Perhaps the most notable is trumpeter Mathias Eick, who recently released his second album as a leader, Skala (ECM). The horn man has a distinctly Nordic sound, with a full, mellow tone and a meticulously considered improvising style that leaves little room for superfluous gestures. His solos are highly lyrical and usually sound as if they were mapped out in advance; most of the compositions have a rocklike concision and simple, hooky melodic ideas. As much as I admire Eick's playing and as beautiful as the new album can be, it sometimes sounds too calculated—several tracks feature both Torstein Lofthus and Gard Nilssen, two of the most powerful drummers in Norway, and they come across like a little less than a single percussionist.
Keyboardist Øystein Moen plays in Puma, vibist Andreas Mjøs has worked with In the Country, and trombonist Erik Johannessen is a member of the Trondheim Jazz Orchestra. And all nine members on Jaga Jazzist's current tour, as products of Norway's enviable music-education system, are skilled and versatile players.
photo: Colin Eick
Today's playlist:
Jeff Davis, We Sleep Outside (Loyal Label)
Afrocubism, Afrocubism (World Circuit/Nonesuch)
Decoy, Spirit Vol. 1 (Bo’Weavil)
Harris Eisenstadt, Woodblock Prints (No Business)
Frazey Ford, Obadiah (Nettwerk)
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Checked out the site for Mathias Eick. Nice going. Sounds like a flugelhorn at times with a very solid and centered attack.
I admire these guys who "experiment" or try to search for something new in jazz. If any music remains the same it will die. But that doesn't mean we can't enjoy the more traditional things. Mathias sounds to me like he's searching. This is good. The only criticism would be, for my tastes, a bit too much reverb.