Music

Friday, May 25, 2012

Your Memorial Day cookout Spotify playlist

Posted by Miles Raymer on 05.25.12 at 03:00 PM

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It's approximately 70 hours till your Memorial Day cookout should be getting going. There's a lot to do between now and then—stocking up on supplies, marinating some of those supplies in other ones, driving across the border to buy illegal fireworks—and it's entirely possible that you may find you don't have time enough to put together a cookout playlist. But we have you covered. After the jump there's an hour of good-vibes Spotify tuneage specifically designed to complement tubs of store-bought potato salad, cheap beer, and overall kicking-it-ness. If any of your cookout attendees complain about "Call Me Maybe" being on there, I would suggest playing it over and over until they relent before its unshakeable sugary power. Resistance is useless.

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Tonight: a rare Chicago performance of Georges Aperghis's Recitations

Posted by Peter Margasak on 05.25.12 at 02:19 PM

Georges Aperghis
  • Georges Aperghis
I couldn't write at length about Greek composer Georges Aperghis in my preview of Saturday's concert by International Contemporary Ensemble at the MCA, where the program includes two of his compositions. To be honest, I'm playing catch-up where Aperghis is concerned—he wrote a lot of music—and I've still got a long way to go. But I would like to draw attention to the mind-boggling Recitations (1977-'78), an epic solo work for female voice that makes crazy demands on the performer. It's getting a rare local performance tonight at Corbett vs. Dempsey by ICE soprano Tony Arnold, and the concert is free.

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Cauleen Smith, John Parot, and other arty stuff to do this weekend

Posted by Elly Fishman on 05.25.12 at 12:39 PM

Cauleen Smiths The Infinity Vortex,
  • Cauleen Smith's The Infinity Vortex
John Parot: "Excavation"

This weekend, Western Exhibitions presents "Excavation," a solo show by John Parot. Parot's new body of work builds on his interest in psychedelic patterns and hippie ephemera, and also explores his interest in ancient Egyptian tomb art. Parot’s paintings are large-scale and bright; one of his strengths is his ability to find patterns in everything from porn magazines to ancient symbols and bring them together in an interesting visualscape. "Excavation" is Parot's third solo exhibition at Western Exhibitions.

Fri 5/25, 5-8 PM, Western Exhibitions, 119 N. Peoria, Suite 2A

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12 O'Clock Track: Colleen Green, "Good Good Things"

Posted by Luca Cimarusti on 05.25.12 at 12:00 PM

Milo Goes to Compton
  • The cover of Milo Goes to Compton
Colleen Green's new full-length, Milo Goes to Compton (Art Fag), comes off kind of like a tribute to the great punk bands of the past. Its title and black-and-white, marker-drawn cover are obvious nods to the Decendents' classic Milo Goes to College, and the LP's second track, "I Wanna Be Degraded," is an almost-cover of "I Wanna Be Sedated" by the Ramones. Plus the record kicks off with a cover of "Good Good Things," one of my all-time favorite Descendents songs and today's 12 O'Clock Track.

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Thursday, May 24, 2012

Friday at the Bottle: the polystylistic grind of Starring

Posted by Peter Margasak on 05.24.12 at 06:16 PM

Starring
  • Starring
Back when she lived in Chicago in the mid-aughts, violist and musicologist Amy Cimini immersed herself in the city's experimental and improvised-music scenes; among her many projects were the Civil War, with guitarist Adam Sonderberg and bassoonist Katherine Young, and the duo Architeuthis Walks on Land, also with Young (who continues to be one of her most steadfast collaborators—AWoL plays at Elastic on June 28). Since she moved to New York, however, most of the music she's made (or rather most of what I've heard) has been either sunny chamber pop with the Fancy (also with Young) or hard-hitting prog-rock with Starring. Starring performs Friday night at the Empty Bottle, opening for Cave and Bobby Conn—and for Conn, the show is a release party for Macaroni (Fire), his first album in five years.

