Whoa

Thursday, January 17, 2013

Chief Keef's sentencing: The view from the courtroom

Posted by Leor Galil on 01.17.13 at 05:49 PM

chiefkeeflovesosa.jpg
It's been a humbling day for Chief Keef, who was sentenced to 60 days in jail for violating his probation during a video interview with Pitchfork at a gun range last summer. Keef's popularity and infamy have made him an inescapable presence in the rap world, and as such any news outlet with a vague interest in covering hip-hop has been keeping tabs on this court case.

And yet the scene inside the Cook County Juvenile Court Building was fairly modest; a group mostly made up of journalists, legal professionals, and Keef's family filled three wooden benches in a small, off-white courtroom. The room's sparse decor—a clock on one wall, a calendar on the other, and a droopy American flag behind Judge Carl Anthony Walker's seat—was hardly reminiscent of the lavish lifestyle Keef enjoys rapping about. The rapper himself walked in wearing a navy-blue sweatshirt and sweatpants that bore the letters JTDC ("Juvenile Temporary Detention Center") instead of his usual Louis Vuitton and Salvatore Ferragamo gear.

Outside the courtroom he has an outsize, violent persona, but inside he was a 17-year-old who goes by Keith Cozart. Lately the online conversation about Keef has focused on white cultural tourism via violent music by African-Americans, but it didn't come up in the conversations among cops and court officers that I overhead in the courtroom prior to Judge Walker's entrance—I heard more about young Chicagoans who are grappling with real violence. In the courtroom Cozart's rap career was almost of no consequence—except for the fact that it was used as evidence to keep him behind bars (and a reason to let him go).

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Wednesday, January 16, 2013

James Ransone in Broken City: Barely onscreen and barely restrained

Posted by Ben Sachs on 01.16.13 at 03:36 PM

Ransone (right) with Ethan Hawke in Sinister
  • Ransone (right) with Ethan Hawke in Sinister
The Mark Wahlberg vehicle Broken City, which opens Friday, is a solid, old-fashioned detective movie. Barring a speech about social equality for gay couples and some superfluous helicopter shots, the film feels a lot like a mid-40s noir programmer. Wahlberg's flawed private investigator (a former police detective trying to earn his keep), the casual intimations of political corruption, director Allen Hughes's gritty-but-affectionate portraits of marginalized neighborhood communities: all these qualities agreeably recall a second-tier Robert Siodmak effort like Cry of the City (1948) or The File on Thelma Jordan (1950). And like a good old noir programmer, the movie really comes to life when the character actors in the supporting cast get to strut their stuff. The most memorable bits belong to Barry Pepper as a JFK-worshipping mayoral candidate, Jeffrey Wright as a hard-ass police commissioner (his soft bald cranium hinting at a fascinating secret life), and, in far too brief an appearance, James Ransone as a wealthy developer's bratty son.

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Life Is but a Dream: Beyonce as Deleuze

Posted by Drew Hunt on 01.16.13 at 02:32 PM

An shot from Beyonces debut film, Life is but A Dream
  • A shot from Beyonce's debut film, Life Is but a Dream
Earlier this week HBO released the trailer for pop singer Beyonce's upcoming directorial debut, Life Is but a Dream, a documentary about her life and career. While the release of a new movie trailer isn't generally something to get excited about, this particular trailer represents the arrival of a film that's a complete product of its day and age—something unique to an era in which daily life is slowly but surely moving away from a physical reality and closer toward a digital, image-based reality.

As detailed in a recent interview with GQ, Beyonce appears hell-bent on documenting every single moment of her waking life. Stored in what writer Amy Wallace calls the "official Beyoncé archive," a "temperature-controlled digital-storage facility," is "virtually every existing photograph of her . . . every interview she's ever done; every video of every show she's ever performed; every diary entry she's ever recorded while looking into the unblinking eye of her laptop." The majority of the film is purportedly culled from this archive, which is also said to include "thousands of hours of private footage, compiled by a 'visual director' Beyonce employs who has shot practically her every waking moment, up to sixteen hours a day, since 2005."

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Wednesday, January 9, 2013

Reader exclusive: A Google chat with Kim Jong-un

Posted by Kate Schmidt on 01.09.13 at 02:19 PM

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  • Hello to the American middle west!
Earlier today I was surprised by a special Google alert. Apparently under the impression that I am Google executive chair Eric Schmidt's cousin, North Korean leader Kim Jong-un had googled my name and stumbled across yesterday's Bleader post about his recent overture to fugitive French actor Gerard Depardieu. I was told by a footman, Park Yong-sun, that Kim wished to speak, via Gchat, "to an ordinary American living in the middle west also known as the heartland of the U. S. of A." and "give a whirl to" the new Gchat translation feature, Gwhiz. What follows is a transcript.

Yong-sun: OK, here is the dear leader.
me: Good morning, Mr. Marshal of the Democratic People's Republic of Korea.
Jong-un: Greetings, cousin of Eric.

