Film
Friday, November 20, 2009
Posted
by Ed M. Koziarski
on Fri, Nov 20, 2009 at 12:10 PM

- Tw Li's "Self (Involved) Portrait"
I saw a crowd of onlookers who ranged from scandalized to righteously indignant to cynically amused gather around TW Li's video installation Police Brutality Grid when it showed in September at Margin Gallery.
Li's video, photography and performance aggressively lampoon systems of control and the impact of technology on daily interaction. His work shows in Noble & Superior Projects' In(di)visible exhibition, which opens Friday 11/20.
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Tags: TW Li, Whitney Faile, Noble & Superior, In(di)visible, Police Brutality Grid, Self (Involved) Portrait, School of the Art Institute, After You, Margin Gallery
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Thursday, November 19, 2009
Posted
by Ed M. Koziarski
on Thu, Nov 19, 2009 at 10:52 AM

- Matthew Mascheri's "Second City" from DomeFest 2008
Highlights from DomeFest, the annual Albuquerque competition of full-dome video art, screen Thursday 11/19 at part of "The End of the World," this month's installment of the Adler Planetarium's Adler After Dark program.
The six-source HD video is projected in a 360 degree environment on the 2,300 square foot dome in the Adler's Definiti Space Theater.
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Tags: DomeFest, Adler Planetarium, Adler After Dark, full-dome, End of the World, Albuquerque
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Wednesday, November 18, 2009
Posted
by Peter Margasak
on Wed, Nov 18, 2009 at 1:03 PM
Last month
Drag City Records released
Ouled Bambara: Portraits of Gnawa, its second project on the sublabel Twos & Fews, run by Kentuckian Nathan Salsburg. Salsburg, who also plays music himself and maintains the swell blog
Root Hog or Die—which includes a directory of free MP3s of traditional music of all stripes—has worked for the
Alan Lomax Archive since 2000, and both Twos & Fews releases have a raw, folkloric spirit. Last year the label debuted with a collection of a cappella singing by Kentucky coal miner
Nimrod Workman, and to celebrate its release
the label hosted an informal gathering at Intuit Gallery, where it played Workman’s music, screened rare video footage, and served quasi-authentic hillbilly delicacies.
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Tags: Gnawa, Drag City, Twos and Fews, Nathan Salsburg, Nimrod Workman, Ouled Bambara: Portraits of Gnawa, Intuit Gallery, Caitlin McNally, Alan Lomax, Root Hog or Die
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Posted
by Ed M. Koziarski
on Wed, Nov 18, 2009 at 10:24 AM

- Doug Lussenhop aka Douggpound
Eric Wareheim of Tim and Eric Awesome Show, Great Job! and former Chicagoan Doug Lussenhop, AKA DJ Douggpound, curate Surprises!, the first of two opening night video programs for the Public Media Institute's Select Media Festival 8 at Heaven Gallery.
Surprises! includes Wareheim's video for Major Lazer's "Pon De Floor," Lussenhop's for Juiceboxx's "100 MPH," Jake Kasdan's for The Bird and the Bee's "Diamond Dave," Eric Fensler's for Cass McCombs and Ariel Pink, Ray Tintori's very creepy video for MGMT's "Kids," and Tim & Eric's pilot for the Neil Hamburger game show The New Big Ball.
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Tags: Tim & Eric, Awesome Show Great Job, Eric Wareheim, Doug Lussenhop, Douggpound, Select Media Festival, Public Media Institute, Heaven Gallery, buddY gallery, Major Lazer, Bird and the Bee, Cass McCombs, Juiceboxx, Ariel Pink, Neil Hamburger, Eric Fensler, Jonathan Krisel, Fatal Farm, MGMT, Ray Tintori, Jake Kasdan, Ariel Pink, Yasmine Kittles, Peter Glantz, Jonathan Krisel, Hazel Hill, Fatal Farm
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Tuesday, November 17, 2009
Posted
by Ed M. Koziarski
on Tue, Nov 17, 2009 at 11:03 AM