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12 O'Clock Track: Chants, "Ice Harvesting"

Posted by Miles Raymer on 05.24.12 at 12:00 PM

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Recently I've been spending a lot of time with old Aphex Twin records, and the really surprising thing about the experience is that sounds and techniques that were shockingly new and strange back in the 90s barely sound out of the ordinary in the context of current pop, hip-hop, and EDM production—in a weird twist of fate, the aggressively avant-garde Richard D. James has been absorbed by the Top 40.

Jordan Cohen, aka Chants, seems to have some Aphex Twin in him. His last release, Onlooker, was pretty up-front about it, but his new EP, Night After (out 5/29 on Dutty Artz), is subtler. Recorded during "a relatively brutal Wisconsin winter," according to its press materials, the EP blends ambient electronic psychedelia with recordings of the inclement weather outside Cohen's apartment window, making for a strangely intense chill-out record. You can hear the track "Ice Harvesting" after the jump.

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Shows to see: Mark Sultan, Third Coast Percussion, Big Jay McNeely, and more

Posted by Kevin Warwick on 05.24.12 at 07:35 AM

Big Jay McNeely
One thing we take great pride in at the Reader is covering the huge variety of musical genres Chicago hosts and cultivates—whether it's a Bridgeport loft show on the fringes of experimental noise or a megaconcert at Allstate Arena where everyone learns how to shuffle, Soundboard is going to find it. And this week's no different. So before you get to cleaning the grill and making gallons of sangria, take a look at some of the shows on deck through Sunday:

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Wednesday, May 23, 2012

Lil B releases classical music album, brains explode everywhere

Posted by Miles Raymer on 05.23.12 at 03:21 PM

Lil Bs classical album
  • Lil B's "classical" album
For a while after I wrote about my fascination with Bay Area rapper-slash-total-weirdo Lil B, I tried to blog whenever he released a new mix tape. But I realized pretty quickly that keeping that up would mean a post about Lil B about once a week, which even I think is a little much—and I love the guy. (Also I've lost track of how many mix tapes he's put out since then. Sixteen? Forty?) But I feel that it's worth noting that he just put out his first album of classical music, entitled Choices and Flowers. Lil B watchers have come to rely on him to be completely unpredictable, but this takes the cake.

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12 O'Clock Track: Curumin, "Selvage"

Posted by Peter Margasak on 05.23.12 at 12:00 PM

Curumin
  • Curumin
Curumin (born Luciano Nakata Albuquerque) has made a name for himself with a hooky blend of Jorge Ben-style samba-soul and electronic music—between him and Domenico of +2 fame, I'm starting to think that Brazilians have some sort of special flair for using the MPC sampler as a real-time instrument. On his third album, Arrocha (due June 5 from Six Degrees), the singer, songwriter, drummer, and producer from Sao Paulo, Brazil, doesn't tinker too much with the formula that's worked for him so far. The songs collide floor-rattling beats, jacked-up samba, chilled-out reggae grooves, and breezy, quietly soulful singing. Curumin returns to Chicago to play on an excellent double bill at Double Door on June 14 with Céu. Today's 12 O'Clock Track is a song from Arrocha, and you can check it out after the jump.

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Running takes over the Rainbo (for 12 minutes) Wednesday night

Posted by Leor Galil on 05.23.12 at 11:25 AM

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Chicago offers plenty of venue options for bands planning record-release shows, but local noise-punk trio Running decided to forgo, say, the Empty Bottle or the Hideout. "We wanted to do something off-kilter, or something a little bit more unique," says Running bassist and vocalist Matthew Hord. Tonight Hord and his bandmates will celebrate their new full-length, Asshole Savant, by performing at Wicker Park's beloved Rainbo Club, a bar where you're much more likely to find local musicians hanging out than playing a set.

The Rainbo Club is the first bar Hord went to when he moved to the north side, and he's friends with a lot of the people who work there. In fact some of those friends came up with the idea of Running doing a show at the bar, and first shared it with Hord about a month ago.

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