Tuesday, November 22, 2011
Music / Post No Bills Great jazz drummer Paul Motian has died
Posted by Peter Margasak on 11.22.11 at 12:13 PM
I've spent a good amount of time recently listening to a new album by tenor saxophonist Bill McHenry called Ghosts of the Sun (Sunnyside), a quartet session with Motian—it was recorded in 2006 during the same sessions that produced McHenry's album Roses, released by the same label in 2007. (Motian was supposed to play with the band—McHenry, guitarist Ben Monder, and bassist Reid Anderson—during an engagement a few weeks ago, but his illness prevented it.) McHenry brings a complexity and dissonance to the music that belies the grainy elegance of his lines, but Motian is just as responsible for the music's nubby grit, using staggered snare bombs and stuttered cymbals to keep everyone on their toes—not just the band but the audience too. Below you can listen to one of the album's more extroverted songs.
Earlier this year Motian released The Windmills of Your Mind (Winter & Winter), an unlikely collaboration with singer and violinist Petra Haden of That Dog (and a million other one-off projects), who sticks to vocals on this album. The band, which also features guitarist Bill Frisell and bassist Thomas Morgan, plays a collection of pop standards, from "Tennesse Waltz" to "Lover Man," as well as some Motian originals on which Haden sits out. The partnership isn't quite as odd as it might seem, since she's the daughter of bassist Charlie Haden, one of the drummer's steadiest collaborators over the years—and of course because Motian was always open to the influence and ideas of younger musicians. He worked regularly not only with fellow veterans such as Lee Konitz but with an army of younger players (McHenry, Brad Mehldau, Jacob Sacks, Adam Kolker, Anat Fort, Kris Davis, Tony Malaby, and Gordon Grdina, among others). During his career he played behind countless legends—Haden, Bill Evans, Paul Bley, Keith Jarrett—but he never rested on those laurels.
This excellent piece by Ben Ratliff gets to the heart of Motian's singular approach.
Bill McHenry, "La Fuerza"
Comments (4)
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Bill Evans, Scott LeFaro, and Paul Motian were the ultimate jazz trio. Great stuff! RIP.
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RIP. Another veteran trooper gone. You can tell in "La Fuerza" (the force?) he kept searching such as all great explorers should do. "Nice cut", as we used to say in the old days.
I was lucky to see Motian play as a member of Enrico Rava's quintet at The Blue Note several years back. As much as what he played, in a lot of ways it was what he did not play, i.e. his restraint and taste, that really set him apart. For many years and for obvious reasons, I've believed that in a trio setting he could really shine due to the space allowed to each player. Two outstanding later recordings are "I Have the Room Above Her", and "Lost in a Dream", the former with Bill Frisell and Joe Lovano, the latter with Chris Potter and Jason Moran. We're fortunate that he left behind such a massive catalog; even so, he'll be missed!
Hey check out (and like) an awesome take on jazz musician Paul Motian's top albums by one of the editors of Culture Catch Mr.Holtje at: http://culturecatch.com/music/paul-motian-…
