Film

Friday, May 25, 2012

Film Center presents a digital restoration of The Gold Rush and other notable screenings

Posted by J.R. Jones on 05.25.12 at 03:34 PM

Lord of the dance: Chaplin plays with his food in The Gold Rush (1925)
  • Lord of the dance: Chaplin plays with his food in The Gold Rush (1925)
This week Gene Siskel Film Center screens a new digital restoration of Charles Chaplin's The Gold Rush (1925), including six minutes of footage long deleted from circulating prints and a 5.1 Dolby digital recording of Chaplin's original score. Another great revival this week is Elia Kazan's Wild River (1960), presented next Wednesday at the Portage by Northwest Chicago Film Society.

Continue reading »

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Columbia College to cut cinema studies?

Posted by Ben Sachs on 05.25.12 at 01:07 PM

Columbia College President Warrick L. Carter
  • Columbia College president Warrick L. Carter
This past week, Columbia College president Warrick L. Carter jeopardized the future of cinema studies courses at the school by writing in his prioritization report to the film and video department, "The department should carefully consider the ongoing role of Cinema Studies, including the possibility of eliminating it. Although I understand the department’s argument for retaining it as a generalist degree, I remain skeptical of its value to student learning and to the department."

Continue reading »

Tags: , , ,

Cauleen Smith, John Parot, and other arty stuff to do this weekend

Posted by Elly Fishman on 05.25.12 at 12:39 PM

Cauleen Smiths The Infinity Vortex,
  • Cauleen Smith's The Infinity Vortex
John Parot: "Excavation"

This weekend, Western Exhibitions presents "Excavation," a solo show by John Parot. Parot's new body of work builds on his interest in psychedelic patterns and hippie ephemera, and also explores his interest in ancient Egyptian tomb art. Parot’s paintings are large-scale and bright; one of his strengths is his ability to find patterns in everything from porn magazines to ancient symbols and bring them together in an interesting visualscape. "Excavation" is Parot's third solo exhibition at Western Exhibitions.

Fri 5/25, 5-8 PM, Western Exhibitions, 119 N. Peoria, Suite 2A

Continue reading »

Tags: , , , , , , , , , , ,

Thursday, May 24, 2012

The Mother of all Korean cinema

Posted by Drew Hunt on 05.24.12 at 11:14 AM

Mother
  • Mother
Bong Joon-ho’s masterpiece Mother screens tonight at Doc Films as part of its nearly completed Korean New Wave series, which has boasted such notable titles as Hong Sang-soo’s Night and Day (2008), Kim Ki-duk’s 3-Iron (2003), and another Bong masterpiece, The Host (2006). As a fan of genre cinema and its assorted rules and regulations, I’ve come to have a fierce admiration for Bong and his ilk. The way they commandeer genre techniques and contextualize them with nationalistic concerns is indicative of a cinephilic sect of directors with more on their minds than just movies. It’s important to note that Hong, Kim, and Lee Chang-dong are less zestful when it comes to genre, though their work remains equally as vital.

Continue reading »

Tags: , , , , , , , , , , ,

Wednesday, May 23, 2012

Dear Battleship,

Posted by Ben Sachs on 05.23.12 at 12:38 PM

Hi, how are you?
  • Hi, how are you?
I see that you premiered in my home country, having already played all over the world. You’ve already recouped the costs of production from foreign box office, so your arrival in the United States is something of a grand homecoming. Welcome home, Battleship. You must be in good spirits.

I’m writing because I wanted to tell you about a man I met recently. In fact, I met him just a few hours before the preview screening of Battleship I attended. He was a disabled military veteran. I thought you might like to hear about him because you seem sympathetic to veterans. One of your most endearing characters is a soldier who lost his legs in combat. You make a point of showing that he’s still capable of defending his country after a remarkably short recovery period.

