Comedy

Friday, May 18, 2012

On David Sedaris, John McIlwraith, and NPR monologues

Posted by Michael Miner on 05.18.12 at 10:32 AM

Humorist exposed
  • Humorist exposed
Back in the 1990s, my brother-in-law John McIlwraith was an occasional commentator for National Public Radio. He specialized in stories about growing up poor in Glasgow, Scotland. I never supposed these stories were entirely true. First of all, they were generally funny, which childhood never is. Second, they were stories of his life and life is not lived as a story, or series of stories. Life is full of random incident, and it is up to memory to invent and impose a narrative. When memory teams up with a first-rate imagination the narrative becomes art.

John's stories were as faithful to the facts as they needed to be. My sister Dixie, his widow, recalls, "Every commentary was fundamentally true. These stories did happen. But not necessarily the way he said. . . Locating and revealing the humour in a memory, which maybe was not so funny at the time, is a healthy collaboration between artist and audience where everyone benefits."

These truisms are now being questioned.The other day the Washington Post reported that humorist David Sedaris's work for National Public Radio "is undergoing new scrutiny."

The stories he tells may not be true enough for these times.

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Friday, May 4, 2012

High tea and white trash: the Reader's latest performing arts reviews

Posted by Rebecca Cohen on 05.04.12 at 01:57 PM

Fourteen of the numberless (including that guitarist in the corner), from Rise of the Numberless
  • Anne Petersen
  • Fourteen of the "numberless" (including that guitarist in the corner) from Rise of the Numberless

The "pilot episode" of Maggie and Coco Save the World mimics the form of a sitcom but steers clear of the white-bread stereotypes of that genre. Keith Griffith recommends that you tune in next time—Coriolis Theater plans to stage a new installment every month.

Drawing on another facet of pop culture, Tympanic Theatre spins the ten tracks of Bruce Springsteen's bleak 1982 album Nebraska into a gritty series of short plays, Deliver Us From Nowhere: Tales From Nebraska. It too earns a Reader rave.

Where Springsteen and Tympanic find pathos, White Trash Wedding and a Funeral finds hilarity. Its hero, a cussing septic tank "king" named Earl, leads a band of down-and-outs through a grotesquely funny trailer-park soap opera. Equally over the top: the burlesque comedy show Day Drinking and Sleep Eating, which fulfills its promise to "funny you until you can't walk right" with songs like "Long Sex Is Overrated" and "Sluts for Sale." Far more restrained but equally engaging is the Piven Theatre Workshop's Encores: After the Theatre and Other Stories, in which three Anton Chekov stories are given minimalist, emotionally intense stagings. Director Joyce Piven uses the story-theater style originated here in Chicago by her mentor, Paul Sills.

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Thursday, April 26, 2012

Phallic whale stories, superboobs, and Milli Vanilli: this week's performing arts reviews

Posted by Rebecca Cohen on 04.26.12 at 05:07 PM

You know what that harpoon stands for: a scene from All-Girl Moby Dick
  • Bob Fisher
  • You know what that harpoon stands for: a scene from All-Girl Moby Dick
There are practically no female characters, the title refers to a sperm whale, and the climax features said cetacean getting stabbed with a phallic harpoon. When it comes to Moby-Dick, the penis jokes write themselves, so an all-female adaptation is guaranteed to come off as either gimmicky or inspired. According to Kerry Reid, the Mammals's All-Girl Moby Dick falls into the latter category.

Also on our recommended list this week is Hairspray, Drury Lane Oakbrook's high-energy revival of the Broadway musical; The Late Live Show, a Conan-esque talk fest hosted by comedian Joe Kwaczala at Stage 773; and an appearance by Armitage Gone! Dance, offering three works choreographed by company artistic director Karole Armitage.

Surprisingly, the problem with Melancholy Play isn't that it's a downer, but that it suffers from an overdose of quirk. And Neil LaBute's In a Forest, Dark and Deep turns out not to be so dark or deep after all. According to Justin Hayford's lead review, it's fairly obvious and mechanical.

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Thursday, April 5, 2012

Yes, do let them (or, Wilder at heart)

Posted by Ben Sachs on 04.05.12 at 12:30 PM

Jiang Wen (seated) and his bandit gang let the bullets fly.
  • Jiang Wen (seated) and his bandit gang let the bullets fly.
Tonight’s your last chance to see Jiang Wen’s Let the Bullets Fly before it ends its weeklong run at Facets Multimedia (though if you pass it up in favor of Block Cinema’s free screening of The Home and the World or Doc Films’ revival of Fulltime Killer, I guess I can’t blame you). It’s the most entertaining movie to play Chicago in at least a month, rich in verbal wit, big action sequences, and historical detail—and striking a harmonious balance between all three. In my short review last week, I invoked both Shakespeare and Billy Wilder to describe the classical pleasures of Jiang’s comic storytelling; I also could have mentioned Sergio Leone to describe his epic sense of scale. It’s easy to understand why Bullets is the highest-grossing domestic production in mainland Chinese history—if only a larger U.S. distributor picked it up, the film could’ve been a crossover hit like Crouching Tiger, Hidden Dragon.

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Thursday, March 22, 2012

Onion writers saying no to Chicago

Posted by Steve Bogira on 03.22.12 at 03:43 PM

An Onion expose
  • Satish Krishnamurthy
  • An Onion expose
We're waiting with bated breath for the Onion, which is supposed to move here from New York in July. But as the Atlantic Wire reports today, the feeling isn't reciprocal: only five of the Onion's 16 full-time editorial staff members have agreed to make the move.

