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Monday, February 6, 2012

Discovering the groovy sounds of Calvin Keys

Posted by Peter Margasak on Mon, Feb 6, 2012 at 3:03 PM

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Today is Calvin Keys's 69th 70th birthday. Until recently I knew only that Keys was a jazz guitarist—I'd never knowingly heard any of his work. That's changed thanks to the great Tompkins Square label, which has reissued his 1971 debut album, Shawn-Neeq. The record was originally released by the iconic Black Jazz imprint, an Oakland label that concentrated on a funky, soulful branch of African-American jazz—a kind of proto-fusion, minus the wankery.

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12 O'Clock Track: Ane Brun, "Do You Remember"

Posted by Peter Margasak on Mon, Feb 6, 2012 at 12:00 PM

Ane Brun
  • Ane Brun
There are moments when Norway-born, Sweden-based singer Ane Brun seems a bit too in love with the swoops, dips, and warbles she can execute with her lovely voice, but at her best she's got great pop instincts. Her latest album, It All Starts With One, has been out in Europe since the fall and will finally arrive in the States on May 1. I don't like everything on it, but the first U.S. single, "Do You Remember," has been stuck in my head all week—it's good enough that I'm prepared to forgive the missteps. The percussion-heavy song features typically angelic harmony singing from Swedish sisters Johanna and Klara Söderberg (aka First Aid Kit, who will play Lincoln Hall on April 6), and its retro-pop melody reminds me a whole lot of Lykke Li, except without the electronics. That's high praise in my book. The song is after the jump.

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Friday, February 3, 2012

A new direction for Viennese electronica kingpin Patrick Pulsinger

Posted by Peter Margasak on Fri, Feb 3, 2012 at 1:59 PM

Patrick Pulsinger
  • Patrick Pulsinger
In the 90s Patrick Pulsinger was a kingpin of the Austrian electronic-music scene, both as a producer (Sluts 'n' Strings & 909) and a label owner (Cheap), so I was surprised late last year to see his name on a new recording from contemporary classical label Col Legno. Besides Feldman captures a live performance during the Wien Modern 2010, a cutting-edge multi-arts festival in Vienna. The concert was part of a series called Feld(man) Forschung that Pulsinger curated. He assembled an unusual quartet to perform a piece that considers brilliant American composer Morton Feldman as a thinker and composer, without touching his actual music.

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Monday, January 30, 2012

12 O'Clock Track: Cate Le Bon, "Fold the Cloth"

Posted by Peter Margasak on Mon, Jan 30, 2012 at 12:00 PM

Cate Le Bon
  • Cate Le Bon
Cyrk (The Control Group), the recent second album by Welsh singer Cate Le Bon, is the year's first great record. I loved her debut, but this one is even better: her sophisticated singing traverses some cosmic British folk-rock terrain, but she doesn't sound remotely retro. Le Bon returns to Chicago for a show at Schubas on February 14, and I'll be writing a preview for that; in the meantime, here's a little taste. After the jump is the video for "Fold the Cloth."

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Friday, January 27, 2012

My last year-end music list from 2011, I promise

Posted by Peter Margasak on Fri, Jan 27, 2012 at 10:00 AM

Marcelo Camelo: Toque Dela
  • Marcelo Camelo: Toque Dela
Like it or not, and even though it's almost February, I've got one more year-end list for you. If it helps, you can see it less as a list and more as a road map for this evening's episode of WBEZ's Radio M. I'll join host Tony Sarabia for the full two hours, and we'll both play some of our favorite international music from 2011, both new and reissued. The show airs tonight from 9-11 PM on 91.5 FM. After the jump, my picks in both categories, many of which I'll spin tonight.

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Thursday, January 26, 2012

Claire Chase premieres a Marcos Balter work inspired by Cy Twombly

Posted by Peter Margasak on Thu, Jan 26, 2012 at 4:04 PM

Claire Chase
  • Claire Chase
In March extraordinary flutist Claire Chase, founder and director of International Contemporary Ensemble, will release her second collection of solo performances, Terrestre (New Focus). I was a huge fan of her 2009 debut, Aliento, and the new one looks equally tantalizing, with works by Kaija Saariaho, Franco Donatoni, Pierre Boulez, Elliott Carter, and Dai Fujikura (who wrote his piece, Glacier, specifically for Chase). Yet the energetic flutist is already on to the next thing, and this Friday evening she'll give a free concert at the Art Institute's Fullerton Hall with a totally different program.

