Best bets for repertory: Douglas Sirk's All That Heaven Allows (1955), Saturday and Sunday morning at Music Box; Lucrecia Martel's The Holy Girl (2004), Tuesday at Gene Siskel Film Center with an introduction by film professor Daniel Eisenberg; and Terence Davies's The Long Day Closes (1992), all week at Music Box. The last of these anticipates the Music Box's March 30 opening of The Deep Blue Sea, Davies's screen adaptation of a Terence Rattigan play.
Friday through Sunday the Sound of Silent Film Festival pairs avant-garde work with scores and live accompaniment by local musicians (included are Chris Marker's La Jetee and Chantal Akerman's Hotel Monterey). Columbia College filmmaking prof Dan Dinello celebrates his retirement next Thursday with a retrospective screening of his comic films. And at the Mayne Stage in Evanston, Kristen Day's documentary Capone's Whiskey: The Story of Templeton Rye, looks at an Iowa distillery that supplied the midwest during prohibition; there's a reception afterward.
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