Continue reading »

Tags: , , , , , , ,

Tuesday, May 22, 2012

Reeling Film Festival to go on hiatus

Posted by Ben Sachs on 05.22.12 at 12:20 PM

From Stephen Cones The Wise Kids, which opened last years Reeling Film Festival
  • From Stephen Cone's The Wise Kids, which opened last year's Reeling Film Festival
Reeling, the world's second oldest LGBT film festival, announced last week that it will go on hiatus this year. Festival director Brenda Webb released a statement explaining the motivation behind this decision:

Continue reading »

Tags: , , , , , ,

Monday, May 21, 2012

This week in Technicolor: The Golden Coach, Lust for Life

Posted by Ben Sachs on 05.21.12 at 01:22 PM

Anna Magnani, living in a painting, in Renoirs The Golden Coach
  • Anna Magnani, living in a painting, in Renoir's The Golden Coach
It’s been a great season for Technicolor in Chicago: the Music Box recently revived classics of the form by Douglas Sirk and Michael Powell & Emeric Pressburger; the Northwest Chicago Film Society screened Otto Preminger’s Centennial Summer and Alfred Hitchcock’s The Trouble With Harry; and Doc Films presented Vincente Minnelli’s Meet Me in St. Louis, my personal favorite example of the form.

And the hits just keep on coming. Tonight Doc Films will screen Jean Renoir’s The Golden Coach at 8:30 PM, and on Thursday at 6 PM the Film Center will present a second screening of Minnelli’s Van Gogh biopic Lust for Life. Both movies are essential works of Technicolor—and, by extension, 35-millimeter photography—suggesting oil paintings come to life. While there’s more to them than cinematography, seeing them on film heightens a dimension of their artistry that can only be hinted at by DVD.

Continue reading »

Tags: , , , , , , ,

Friday, May 18, 2012

Exploring the subconscious with film distributor Brian Block

Posted by Ben Sachs on 05.18.12 at 04:29 PM

Isabelle Adjani, giving birth to something awful, in Possession
  • Isabelle Adjani, giving birth to something awful, in Possession
This week, the Gene Siskel Film Center will present the complete version of Andrzej Zulawski’s Possession (which I wrote about at length in our current issue)—a local premiere that arrives almost 31 years exactly after the film’s Cannes debut. It’s unfortunate it took so long to bring a movie this important to Chicago screens, but I guess this means 1981’s loss has become 2012’s gain.

For this belated presentation, we can all thank local film collector Brian Block. Block commissioned the new print of Possession currently touring the U.S., and he’s overseeing the distribution singlehandedly under the moniker of the Bleeding Light Film Group (for the sake of full disclosure, I should add that we’ve been acquaintances for several years). I met up with him the other night to discuss his efforts, what drew him to Possession, and why Zulawski remains a major filmmaker. Our conversation follows the jump.

Continue reading »

Tags: , , , , , , ,

Thursday, May 17, 2012

Now playing: Battleship, which isn't quite terrible

Posted by Ben Sachs on 05.17.12 at 04:41 PM

Unfortunately, In the Navy is not on the soundtrack of Battleship.
  • Unfortunately, "In the Navy" is not on the soundtrack of Battleship.
Here’s a tough assignment for any self-respecting director: a Transformers knockoff, board game adaptation, and naval recruitment film all rolled into one. Peter Berg (Hancock, Friday Night Lights) does what he can with the material, adopting an unfashionably earnest tone and a Fordian depiction of military families. He also sets a tempo markedly slower than Michael Bay’s, suggesting an affinity with more old-fashioned Hollywood entertainment (the first half hour even references The Best Years of Our Lives and Jerry Lewis’s The Bellboy). But once the special effects take over, Berg has little room to assert his personality (or tell a story, for that matter), and the movie feels like a chore. With Taylor Kitsch, Liam Neeson, and pop singer Rihanna, all pretty likable. PG-13, 131 min.

Tags: , , , , , ,

Screening this week: Richard Linklater's Bernie, Andrzej Zulawski's Possession

Posted by J.R. Jones on 05.17.12 at 02:03 PM

The Outfit, Friday through Sunday at Music Box
  • The Outfit, Friday through Sunday at Music Box
In this week's long review, Ben Sachs ponders the national origins of Andrzej Zulawski's Possession, screening at Gene Siskel Film Center for the first time in Chicago in its original, 127-minute cut. We also have a Reader Recommends box for Richard Linklater's Bernie, with Jack Black as a beloved small-town character who murders a rich widow, and a sidebar for the Human Rights Watch Film Festival, also at Film Center, which includes the Paul Simon music documentary Under African Skies.

Continue reading »

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Tabbed Event Search

The Bleader Archive

Recent Comments

Popular Stories

Follow Us

Sign up for a newsletter »