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Thursday, December 27, 2012

Cal's closes its doors on New Year's Day

Posted by Luca Cimarusti on 12.27.12 at 10:32 AM

The lovable dive.
  • The lovable dive
Cal's Bar, the lovable, grimy hole-in-the-wall at Wells and Van Buren, will officially be closing its doors on New Year's Day. Cal's has sat virtually unchanged in its corner of the South Loop for 65 years, refusing to back down to gentrification, remaining as dim and dirty as ever even as the high-rise condos started arriving. Unfortunately, the building that has housed the bar since 1947 was recently sold, and it turns out that the dive wasn't part of the property owner's future plans. Cal's announced last week that at closing time on New Year's Eve, their bartenders would be shouting "last call" for the final time.

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Thursday, December 20, 2012

The trashy brilliance of Trailer War

Posted by Miles Raymer on 12.20.12 at 03:38 PM

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I am a big fan of all kinds of "bad" cinema: big-budget Hollywood disasters, Wingnut Internet conspiracy documentaries, straight-to-video Nigerian morality plays, canine martial arts movies, Nic Cage vehicles, and especially grind house exploitation fodder of every sort. Some of the pleasure I get from grind house movies comes from an MST3K-ish sort of superficial irony, but I have a deep, genuine appreciation for much of it. I genuinely admire the audaciousness, the transgression, and the drive to squeeze the maximum amount of outrageousness out of every budgeted dollar that this kind of filmmaking embodies.

But the moments that deliver this kind of transcendence tend to come amid a whole lot of straight-up awfulness. You generally have to wade through a lot of shit before you get to the jet pack fight or whatever.

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Wednesday, December 19, 2012

Merchandise Mart execs still at large after daring escape

Posted by Steve Bogira on 12.19.12 at 02:30 PM

The Merchandise Mart, scene of this mornings dramatic escape
  • Richard A. Chapman/Sun-Times Media
  • The Merchandise Mart, scene of this morning's dramatic escape
Police are looking for two corporate executives after their dramatic escape this morning from the Merchandise Mart.

The execs, whom police described as stocky middle-aged white men dressed in pinstripes and wingtips, apparently rappelled down the building's southern facade from a second-floor window on a rope of heavyweight garland, which had been serving as office decoration. Authorities were uncertain how the men managed to get out the window, which is only five feet wide.

The execs were last seen in their office during an 8 AM conference call. Two hours later, a secretary noticed that two figures hunched in front of computers in corner offices were mannequins, and employees realized their CEO and CFO were AWOL. Police believe the mannequins were stolen from the adjacent Apparel Mart.

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Wednesday, November 7, 2012

Can you stop a bike from getting nicked?

Posted by Kevin Warwick on 11.07.12 at 06:00 PM

Sitting ducks
  • David Hawgood
  • Sitting ducks
Several of us here at the Reader believe in cycling to work. We also believe in jamming our bikes onto crowded freight elevators, riding with them up ten flights, and leaning them against our cubicles. And maybe sneaking a glance every now and then to make sure they're still there. I wouldn't say it's paranoia as much as it's . . . well, never mind, it's straight-up paranoia.

As far as I'm concerned, that extra attention helps keep my bike in my possession and out of the hands of a bike thief. Just this morning I considered locking it to the racks outside the building, but ultimately decided against it. I've been warned and warned again that thieves will chop or bash through cable locks, U-locks, and chain locks to get at a bike. Basically, it's just waiting to get stolen.

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Thursday, October 25, 2012

More Ono! Releases, reissues, and shows from the art-rock locals

Posted by Luca Cimarusti on 10.25.12 at 02:00 PM

This record is worth almost $300
  • This record is worth almost $300
As you might've read in this week's Three Beats, local far-out art-rockers Ono, awakened from dormancy in 2007 by Steve "Plastic Crimewave" Krakow, are about to release their first record in 26 years. Ono's resurgence and high profile in the local scene over the past few years has increased demand not just for new recordings from the band but also for their hard-to-find old stuff, which has resulted in their out-of-print debut, 1983's Machines That Kill People (Thermidor), going for an outrageous sum on eBay. But there's good news, Ono heads! You no longer need to be part of the 1 percent to own a copy of this sought-after classic. Krakow, with the help of local (mostly) tape label Priority Male and a grant from nonprofit State of the Arts Chicago, is reissuing the landmark record.

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Monday, October 15, 2012

Today in surprisingly nonracist YouTube videos

Posted by Miles Raymer on 10.15.12 at 02:30 PM

Sister Deborah
  • Sister Deborah
One of the more impressive bits of mental contortion required of people who subscribe to the ever-more-convoluted American conservative worldview is that liberals are "the real racists" for seeing racism in conservative expressions of free speech that are totally not racist. While this whole phenomenon began simply, with bigots defending themselves against being labeled bigots for espousing obviously bigoted ideas, it's had the secondary effect of encouraging bigots on the right to amp up the hate speech until you can barely believe it. So call me a "cynic" or a "'real' racist" for seeing a post on Metafilter linking to a YouTube clip called "Uncle Obama's Banana" by someone named Sister Deborah and expecting to see something like a nun telling some sort of satirical children's story based on the Obama/monkey imagery that racists can't seem to get enough of.

To my surprise and relief, Sister Deborah turned out not to be a racist nun, but rather a Ghanaian pop singer, and "Uncle Obama's Banana" is not yet another piece of depressingly common right-wing hatemongering but a fun and funky pop song that is very literally about a girl buying bananas to feed her monkey and definitely doesn't have any sort of highly suggestive subtext and what are you even talking about?

Enjoy after the jump.

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