Visual Art

Friday, May 25, 2012

Cauleen Smith, John Parot, and other arty stuff to do this weekend

Posted by Elly Fishman on 05.25.12 at 12:39 PM

Cauleen Smiths The Infinity Vortex,
  • Cauleen Smith's The Infinity Vortex
John Parot: "Excavation"

This weekend, Western Exhibitions presents "Excavation," a solo show by John Parot. Parot's new body of work builds on his interest in psychedelic patterns and hippie ephemera, and also explores his interest in ancient Egyptian tomb art. Parot’s paintings are large-scale and bright; one of his strengths is his ability to find patterns in everything from porn magazines to ancient symbols and bring them together in an interesting visualscape. "Excavation" is Parot's third solo exhibition at Western Exhibitions.

Fri 5/25, 5-8 PM, Western Exhibitions, 119 N. Peoria, Suite 2A

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Thursday, May 24, 2012

Torkwase Dyson: Slip 'n Slide as art project

Posted by Elly Fishman on 05.24.12 at 04:57 PM

Torkwase Dyson
Yesterday afternoon I found myself barefoot on the beach at the South Shore Cultural Center, where I watched artist (and friend) Torkwase Dyson wrestle an 80-foot piece of metallic bubble wrap in the water. As Dyson crawled atop the serpentine structure, she looked like a kid playing on a Slip 'n Slide. The performance was part of Dyson’s project Crawl, named after William Pope.L’s Crawl series. It makes sense that Dyson effused joy—she grew up in South Shore and spent her summers at the Cultural Center. "All the parents would sit on the lawn and just let us run," recalled Dyson after emerging from the water. "This place is my childhood."

Crawl is part of a larger art-historical project in which Dyson revisits the canon of African-American art through an ecological lens. "With Crawl, I was thinking about the plastic, garbage, and waste that goes into our water, the politics of waste," she said. Dyson uses discarded materials as a form of political commentary. "This piece was from a winery—it was used to insulate wine," she explained, pointing to the bubble wrap. "But I’m interested in thinking about how it reflects light and can be used as a surface for watercolor." When Dyson says "watercolor" she doesn't use the term in the traditional sense—it's more a creative reuse of the word. Dyson's watercolor has water, and a metallic surface reflects some color, but there's no pigment. "My goal with Crawl, and the larger art history project, is to re-create these powerful moments in art history, with zero emissions. No energy except the sun."

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Wednesday, May 23, 2012

Gig poster of the week

Posted by Luca Cimarusti on 05.23.12 at 07:52 AM

kurty.jpg
ARTIST: Alex Todaro
SHOW: Kurt Vile & the Violators, Black Bananas, and True Widow at Lincoln Hall on 5/20
MORE INFO: alextodaro.com

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Friday, May 18, 2012

This weekend's art events, from "Sex, Spraypaint & Satire" to a fable festival

Posted by Elly Fishman on 05.18.12 at 09:18 AM

From Mick Dumke and Ben Joravskys The Grass Gap

"Sex, Spraypaint & Satire: Parody without Humor"

You may have seen Ray Noland’s work during the 2008 Obama campaign; his images of Obama with the exclamation “Go Tell Mama!” were ubiquitous. Or you may recognize his work from several Reader covers and feature stories. Among Noland’s more visible pieces were his posters during Rod Blagojevich’s public trial, which depicted Blago—dressed in sweats and sneakers—running away. The project was titled Run, Blago, Run! Noland runs the Creative Rescue Organization (CRO) and often works under the same pseudonym. Noland’s work is hilarious, energetic, seductive, and a model of true craftsmanship. Tonight Noland will exhibit a new body of work.

Fri, May 18, 7-11 PM, Grand Bizzare, 1418 W. Division.

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Thursday, May 17, 2012

More on Mr. Lichtenstein

Posted by Elly Fishman on 05.17.12 at 11:02 AM

Roy Lichtenstein made his 1962 painting Portrait of Madame Cezanne after reading Cezanne's Composition: Analysis of His Form With Diagrams and Photographs, a 1943 book by the art historian Erle Loran. In it, Loran advanced a theory that Paul Cezanne's work could be analyzed according to a series of planes; Lichtenstein's painting, which mimicked a diagram Loran had included in his book, was a direct jab at that notion.

"What really comes out in this exhibition is Roy's sense of humor," explains Jay Dandy, former president of the Society for Contemporary Art and researcher for the Art Institute's new Lichtenstein retrospective. "I didn't really think of him as being slapstick, but he must’ve been really witty with a sly sense of humor. An excellent example of Roy’s humor is his Mirror series. He painted mirrors that reflect nothing. There’s a lot of irony in that."

