Paranormal

Thursday, May 2, 2013

Austin Pendleton goes time-tripping back to Skidoo

Posted by on 05.02.13 at 12:48 PM

Austin Pendleton and Groucho Marx in Skidoo
  • Austin Pendleton and Groucho Marx in Skidoo
Every effort should be made to keep young people away from drugs, but movies like Skidoo remind you that old people should be kept away from them too. One of the many cultural stones turned over by AMC's Mad Men was the moment when establishment types starting fooling around with LSD; among them was Otto Preminger—the imperious director of Bonjour Tristesse (1958) and Anatomy of a Murder (1959)—who dropped acid under the supervision of no less than Dr. Timothy Leary.

The result was Skidoo (1968), a leaden comedy about a mafia hit man (Jackie Gleason) who goes into prison to ice someone but accidentally ingests some LSD courtesy of his hip, young cell mate (Austin Pendleton). Pendleton, who went on to become an ensemble member at Steppenwolf Theatre Company, spoke recently with Gloria Bowman of Home Projectionist about the experience of costarring in an LSD comedy with Gleason, Carol Channing, Frankie Avalon, Mickey Rooney, George Raft, and Groucho Marx. Harry Nilsson wrote the score, and the cast also included Batman villains Cesar Romero (the Joker), Frank Gorshin (the Riddler), and Burgess Meredith (the Penguin). Of course, Preminger had clocked hours on that show too as the icy Mr. Freeze. But that's a subject for another trip.

Tags: , , , , , , , , , , , , , , , , , , , , , , , ,

Thursday, April 18, 2013

An interview with composer John Corigliano (part one)

Posted by on 04.18.13 at 04:31 PM

William Hurt in Altered States
  • William Hurt in Altered States
On Tuesday at 7 PM the Harris Theater will host a special screening of Ken Russell's 1980 cult favorite Altered States with a 100-piece orchestra performing a live accompaniment alongside the film. The composer of the score, John Corigliano, will be in attendance and take part in a Q&A after the movie. It's one of four Chicago events Corigliano plans to attend next week as part of a citywide celebration of his 75th birthday. Also on deck are performances of the composer's music by the Chicago Chamber Musicians (at Roosevelt University on Wednesday) and the Pianoforte Foundation (at the Fine Arts Building on Thursday). Last week I spoke with Corigliano about working on Altered States, how the score relates to his concert music, and how he got along with Ken Russell. Decades after the height of his notoriety, Russell (The Devils, Tommy) remains a love-him-or-hate-him figure for his over-the-top stylistics and brazen mixtures of high and low art. If any director's films call for the presence of a 100-piece orchestra, it's his.

Continue reading »

Tags: , , , , , , , , , , , , , , , , , , , , , , , , ,

Saturday, March 23, 2013

Dream Machine: Devin Davis on harnessing the power of your sleeping musical mind

Posted on 03.23.13 at 12:00 PM

dreammachine-magnum.jpg
Remember a little record called Lonely People of the World, Unite! from 2005? You know, the one that's quite possibly on your list of all-time favorite records? On the heels of its eighth anniversary, local musician and recording engineer (and, full disclosure, my "special friend") Devin Davis crawls out of the woodwork for a guest appearance on this episode of Band Life. Here's Devin on writing the songs of your dreams. Literally:

The greatest gift you can ever receive as a musician/songwriter is to hear a song of your own creation in a dream and then remember it after you wake up. It's like a winning lottery ticket that, having circled forever on an endless breeze, suddenly flutters down and sticks directly to your face. The phenomenon is, for lack of a better word, miraculous.

Continue reading »

Tags: , , , , , , , ,

Wednesday, March 6, 2013

This weekend at the Logan, the alphabet . . . in horror films

Posted by on 03.06.13 at 06:52 AM

F Is for Fart
  • Drafthouse Films
  • "F Is for Fart"
This weekend the Logan presents late shows of The ABCs of Death, a bulging horror/fantasy anthology film (130 minutes with the end credits) to which an international assortment of filmmakers have contributed episodes of three or four minutes, each taking death as its theme and a letter of the alphabet as its inspiration. An opening title warns that no one under 18 will be admitted, and in point of fact the movie is pretty extreme, trading heavily in sadism (in Simon Rumley's "P Is for Pressure" a poor mother is driven to make an animal "crush film"); misogyny (in Jorge Michel Grau's "I Is for Ingrown," a woman chained in a bathtub is injected by her captor and dies horribly); scatology (in Noboru Iguchi's "F Is for Fart," a schoolgirl in love with her teacher bathes in the yellow gas from the woman's backside); and self-mutilation (in Xavier Gens's "X Is for XXL," a fat woman taunted for her looks decides to carve off her own flesh). It's enough to make you wish they'd take some letters out of the alphabet.