- William Lyman Grant in "Frontwards"
William Lyman Grant "stumbles through the wreckage of labored reunions, unsure infatuation, drunken nonsense, and the barren wastelands of North Dakota" in the DIY comedy Frontwards, premiering Thursday 11/19 at the Portage Theater.
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Tags: Frontwards, DePaul, Portage Theater, The Burlington, William Lyman Grant, Eric George Marsh
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Monday, November 16, 2009
Posted
by J.R. Jones
on Mon, Nov 16, 2009 at 2:06 PM
On the web site of the Museum of the Moving Image, Jonathan Rosenbaum has an interesting review of Chris Welles Feder's memoir In My Father's Shadow: A Daughter Remembers Orson Welles. Pictured below: Chris Welles in 1945, flanked by Welles on her left and stepmother Rita Hayworth on her right.
Tags: Jonathan Rosenbaum, Museum of the Moving Image, Chris Welles Feder, Orson Welles, In My Father's Shadow: A Daughter Remembers Orson Welles, film directors, movies
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Posted
by Ed M. Koziarski
on Mon, Nov 16, 2009 at 10:35 AM

- Tony Leung Chiu-Wai in "Red Cliff"
After 16 years in Hollywood, Hong Kong action auteur John Woo made his triumphant return to Asian production with the two-part Chinese historical war epic Red Cliff, the first half of which was the most expensive and most successful film in Asia, ever, on its release last year.
The Western release, a condensed version that combines the two parts, has a free preview screening Monday 11/16 at Landmark's Century Centre.
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Tags: Red Cliff, Tony Leung, Tony Leung Chiu Wai, Zhang Fengyi, John Woo, Hong Kong, Landmark's Century Centre, Takeshi Kaneshiro, Midwest Independent Film Festival
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Friday, November 13, 2009
Posted
by Ed M. Koziarski
on Fri, Nov 13, 2009 at 10:04 AM

- Nadia Oussenko in "On Falling..."
The dance films Arch of Repose by Jan Bartoszek and On Falling... by Nadia Oussenko, which sold out their Wednesday premiere at the Music Box, get an encore screening Friday 11/13 at Alliance Francaise of Chicago.
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Tags: Arch of Repose, On Falling, Alliance Francaise, Nadia Oussenko, Bitter Jester, Music Box Theater, Hedwig Dances
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Thursday, November 12, 2009
Posted
by Ed M. Koziarski
on Thu, Nov 12, 2009 at 12:42 PM

- Maestro Harrell plays Pimp D in "Lowering the Bar."
A comedy set in an alternative high school featuring Maestro Harrell (Randy on The Wire) and improv juggernaut TJ Jagodowski, Kenneth Yoder's Lowering the Bar won this year's Chicago Comedy TV Pilot Competition.
Lowering the Bar is one 26 short films and videos screening Saturday 11/14 in MoFest 5.
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Tags: MoFest, Lowering the Bar, Maestro Harrell, TJ Jagodowski, Kenneth Yoder, Chicago Comedy TV Pilot Competition, Odd Machine Studios, Little Fokkers, The Wire
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Wednesday, November 11, 2009
Posted
by Peter Margasak
on Wed, Nov 11, 2009 at 5:09 PM

- Richard Lerman's "Sections for Screen"
We all know how important the soundtrack is to most films, and scores by certain composers—
Ennio Morricone,
Toru Takemitsu,
Bernard Herrmann,
Georges Delerue, and
John Barry, to name a few—more than stand on their own. Other soundtracks rely heavily on nonmusical material, such as
Walter Murch’s brilliant sound design in the Francis Ford Coppola film
The Conversation. Though it’s rare for filmmakers to place as much emphasis on sound as they do on what’s on the screen,
a program screening at the Gene Siskel Film Center on Thursday night at 6 PM offers just as much to fans of experimental music and noise as it does to cinephiles.
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Tags: Sound tracks, experimental music, sound, optical sound, Gene Siskel Film Center, Conversations at the Edge, Outer Ear Festival of Sound, Experimental Sound Studio, Michelle Puetz, Robert Russert, Barry Spinello, Paul Sharits, Peter Kubelka, Arnulf Rainer, Chris Langdon, Richard Lerman, Travelon Gamelon, Folkways Records, Guillermo Gregorio, Brian Labycz, Art Lange
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