"There's too much material in Chicago," one Onion writer told us. "With your mayor, the aldermen, and the Cubs, it's just not enough of a challenge."

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Class dismissed: Columbia College film prof Dan Dinello retires

Posted by J.R. Jones on 03.22.12 at 09:58 AM

Dan Dinello in Wheels of Fury (1998)
  • Dan Dinello in Wheels of Fury (1998)
Back in 1998 I wrote a Reader profile of Columbia College professor Dan Dinello, whose latest film, Shock Asylum, was then screening in the Chicago Short Comedy Video and Film Festival. Nowadays Shock Asylum is most notable for being the big-screen debut of Stephen Colbert, who'd been collaborating on various TV projects with Dan's older brother, Paul Dinello. But tonight the spotlight is on Dan as he retires from Columbia after 33 years. Dan Dinello RetireSpective: 33 Years in 45 Minutes collects excerpts from not only Shock Asylum but the western parody Wheels of Fury (1998), the "new wave/disco melodrama" Rock Lobster (1979), the locally oriented documentaries Chicago Halloween (1988) and Pink Triangles Rising (1983), the 1986 music video Dinello directed for Afrobeat pioneer Fela Kuti, and episodes from the Comedy Central series Strangers With Candy, which starred Colbert, Paul Dinello, and their frequent writing and performing partner Amy Sedaris.

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Wednesday, March 21, 2012

Back to the closet

Posted by Miles Raymer on 03.21.12 at 05:00 PM

R. Kelly as Sylvester in Trapped in the Closet
  • R. Kelly as Sylvester in Trapped in the Closet
Lots of folks "enjoyed" Trapped in the Closet in a snarky, condescending way—which severely bums out the people who, despite the high likelihood that they hold a very negative view of the man himself, consider R. Kelly's catalog to be some of the best R&B music ever made. But I think everyone can agree that the wildly surreal, 22-part dramedy remains one of the weirdest—and thus most compelling—things to happen to pop music in the past couple decades. (And as a successful attempt to turn the public perception of Kelly from "guy who pees on underage girls" to "wacky conceptual stuntman," it's one of the all-time spin-control coups in public-relations history.) The IFC, which had a ratings bonanza with Closet, has announced that it will air 32 more episodes of the "hip-hopera," which is just an obscene amount of wish fulfillment for anyone who's wondered where R. Kelly would take his James-Joyce-on-bath-salts tale if given even more space than the already ludicrous first installment.

I spent an entire bus ride to the Genius Bar and back today pondering exactly that. Below the jump are some of my guesses. Note: though these are like 98 percent jokes, there's still part of me that wonders if, given an entire 32 more chapters, we might end up seeing at least one of these.

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Thursday, February 16, 2012

Have you heard of Ron Shock?

Posted by Tony Adler on 02.16.12 at 04:16 PM

Junior Stopka
  • Junior Stopka
Here's a last-minute way to do good by having fun: local comics Drew Frees, Mike Lebovitz, and Junior Stopka (who tied with Beth Stelling as the Reader's pick for best stand-up of 2010) will be featured tonight in a benefit for Ron Shock. A southern-born comedian/storyteller, Shock's been diagnosed with urethral cancer—which sounds horrific even before you learn it's rare and aggressive.

I've got to admit I never heard of Shock, legend though he's supposed to be, until I got the notice about the benefit this afternoon. But I've been watching videos of him since then. Telling hip jokes and tales in a good-ol'-boy drawl, reminiscing about his prison term in New Orleans, he's kind of what you might expect if Charles Bukowski and Johnny Cash had a baby and let Lenny Bruce raise it. He's also got guts: since the diagnosis on December 14, he's been taping regular "cancer chronicles" that can be seen on Youtube. I say he deserves to live.

The benefit is scheduled for tonight at 10 PM at the Lincoln Lodge, 4008 N. Lincoln. Cost is $10.

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Wednesday, February 15, 2012

Another sold-out show, another "Freebird!"

Posted by Kevin Warwick on 02.15.12 at 04:44 PM

This guy has absolutely yelled out Freebird! before
At last night's sold-out Heartless Bastards show at Lincoln Hall, the inevitable happened: some dolt hollered "Freebird" during the quiet time between songs of the Bastards' set. His hackneyed shout-out to the nine-minute Skynyrd romp elicited an immediate chorus of boos from what was, all things considered, a pretty mellow crowd, which had till then seemed content to soak up the chill high brought on by Erika Wennerstrom's wailing. The band chuckled at the audience's disgust, and bassist Jesse Ebaugh said something like, "I don't think I've ever heard an entire audience boo one guy like that."

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Thursday, February 2, 2012

The latest Reader performing arts reviews

Posted by Sharon Lurye on 02.02.12 at 01:47 PM

The Hunchback Variations Opera
Theater has always been at least partly about escapism, but two productions are taking that idea to the next level with downright magical plays about escape artist Eric Weiss, aka Houdini. The House Theatre of Chicago is celebrating its tenth anniversary by restaging its first show, Death and Harry Houdini, while Chicago Children's Theatre is capitalizing on the box-office hit Hugo by adapting another Brian Selznick children's story, The Houdini Box, into a lively musical featuring puppets and a set reminiscent of a pop-up book.

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