
This weekend, Western Exhibitions presents "Excavation," a solo show by John Parot. Parot's new body of work builds on his interest in psychedelic patterns and hippie ephemera, and also explores his interest in ancient Egyptian tomb art. Parot’s paintings are large-scale and bright; one of his strengths is his ability to find patterns in everything from porn magazines to ancient symbols and bring them together in an interesting visualscape. "Excavation" is Parot's third solo exhibition at Western Exhibitions.
Fri 5/25, 5-8 PM, Western Exhibitions, 119 N. Peoria, Suite 2A
I’m writing because I wanted to tell you about a man I met recently. In fact, I met him just a few hours before the preview screening of Battleship I attended. He was a disabled military veteran. I thought you might like to hear about him because you seem sympathetic to veterans. One of your most endearing characters is a soldier who lost his legs in combat. You make a point of showing that he’s still capable of defending his country after a remarkably short recovery period.
And the hits just keep on coming. Tonight Doc Films will screen Jean Renoir’s The Golden Coach at 8:30 PM, and on Thursday at 6 PM the Film Center will present a second screening of Minnelli’s Van Gogh biopic Lust for Life. Both movies are essential works of Technicolor—and, by extension, 35-millimeter photography—suggesting oil paintings come to life. While there’s more to them than cinematography, seeing them on film heightens a dimension of their artistry that can only be hinted at by DVD.
For this belated presentation, we can all thank local film collector Brian Block. Block commissioned the new print of Possession currently touring the U.S., and he’s overseeing the distribution singlehandedly under the moniker of the Bleeding Light Film Group (for the sake of full disclosure, I should add that we’ve been acquaintances for several years). I met up with him the other night to discuss his efforts, what drew him to Possession, and why Zulawski remains a major filmmaker. Our conversation follows the jump.