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Wednesday, January 25, 2012

12 O'Clock Track: Albert Ayler, "Our Prayer—Bells"

Posted by Peter Margasak on Wed, Jan 25, 2012 at 12:00 PM

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In 1966 daringly original jazz saxophonist Albert Ayler toured Europe as part of an annual "Newport in Europe" package. Each night his band closed the show, following performances by Stan Getz, Sonny Rollins, Dave Brubeck, Max Roach, and Illinois Jacquet—considering how divisive Ayler's music was at the time, I suspect the organizers wanted him playing last in case half the crowd raised a stink or walked out. A number of fantastic live recordings from that tour have been made available over the years, and the best have surfaced on Swiss label Hatology (formerly Hat Hut). Last fall it released Stockholm, Berlin 1966, which contains full sets from each of those cities. The Berlin portion was previously issued as part of the massive box set Albert Ayler: Holy Ghost (Revenant), but the Swedish set has never been released before; even if you own the Berlin material, the Stockholm recording is worth the price of admission. The band consists of Ayler on tenor, his brother Donald on trumpet, Michel Samson on violin, William Folwell on bass, and Beaver Harris on drums. Below you can check out the medley "Our Prayer—Bells."

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Monday, January 23, 2012

Ethnic 78s come to life on the Internet

Posted by Peter Margasak on Mon, Jan 23, 2012 at 4:24 PM

Ian Nagoski
  • Ian Nagoski
In recent years—thanks in large part to amateur music blogs—popular interest has surged in early examples of international music originally released on 78 RPM discs. For many decades, record companies in the U.S. released music from all over the world—some recorded abroad, some by immigrants living here—and marketed it to immigrant populations hungry for the sounds of home. Record companies in Europe, Asia, and Africa were doing the same, putting out everything from traditional music to various stripes of pop. For the most part, all of that music has been lost to time, and despite occasional efforts like Yazoo's great The Secret Museum of Mankind series, it seemed unlikely that anyone but record collectors would ever get to hear this stuff. That's all changed in recent years, of course, as great blogs like Excavated Shellac and DIY producers like Ian Nagoski have taken matters into their own hands.

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Friday, January 20, 2012

Bassist Marlene Rosenberg plays Room 43 on Sunday

Posted by Peter Margasak on Fri, Jan 20, 2012 at 4:30 PM

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Earlier this week veteran Chicago bassist and bandleader Marlene Rosenberg released her first new album in a decade, Bassprint (Origin)—only the third in her career. I've never followed her work too closely, but over the years she's played and recorded with some impressive company: drummer Ed Thigpen, pianists Kenny Barron and Cedar Walton, saxophonist Javon Jackson. Bassprint features a strong new band of tasteful young(er) guns who help articulate her lyrical vision as a composer: reedist Geof Bradfield, guitarist Scott Hesse, and drummer Makaya McCraven.

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12 O'Clock Track: Thaís Gulin, "ôÔÔôôÔôÔ"

Posted by Peter Margasak on Fri, Jan 20, 2012 at 12:00 PM

Thais Gulin
  • Thais Gulin
Keeping up with Brazilian music isn't easy. Few record stores in the U.S. bother to carry it, and even fewer distributors bring it into the country (though it's getting easier to find downloads on iTunes and eMusic). It's more than worth the extra effort to scan Brazilian music blogs like Notas Musicais—the Portuguese-language site doesn't seem to do much curating of what gets posted, but it's how I learned that young singer Thaís Gulin made her second album late last year. I enjoyed her debut, but ôÔÔôôÔôÔ (Slap) is one of my 2011 faves. It was produced by Kassin (of +2 fame), and both Chico Buarque and Tom Zé make cameos. This is squarely in the MPB camp (musica popular Brasileira), and there are plenty of quirky arrangements and production flourishes to really drive home the lovely melodies and Gulin's terrific singing. For today's 12 O'Clock Track I'm posting the trombone-stoked title song for stream or download, but the entire album is great.

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