Continue reading »

Tags: , , , , , , , , , , , , , , , , , , ,

Tuesday, March 5, 2013

What is a fish? Field Museum curator Leo Smith talks about his research

Posted by on 03.05.13 at 06:48 AM

A fish
  • Brocken Inaglory
  • A fish
Leo Smith, who's been an assistant curator of zoology at the Field Museum since 2007, has spent the last several months working on the upcoming exhibit "Creatures of Light: Nature's Bioluminescence," which opens this Thursday. Smith studies the evolutionary biology of fishes, particularly venomous and bioluminescent ones. He talked to me recently about his research and the upcoming exhibit; part one of the discussion focused on the "Creatures of Light" exhibition, the difference between bioluminescence and biofluorescence, and how male anglerfish become parasitic when they meet females. In this second part, he talks about what defines a fish, the ocean's "no-bone zone," and the first species he ever described. Smith, in his own words:

What people think of as fish fall into three main categories. The natural groups are the cartilaginous fishes, the sharks and rays; the lobe-fin fishes are the lungfish and the coelacanth. And then the ray-fin fishes, which is what everyone thinks about other than sharks. In order to say what is a fish you have to basically either include things like mammals, birds, amphibians, or you have to make some sort of distinction somewhere. You can do like, vertebrate that lives in water, but then you got whales and other things.

From an evolutionary standpoint, the fish is probably best thought of as including us and anything that crawled up on land. But it's complicated. I'm more closely related to a lionfish or a cichlid or rainbow fish or a trout than a trout is to a shark. We shared a more recent common ancestor with a trout than a trout did with a shark. A shark is like a second cousin once removed from a trout, and we're like brothers or something.

Continue reading »

Tags: , , , ,

Monday, March 4, 2013

A conversation at the Field: Curator Leo Smith on the glowing creatures of the museum's newest exhibit

Posted by on 03.04.13 at 06:44 AM

Leo Smith, doing fieldwork in Madagascar
  • John Sparks
  • Leo Smith, doing fieldwork in Madagascar
Leo Smith, who's been an assistant curator of zoology at the Field Museum since 2007, has spent the last several months working on the upcoming exhibit "Creatures of Light: Nature's Bioluminescence," which opens this Thursday. Smith studies the evolutionary biology of fishes, particularly venomous and bioluminescent ones. He talked to me recently about bioluminescent animals, both the ones in the museum exhibit and the fishes he studies. This is part one of a two-part series; below, Smith discusses the "Creatures of Light" exhibition, the difference between bioluminescence and biofluorescence, and how male anglerfish become parasitic when they meet females. Smith, in his own words:

It's not obvious what [bioluminescence] is for. In some groups it is, like the anglerfish: they're obviously primarily using it to attract prey. All the animals are attracted to the light. They're also probably using it for attracting mates. The male's a little tiny parasite, and will hunt out the female and actually attach—some species permanently, some semipermanently—and her blood will start passing through the male. On the ones that permanently attach, the [males] lose their brains; they lose most of their nerves. And the females can have eight or nine of these attached.

Continue reading »

Tags: , , , , , , , , ,

Thursday, January 24, 2013

Veggie Bite vs. Al's Beef: Maybe meat hasn't quite met its match

Posted by on 01.24.13 at 06:46 AM

Oh, really?
I used to live around the corner from the Wicker Park Veggie Bite—the second location of a vegan minichain that originated in southern California and then expanded to Mount Greenwood—and every time I walked by I'd notice the grammar error in a sign promoting their Italian beef sandwich (with fake meat, of course): "Meat Has Met It's Match." It bugged me enough to take a picture of it, though I didn't know what I'd do with the photo.

Now the restaurant is closed (as is the Mount Greenwood location; I can't find any information on the one in California) and a new outpost of Al's Italian Beef is moving into the space. I'll admit to not knowing the exact definition of irony (though at least I'm in good company), but I think this may be it.