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Q&A: New Yorker art editor Francoise Mouly on New Yorker covers, Maurice Sendak, and more

Posted by Jerome Ludwig on 05.17.12 at 07:25 AM

New Yorker art editor Francoise Mouly in her office
  • Sarah Shatz
  • New Yorker art editor Francoise Mouly in her office
Francoise Mouly has been the art editor for the New Yorker since 1993. (Yep, she's the one who picks the covers.) Mouly will be in Chicago this weekend for the Comics: Philosophy & Practice Conference at the University of Chicago (conference registration is full, but you can watch a live webcast here) and also Thursday at 57th Street Books with her daughter, Nadja Spiegelman.

We talked on the phone last week. An edited transcript follows.

You’ll be in town for the Comics: Philosophy & Practice Conference.

Yes, me and every important, interesting cartoonist in the world. It’s an amazing event.

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Tuesday, May 15, 2012

"My breasts are now your art"

Posted by Elly Fishman on 05.15.12 at 06:32 AM

Ikram employees looking fly
“This party is like: ‘I just lost my virginity and I’m hiding a bottle of my parents’ best liquor under my dress,’” said a woman swathed in gold sequins as she leaned over the bar. My high school boyfriend dumped me on prom night, but I understood the sentiment.

This was “Crash the Gala,” the afterparty for the Art Institute’s annual gala. This year, “Crash the Gala” turned Terzo Piano, the sleek, minimalist Modern Wing restaurant designed by Dirk Denison Architects into the ideal setting for a John Hughes film. The ceiling was covered in balloons, and disco balls cast celebratory patterns across the room. Hot dog vendors, popcorn machines, and ice cream sundae buffets lined nearly every wall, and a handful of servers carried trays of corn dogs, potato chips, and heaping piles of bacon. Yes, just bacon. Of course, unlike actual prom, usually organized by student committees and stifled by teacher chaperones, “Crash the Gala” was hosted by Ikram Goldman, Michelle Obama’s stylist and owner of Chicago fashion boutique Ikram.

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Friday, May 11, 2012

Czech interviews, Scott Reeder, and other arty stuff to do this weekend

Posted by Elly Fishman on 05.11.12 at 05:39 PM

Its Christmas!
  • From the NCSML collection
  • It's Christmas!
Recording Voices and Documenting Memories

Over the past three years, the National Czech & Slovak Museum & Library (NCSML) has recorded more than 150 interviews with 20th-century Czech and Slovak emigres in the oral history project “Recording Voices & Documenting Memories of Czech & Slovak Americans.” The project, which has been organized into the exhibition “Leaving Czechoslovakia,” opens tonight at the Oak Park Public Library. The show focuses on why cold war-era Czechs and Slovaks immigrated, how they made it to the United States, and what happened once they started building their lives here.

Fri 5/11, 7-9 PM, Oak Park Public Library, 834 Lake Street, Oak Park.

Scott Reeder

This weekend marks conceptual artist Scott Reeder’s first solo show at Kavi Gupta Gallery. Reeder is known for some of his more experimental methods—like painting with noodles in his series "Pasta Paintings"—and while he's worked as a painter for some time, tomorrow he premieres a series of new sculptural work. The medium may be different, but the humor and wit are still present. In addition to Reeder’s exhibition, Kavi Gupta also opens “I Am a Girl,” a show of Berlin-based artist Henning Strassburger's work. Strassburger is also a painter and conceptual artist whose work is influenced by impressionists and abstractionists alike.

Sat 5/ 12, 4-7 PM, Kavi Gupta Gallery, 835 W. Washington.

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Japanese Lady Gaga fans rule, unsurprisingly

Posted by Miles Raymer on 05.11.12 at 01:52 PM

Japanese Lady Gaga fans
Right now controversial superstar photographer Terry Richardson (I try to not let some of my minor issues regarding what I know about him as a person interfere with my very real enjoyment of his work) is on the road with Lady Gaga, shooting her Asian tour. The pair have collaborated before on a photo book, Lady Gaga x Terry Richardson, and Richardson has become more or less her official photo documentarian—it's a pretty synergistic and fun-looking relationship. He's also shooting a lot of Asian Little Monsters, and as much love as I have for American Gaga fans, you know that there is no way that the Japanese ones aren't going to easily out-berserk them in the costume department. Richardson has been posting shots regularly to his Tumblr. I'm very much looking forward to seeing what further sartorial insanity Gaga's Asian horde has to offer.

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Thursday, May 10, 2012

UIUC students try to create a better coastal city

Posted by Elly Fishman on 05.10.12 at 02:38 PM

Manufacturing Landscapes
  • Manufacturing Landscapes
This past winter Julie Larsen, professor of architecture at the University of Illinois-Chicago at Urbana-Champaign, received the $20,000 Michael Roche travel grant to take ten students to Tsukiji fish market in Tokyo. Most tourists visit the site for the spectacle of its famous fish auctions—one fish sold for $736,700 in January 2011—but Larsen's class was focused on imagining urban interventions. The students were tasked with thinking about durable waterfront and coastal designs. In the wake of events like Hurricane Katrina and the 2011 tsunami in Japan, they confronted the need to rethink how coastal cities are designed—and whether those cities have the infrastructure to withstand the effects of global warming and natural disasters.

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