Posted by on 05.17.13 at 07:36 AM

Compensation
  • Compensation
In this week's long review Drew Hunt considers The Unspeakable Act, a new indie drama by Dan Sallitt in which a high school senior ponders her intimate feelings for her college-age brother. I review Stories We Tell, a documentary by Sarah Polley (Away From Her, Take This Waltz) about her discovery that her biological father was a Montreal film producer with whom her mother had a brief affair. And we've got recommended capsule reviews of Compensation, a Chicago-shot drama by Zeinabu Irene Davis, and Leviathan, a semi-abstract documentary recording the sights and sounds aboard a fishing trawler off the coast of New Bedford, Massachusetts.

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May 19
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