Tags: , ,

Wednesday, January 23, 2013

A Haunted House, Sexy Baby, and our nation's porno culture

Posted by on 01.23.13 at 04:49 PM

An unsettling home photo shoot in Sexy Baby
  • An unsettling home photo shoot in Sexy Baby
The documentary Sexy Baby, which Chicago Filmmakers will present tonight at Columbia College and on Saturday in Andersonville, voices concern with the unrealistic images of female beauty and sexuality in contemporary mass culture. The movie argues that the ideal woman as conceived by fashion magazines, music videos, and primetime television aspires above all else to be sexually desirable—and that mainstream media defines sexual desirability increasingly in terms of exhibitionist behavior and the willingness to be sexually degraded. Directors Jill Bauer and Ronna Gradus don't have to search very hard for examples. In a few scenes they present their subjects surfing the Internet and cable TV, and images of the new sexiness seem unavoidable.

Bauer and Gradus are sober in their approach, but their movie isn't a work of puritanical outrage. (At no point do they imply a call for tougher censorship of mainstream media.) Rather, they present this glut of unhealthy images as an upsetting given and suggest that women should be more vigilant about recognizing them as bullshit.

Continue reading »

Tags: , , , , , , , , , , ,

Saturday, January 5, 2013

Cold studios, writer’s block, sound science, and SATAN!

Posted on 01.05.13 at 10:00 AM

Gates of Hades
  • Gates of Hades
Chicago winter is upon us and we're back to scraping snow off our cars and wearing winter coats in our practice spaces; it's not even that cold yet, but my brain has gone into hibernation or some sort of post-holiday food coma . . . and it seems I have a particularly brutal case of writer's block, so I asked my "special friend" for advice on what to write for this episode of band life. Here's what happened in our Gchat:

Dudepants: I think I may need to cut the fingers off some new gloves. It's too fucking cold in the studio . . . It's crazy cold.
me: You can buy fingerless gloves, you know.
Dudepants: Maybe I need to erect some sort of tent where the mixing board, computer and keyboards are. Like, I'll have to leave the tent to play the drums . . . but just the drums.
me: You could build a pyramid. Hey, can you help me?
Dudepants: What do you need help with?
me: I need help figuring out what. The fuck. I'm going to write my blog post about.
Dudepants: hmm
Well . . .
Dudepants: god, I don't know . . .
me: Maybe I should write about how you made a recording of your dishwasher. That's what my brain sounds like right now.
Dudepants: You could write about drones. Or about what it is that makes former rock-types start recording drones instead of rock-type songs, but that's a real can of worms.
me: Maybe I should write about how diminished chords used to be illegal.
Dudepants: Write about the Devil's CHORD!!
me: SATAN!
Dudepants: No, seriously . . . that interval.
me: What is it exactly? A flatted fifth?
Dudepants: The beginning of Purple Haze. It’s a half step between a fourth and a fifth. It was apparently banned for a while from compositions by the Roman Catholic church.
me: Because of SATAN!
Dudepants: Or something like that.
god my fingers are so cold I can barely type
me: Do you know about the brown note?
Dudepants: ha . . .
Next question.
Why don't you do it on iDRUGS!!
me: Do what? Play the brown note? On drugs?
Dudepants: No, the mp3s that make you HIIIIGH
me: Ohhh!! Hmm . . .
Dudepants: It's old news by now: http://www.wired.com/threatlevel/2010/07/digital-drugs/ but still interesting.
me: That's a good idea. Maybe I should experiment on myself and write about that?

Continue reading »

Tags: , , , ,

Saturday, December 22, 2012

Postapocalyptic notes from the future

Posted on 12.22.12 at 10:00 AM

Sting
  • Sting
If you're reading this right now, the world didn't end yesterday as you had feared or hoped. Or maybe it did, and we're all living in a postapocalyptic hell that looks strikingly similar to every day that came before this one. In honor of the end, I asked Sarah Frier—Reckless Records lifer and charming local weirdo—about the fate of music in a postapocalyptic land. She time traveled and sent this bananas letter from the future. *Spoiler alert*: Sting's legend lives on.


"A Connecting Principle"

Dear Uncle B,

When the Great Library at Old Chicago was found I guess it was like about 1,000 years after the End of the World? I dunno. It was way before my time. But it was quite the sensation, so I hear. Well, I mean, among The Reading anyways. Not that you can like really blame folks who have decided to condemn it. Technically, reading did once get us all into a metric shit-ton of trouble.

Continue reading »

Tags: , , , , ,

Agenda Teaser

Music
May 24
Other Stuff
Irish Fest Chicago Gaelic Park
May 24

Tabbed Event Search

Search

The Bleader Archive

Recent Comments

Popular Stories

Follow Us

Sign up for a newsletter »